Catalog: Antiques: Regional Art: Asian (423)

This is Egata used for the Taisho era period. As for this, a ramie spun by hand is used. This is drawn in Tsutsugaki. This is a natural indigo plant, and both sides are dyed. Egata dyed only by indigo dyeing in Okinawa dyeing and weaving is rare. This does not have stain damage at all. The state is good. Size 115cm x 115cm (45.2 "x 45.2")

Japanese antique silk katsugi hitoe kimono Meiji era(1868-1910).Pattern of the freehand drawing dyeing of the scenery of a mandarin duck and the snowy Japanese garden. It has a few stains, but there is no damage.They are not disturbing, and as a whole it is in very good condition.It display it in the room in addition to the collection of your antique, and I recommend it to you to materials such as the patchwork. size:Length 158cm (62.2inch) sleeve to sleeve 123cm (48.4inch)

Japanese antique old silk yuzen-dye & Tie-dye & beniitajime dye( natural Safflower dyeing) kimono edo era(1800-1867)very rare.It has a few thin stains & discoloration. However,It does not stand out. It is no damage.They are not disturbing, and as a whole it is in very good condition. Sizu: :Length 147cm (57.8inch) sleeve to sleeve 124cm (48.8inch)

This is natural indigo dyeing Shirusi-Hanten made at the beginning of the Meiji period. This gets texture and others by cotton and silk. As for this, cotton and silk are spun by hand. It is rare that Shirusi-Hanten is woven by cotton and silk. Most are only cotton. This has fading with several places of a few holes, but the state is good. This was sewed for a child again. Size 65cm x 103cm (25.5 "x40.5")

Japanese antique shiko & benibana-dye itajime(katazome) silk child kimono yosegire(patched) edo era(1800-1867).It is shiko & benibana-dyeing of natural.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 104cm (24.9inch) sleeve to sleeve 96cm (37.7inch)

This is Kara-Momen(China-Cotton) Obi- belt used in Japan for Edo period. As for this, rare how to weave is very impressive. As for this, cotton was spun by hand, and this thick was woven after it was plant dye, and a thread was dyed. Most of this type of cloth is left with odds and ends cloth. It is rare that this is left in the form of complete Obi- belt. This does not have the damage having several places of slight fading...

Japanese antique Piggyback string of the baby indigo dye tsutsugaki cotton textile of the meiji era(1868-1910).This is silk Kesa nishijin textile in the age of the meiji era. The material is silk. It has a few thin stains to lining. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length:292‡pi114.9inch) width 36.5cm (14.3inch)

Japanese antique silk shibori Tie-dye & katazome nakagi beautiful kimono Meiji era(1868-1910).It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 150cm (59.0inch) sleeve to sleeve 124cm (48.8inch)

This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture...

This is Yogi used in a rich merchant's family of Akita for Edo period. This is drawn in good-quality Tsutsugaki. As for this, a Chinese phoenix drawn boldly is very impressive. It is very elegant. As for this, cotton is spun by hand and is thick. As for this, cotton cloth of the lining is dyed into deep green. Good-quality Tsutsugaki often uses it to lining. This does not have a stain and damage. The state is good. Size 182cm x 172cm (71 "x 67.7")

This is Tsutsugaki produced in the Shonai district for the Meiji period. This was used in a merchant's family. As for this, cotton is spun by hand. This has a pattern and the family coat of arms of the peony butterfly. This is a pattern of the good luck. This has slight aging fading in three places, but there is not the damage. The state is good. Size 156cm x 127cm (61.4 "x 50")

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai...

This is Noragi used in Shiga area for the Meiji period. The trace which this is a white thread, and was repaired many times is very impressive. As for this, good expression was left by calm good work. This was left until the present age without being canceled. This has approved beauty by the family from generation to generation. 86cm x 118cm (33.8 "x 46.4")

This is Yogi which a rich merchant used in a district for Edo period. As for this, good-quality Tumugi-Silk is used. This is dyed by Yuzen- dyeing. As for this, brown is used for a basic color. The brown items were popular in the big city for Edo period. As for this, the shading off which is one of the technique of the Yuzen dyeing is very impressive. The shading off expresses the three-dimensional impression of the pattern. This has slight fading on a shoulder...

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive. There is not such a bold design elsewhere. This does not have a stain and a wound. The state is very good...

This is Katsugi used in the latter half of the Edo era(1800 ~ 1868) in Tohoku. This is good-quality Katugi produced in a district for Edo period. This is Katsugi produced with a tradition of Kyoto in a district. This has Oomon to a shoulder center part. This was dyed with a natural indigo plant. As for this, the bottom part is colored into black. As for this, Katazome of the small build is expressed by three patterns. The part of the hem is Tsutsugaki, and this is expressed...

Japanese antique old Edo� era silk Tie-dye shibori benibana-dye kimonoi.It is a very good condition.It does not have a stain and the damage.size:Length 147cm (57.8inch) sleeve to sleeve 123cm (48.4inch)

Japanese antique meisen ikat silk charming child kimono Pattern of Plover.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.size:Length 68cm (26.7inch) sleeve to sleeve 70cm (27.5inch)