Catalog (79)

Small jar. Slender body with short, cylindrical neck and wide mouth. On the shoulder four lugs. Upper two third of the body covered in a dull brown speckled glaze. Thailand, Sukhothai, 14-16th century.
Height 11½ inches.
One small chip underneath rim, missing areas (mouth and shoulder) in glaze, generally in very good condition.

Storage jar with beautiful dark brown glaze drippings from the neck and shoulder down, over a dark brown stone ware with countless inclusions. Around the neck engraved with cross pattern. Shape somewhat distorted. Height 11 inches, width 10 inches. Two short cracks at the rim, one small chip at the rim, glaze partly rubbed due to extensive usage. Overall condition good. Japan 18/19th century.

Serving plate. Over a grayish brown stoneware a geometrical design in blue, brown and green glazes, partly with fine crackle. Unsigned, but clay, color and design remind one of Mashiko ware. Diameter 10 ¼ inches, height 2 inches. Japan, 2nd half 20th century. Slight traces of usage (tiny scratches and water stains), otherwise very good condition.

Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown. Back of halo engraved with name of temple and donors? The rope in Fudo’s hand is twisted metal wire, the sword is made of clay and wood.
Country style, folk art. Probably late 19th century.

Height figure group 8 in. (20.8 cm), height box 11.25 in. (29 cm).
Paint is flaking here and there, pieces of the halo broken off and put back (best seen in photo of the back, where they show up as purple), some larger chips at bottom of base repaired. All in all good and stable condition.

Small phosphatic glazed earthenware jar with double handles. Reddish brown clay covered with dull black glaze with several mottled white glaze splashes. Jun-type pottery as made in the Tang dynasty, China, 19th century or earlier.
Height 5 ¾ inches (14.9 cm).
Black glaze dull, showing water streaks, one chip on back of one of the loop handles, some dirt residue. Otherwise good condition.

Small ovoid vase with short neck; lugs on two sides of the neck. Rich brown iron glaze over a gray-beige colored ceramic body, leaving the lower 1/3 part free.
Sawankhalok ware from Sukhothai, 15th -16th century. Or possibly Chinese, Jian yao, Song dynasty, 12th – 13th century
H 4.5 inches (11.2 cm).
Very good condition.

From an old private TX collection of high quality Japanese and Chinese ceramics and antiques

Large stoneware jar with multi-color dripping glaze over a creamy white crackled glaze. The green is the traditional green of earlier Shigaraki ware, the blue as well, but a variety of brown, red, pink and black have been added to the palette. Inside and bottom covered in brown glaze with yellow spots. Japan, early Showa, 1920-1930s.
Height 17 inches (43.2 cm), diameter at shoulder ca. 17 inches (43.2 cm).
Mint condition.

1) Stoneware incense box or kogo in the shape of an onna daruma (female daruma). She sits in the typical way, all rolled up in her garment, indicating that arms and legs may have fallen off. Her face shows striking similarity to Okame. Cream colored and reddish brown glaze over whitish soft clay, the face left partially free, fine crackle in the glaze. Japan, Meiji period.
2) Stoneware incense box or kogo in the shape of Daruma, wrapped in his reddish garment, his face peeing out of the garment, looking up. Cream colored and red glaze with some black accents over a whitish soft clay, the face left partially free, strong, but very fine crackle in the glaze. Raku stamp on the inside. Japan, Meiji period.
Height: ca. 1 ½ inches each.
Condition:
1) Outer edge of lower part with tiny frittings and chips, two tiny glaze chips along the lines of the crackle (hardly visible). Generally very good condition. 2) On the back tiny pieces of glaze missing between the crackle lines, otherwise excellent condition.

Hobson, R.L., The wares of the Ming dynasty. Rutland/Tokyo: Charles E. Tuttle Company 1962. With dust jacket and with card board slip case. 1st edn. Little tear in back of dust jacket, all in all in near new condition.
Book on ceramics and porcelain with 9 color plates, 50 b/w plates, hand drawn marks, etc.

Schuster, Felicia and Cecilia Wolseley, Vases of the sea. Far Eastern porcelain and other treasures. New York: Charles Scribner's Sons 1974. Hard cover binding with dust jacket.
Book on vases from China and from Japan made of porcelain, bronze, jade and cloisonne, and also a chapter on ivory and on lacquer. Numerous color illustrations.
Few unimportant traces of usage on the dust jacket, all in all in near new condition.

Large storage jug of typical Shigaraki stoneware with small white inclusions, made in three sections, decorated in multicolor enamel and gold with a cat making a mouse train come to an abrupt halt. A cat, high back, hissing at the mouse going at the head of a train, makes the train come to a dead stop and the following mice tumble, roll, spill in a ripple effect. Funny details: tumbling palanquin, spilling fish, flying papers. Either folk art or export. Japan, 20th century.
Height: ca. 18.5 inches.
Unsigned work from a studio that decorates household ceramics with funny or fantastic images in overglaze enamels that can be fired at low temperatures.

Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.

H ca. 3 ½ inches, dia. Ca. 4 ½ inches.

Excellent condition.

Comes with brocade pouch and plain wooden box.

Vase or jar with globular body, standing on a short foot and with everting rim. Moon jar. Underglaze blue decoration of carp swimming in water. Signed and sealed. Bottom marked as well. Korea, late 19th or early 20th century.

Height 12 in., width 12 ½ in.

Mint condition

Ex coll. Peter K. Warren, CT

Figure of an eight-armed octopus, lying down in an almost elegant pose. Stoneware with gradient brown-beige color glaze. Signed on the back Hakushi or Hiroshi. Japan, later part of Showa era.

Length ca. 13 ½ x D ca. 9 inches.

Mint condition

Mid-size stoneware jar for storing tea leaves or other.
Brown stoneware with white inclusions and a green splash of natural ash glaze. Slightly widening from bottom to shoulder, with a short more or less straight neck with everting lip.

Japan, Momoyama – Edo period, 16/17th century.

Height 12 ½ inches.

Excellent condition.

Rare pair of foxes that guard a Inari shrine. One holding a jewel in the mouth, the other a key. Each squatting on a little pedestal. Earthenware with mineral color pigments red, blue, white and black. Japan, Edo period, 19th century.

H 19-1/2 x W 6-1/2 x D 9 inches.

One tail restored, key broken and partially replaced for the sake of symmetry, few chips. All in all excellent condition.

Stoneware receptacle, probably used as a kensui, or waste-water jug, in the tea ceremony. Relatively high, straight sides with a constriction under the edge, decorated with the typical green glaze patches and geometrical patterns and plant motives in iron brown on white slip. Bottom inside left unglazed. Impressed seal in bottom, in the shape of a flying plover. Seto ware, Oribe style, Japan, Taisho period or early Showa, 1920s-1930s.

H 4 ¼ inches, diam. circa 4 ¼ inches.

Inside with water stains (chalk), slightly calcified crackle of green glaze on outside, tiny glaze chip, all in all very good condition.

Small compact vase of irregular shape on a wide foot. Brown clay with white mineral and tiny pebble inclusions typical for Shigaraki and Iga ware, with green and white ash glaze over cross hatched pattern on the shoulder.
A small metal loop on the shoulder in the back to hang the vase from a beam in the tokonoma.

Bottom unglazed. Impressed seal of artist: Kozan.
Japan, Iga ware, Showa/Heisei, circa 1970s-1980s.

H 3-3/4 in., W 4-3/4 in.

Mint condition

Morisato Kozan (b. 1915). Well-known Iga ware potter