A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920...

Lovely large hinged cut glass box with flowers on both top and bottom. It is in perfect condition with no chips, cracks or repairs, but the rim could use resilvering. It measures 4" tall x 8" diameter at its widest point.

Lovely melon shaped Mt. Washington biscuit jar with handpainted pastel flowers. This jar is in perfect condition with no chips, cracks or repairs, and measures 5 1/" to the top of the lid x 5 1/2" diameter.

Lovely ribbed opaque glass biscuit jar with large applied glass flower on front. The frame needs resilvering, but the rest of the jar is in perfect condition with no chips, cracks or repairs. It measures 8" tall to the top of the handle x 5 1/4" diameter on the bottom.

Lovely shaped biscuit jar with handpainted floral decoration. The frame need to be resilvered, but other than that it is in perfect condition with no chips, cracks or repairs. It measures 8 1/2" to the top of handle x 8" long and 4 1/2" wide

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with complex lacy gilding. The upper rim is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine...

A handsome chartreuse-cut-to-clear low bowl cut with a ring of printies near the lip and another ring of overlapping printies lower on the sides. Unsigned, but almost certainly Val St. Lambert.

Origin: Belgium, ca. 1920. Condition: no chips or cracks. Size: 9" diameter; 2-3/8" high.

A rare peacock blue pressed glass Imperial Russian tea box, the lid enhanced with intaglio decoration of Moscow’s elegant Neoclassical Pashkov House. The edges of the hinged lid are pressed in a pattern of diamonds and fans, while the sides are decorated in arched pillars and diamonds. The bottom is impressed with the glassworks’ mark and the date 1911. The edges are mounted in white metal and the box retains its original key...

An unusually fine Baccarat pansy glass paperweight from the Dupont era. The blossom is nicely worked with deep purple upper petals and mustardy-yellow lowers. The flower is centered with a complex cane star rods encircling a red and white bull's-eye rod. The flower is accented with ten finely-veined leaves in an unusually bright green color and a well-formed bud. The concave base is finished with a 16-rayed star that visually extends all the way to the periphery when viewed through the dome...

This pair of crystal candlesticks was produced in Europe or England in the late 19th century. The maker is unknown. They are approximately 10 inches tall and the base has a diameter of 5 inches. The crystal is hand blown so that the candlesticks are hollow. They are hand cut with geometric patterns. The edges are beveled and the contoured shape has cut panels. The color is deep amber. They are tasteful and elegant. Condition: Excellent

From our European Collection, #3 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other flor...

From our European Collection, #2 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by alternating panels of lions and bulls within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figur...

From our European Collection, #1 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by three lions within a shield, flanked on both sides by mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other floral p...

This crystal wine glass was produced in Europe in the late 19th century. It is unsigned and the maker is not known. It is made of hand blown crystal with a hand cut stem. The color is greenish amber. The glass is decorated with ornate gilding. Condition: Excellent

This crystal glass was produced in Europe in the late 19th century. It was probably made by a Bohemian firm. There is a signature but we were unable to identify the maker. The glass is 8 inches tall and the diameter of the bowl is 2 3/4 inches. It is made of hand blown crystal and the stem is hand cut. The gilded enamel decoration is extremely fine and detailed. It has winged griffins in the design. Condition: Excellent

This crystal glass was produced in Europe in the late 19th century. It was produced by a Bohemian glass manufacturer. It is unsigned. The glass is 6 1/2 inches high and the diameter of the bowl is 4 1/8 inches. The crystal is hand blown and the stem is hand cut. The decoration is raised enamel gilding. There are baskets of flowers and fruits with swirls and swags. The quality of the workmanship is superb. Condition: Excellent

A (Ludwig) Moser Three Handled Loving Cup, Circa 1870-1895. It is Green Glass with a Blue, Pink Yellow and White Enamel and Gilt Floral Design All Over, including the handle. From Karlsbad in Bohemia, now the Czech Republic. Dimensions; 7" high x 4.75" width at the top and 6" to handles. Excellent condition.

A fine example of a triple knopped double series opaque twist (DSOT) antique wine glass. The bell bowl sits above a stem with three heavy spiral threads outside of a loose central gauze, and with shoulder, medial, and basal knops. Conical foot with rough, snapped pontil.

The vast majority of opaque twist glasses have straight stems, and the addition of even one knop adds substantially to the difficulty of making them, and the value. Each additional knop increases these factors...

A Thomas G. Hawkes Amber Cut Crystal Center Bowl or Compote. Dimensions; 9.5" in diameter x 4.25" high. Marked Hawkes and with the Trefoil (highlighted with magic marker in photo). Circa 1910 and in excellent condition.

A Victorian Hand Blown Amber Satin Glass Vase, with Enameled Flowers; English. c. 1870-1880. Height 8". Excellent condition.

An Amber Glass Hand Blown Thumbprint Pitcher with an Applied Blue Handle. Dimensions; 9" high x 6.5" wide to handle. 1920's and in excellent condition.

A Pair of Bohemian Cased and Cut to Emerald Green Glass Overlay Vases or Urns, with Gilt. Dimensions 9" high x 4.5" wide at the base. Circa 1870-1900 and in excellent condition.

A superb and elegant multiple spiral opaque twist wine glass, with four features contributing to the rarity of this glass. The first is the bowl, which is highly unusual and could best be described as ogee form with an extremely swollen upper portion. Second is the enamel portion itself, with a multiple spiral opaque twist (msot), a type encountered very infrequently. Third is the presence of a central knop, with any knop on an opaque twist being uncommon...

This glass vase was produced in Bohemia 1870-1880 by Harrach. The vase is 8 inches high and the widest point has a diameter of 4 inches. The glass has a layer of pink glass over white opaline glass. It has three applied ball feet. It is hand enameled with a bird on a branch surrounded by flowers. The enameling is beautifully detailed with vibrant colors. There is a sprig of flowers on the back on the vase. The rim is trimmed with gilding that has black enamel accents...

An American Brilliant Period (1876-1916) Cut Crystal and Sterling Rim Center Bowl. the Bowl is Hallmarked by The Stone Sterling Silver Company, New York (1896-1903). Dimensions; 10.25" diameter x 5" high. Very minor dings in the silver rim (barely noticeable) but other wise in excellent condition. No problems in the glass.

A Hand Blown Barber Scent Bottle with Swirls and Hand Painted Florals. Dimensions; 8" high, 10.75" high including stopper. Circa 1890 and in excellent condition.

A Pair of Large Bohemian Cased and Cut to Emerald Green Glass Overlay Covered Urns, with Gilt and Hand Painted Flowers. Dimensions 12.25" high x 4.75" wide at the base. Circa 1870-1900 and in excellent condition.

A scarce Heisey EAPG Winged Scroll pattern custard glass American pressed or pattern glass pitcher issued by Heisey from 1899-1901. It is 9-1/2" tall in the un-decorated (no gold trim) custard colour, and it is in excellent condition with no chips, cracks, losses, damage or repairs...

Beautiful little English Crystal Perfume Bottle with Sterling Top and original Cork. 4 hallmark stamps (NN) (Lion) (m) (Crest?). Good condition, size: H. 6.25 cm. x W. 2 cm.

From the estate of the late Violet Trefusis, exquiste large etched English or French Crystal Perfume Bottle with angled sides depicting a beautiful Deer in a Forest landscape, gilt top, original cork and intact crystal stopper. Base is etched with "38". Very good condition, Size: H. 12.5 cm. x top width 6.5 cm.

A pair of so-called Whimsey glass vases c1900. Glass whimseys, or end-of-day glass, were made at the end of the day's glass production by glassmakers using leftover glass; these items were usually taken home and given as gifts. Many forms were produced, including glass canes, figurines and artistic objects. This pair is made of amber and citrene coloured glass with white highlights and ribbon decoration. They are unsigned and the amber vase has a hook so it can be hung on a wall; the other...

Fine Bohemian green-to-clear cut glass Biedermeier footed spa beaker ("spaglas") featuring five panels, each beautifully engraved with Classical symbols. Beakers of this sort originated in the great spa towns of Bohemia, where they were used to take the waters. Wealthy visitors often brought back a goblet as a souvenir of their restorative stay at the spa. This example is packed with finely-engraved symbols of all sorts--an anchor symbolizing hope; a cornucopia symbolizing prosperity; a swan ...

This crystal vase was produced in Bohemia by Moser in the 1880s. It is 12 inches long and 9 inches high. The glass has a lead content and rings when tapped. It is hand blown and has applied glass features. It is formed in the shape of a cornucopia. The glass is dark, sea green. The entire body of the vase is covered with intricate enameled decoration. The flowers and ornamental swags in vivid raised enamels are completely done by hand. The vase is accented with profuse gilding. This is a...

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it. The glass feels slick and smooth until you come to the hobnails that increase in size from top to bo...

This crystal goblet was produced in Bohemia by an unknown company. We believe it was made sometime in the early 20th century. The goblet is 9 3/4 inches high and the diameter is 3 1/2 inches. The decoration is beautifully hand enameled, depicting brightly colored parrots on both sides of the glass. There are also flowers and gilded leaves. CONDITION: There is a bit of wear to the gilded stems of the flowers.

This pair of crystal candle holders was produced in the early 20th century. We believe that they were made by an American glass company such as Libbey, Sinclaire or Pairpoint. There is no signature and the pattern does not lend itself to identification. They are 11 3/4 inches high and the diameter of the base is 4 1/4 inches. They are hand blown with a wide polished pontil on the base. The shape is elegant with six panels to the shaft. The engraved decoration reflects through the sides of ...