The face on the spout is tinted with the same yellow/brown as the face on the pitcher. 10 ¼ inches high, 8 ½ inches across handle and 7 inches wide.

Isaac Van Amburgh was an American showman/animal trainer. He had his own travelling menagerie by the mid 1830s. Around 1830 he became the first (perhaps) performer to place his head in a lion’s mouth. His grandfather was Native American. Van Amburgh toured extensively, including in England...

Although Adderley is often credited by sellers as the maker of all Blue Chelsea series of table wares, the truth is that it was produced by many makers. This coffee pot is unmarked but clearly a fine Staffordshire example.

Our coffee pot sits on a hexagonal foot whose shaping continues in the body of the pot. It is sparsely decorated in the much beloved Blue Chelsea Sprig motif on a cream body...

A mulberry transfer English Staffordshire plate in the Athens pattern by William Adams & Sons made c. 1850. The inking is crisp and sharp, even on the backside as evidenced by the clear registry mark. The shape has 14 edges. Adams was one of the longest lived potters in England, operating as late as the 1990s.

Condition is Excellent.

Dimensions (inches)
Diameter: 9 1/8

English Transferware Pink deep Plate, Ca. 1850, 8 1/4" diameter, 1" high, marked "Woodland" in the double oveal shape circle, mpressed mark beside, rest of the markings are unable to identify, three(3) cows in front of tall trees with Grape Vine Rim design, it is a beautiful pleasant scenerey. Crazing on the glaze, the condition is good.

English dark Brown Transferware Plate, Scalloped Rim, Ca.1900, 8" diameter, marked "British Lake, Stone China, Buttermere" with "Crown" mark on the bottom, two(2) cows and two(2) men and tall mountain in the background, very pleasant design in the center and Flowers and Foliage decorated Rim, the condition is good.

English "Pomerenia fluted rim purple color Transferware Plate, Ca. 1830, 8 3/4" diameter, 2 cows and men in the boat in the lake in front of Castle, some stains and large old chip on the bottom,

Anglican, Lowther Castle Transferware Plate, Purple color Iron Stone, with a man, cow and other anumals in front of Lowther Castle, Ca. 1850, 8 1/4" diameter, crazing on the glaze, the condition is good.

English W. Adams, Lorraine Brown Transferware Ironstone Dish, deeper Plate, Ca. 1840, 8 1/2" diameter, 1 3/8" high, pleasant scenery with cows buildings behind within wide floral and vine design border, crazing on the glaze, the condition is good.

English Transferware Plate, marked "E. Challinor", "Dora" red Transferware Plate, Ca. 1856, 8 1/2" diameter, cows, sheeps and farm house scenery, very pleasant farm animals and houses, and crazing glaze on the surface on the some spots, condition is good.

Circa 1790-1820, English underglaze blue pearlware bowl with exaggerated Chinese style figures. Hand painted and in excellent antique condition, it measures 5 1/8” diameter x 2.75” high.

Circa 1830-40, English flow blue octagonal ironstone serving platter. The deep dark blue and the flow is as good as it gets. Made by P W and Co.. in Manilla pattern, it measures 16" x 12". Appears never to have been used, excellent condition.

An English Pearlware Pickle dish. In the form of a deep leaf with a green glazed rim. C1790. Length; 6 3/8" 16.2 cm) Condition; excellent

A Panel of Six English Manganese Ground Delft Tiles. Each decorated with figures in landscapes with carnation corners. London C1740/60. Diameter; 5" (12.7 cm). Condition; usual minor chips, the second tile has a glaze crack to the centre

A Staffordshire plate stenciled, cut sponge decorated and hand painted with the three rabbits, the frog, the clouds and grasses stenciled in brown in the center of the plate within a blue line, surrounded by hand painted red flowers, green leaves and blue cut sponge flowers contained within a red line on the rim. The rabbits in the yellow painted grass are fairly natural. The green painted frog less so...

A White Delft Sauce Boat. Of silver shape raised on three lion mask pad feet and with a lion mask handle. Covered in a thick even white glaze. Possibly German C1745/50. Length; 18.8 cm. Condition; minor wear. Exhibited in the English Ceramic Circle Exhibition 2006, No 17. As possibly Germanic in origin

Rare Child's Jackfield Pottery Teapot

3.5" tall 5" max width

Two(2) Victorian English Staffordshire Charles Meigh "Indian Stone China" Soup Plates, 10 1/2" diameter with fluted rim, 2" high, impressed mark on the bottom, the condition is good, no damages.

Majolica Faience large Plate, raised Berry and Rose on top of Basket weave design, 10 3/8" diameter, 1 3/8" high, brown spotted design on the creamy color back, some missed glaze spots under the bottom rim.

A pair of early Staffordshire figurines of eagles on vermicular or marble painted bases from 1820-1850. These well modelled heavily gilded 19thC English earthenware eagles are 7-3/4" tall. Both have tilted heads and back-stretched wings. They have purple, yellow and orange marble-like painting on the simple rectangular shape bases. The mustard yellow rocky perches have a blue flower. They not signed with a manufacturer's stamp, unfortunately fairly common with Staffordshire figures...

Ten creamware dinner plates, transfer printed in puce with a cottage, a farmboy and cattle within a lace border, the outer rim with hand painted vine leaves, also in puce (one vine wreath partly in orange). From Herculaneum in Liverpool c 1810, all with the impressed mark of the pottery as a straight line, in the style of Wedgwood, the name of the pottery also competing with Wedgwood’s Etruria. Diameter "10 / 25.5 cm. Condition: all fine except for a hairline to one of the plates.

Yellow Shell, part tea service: a slop bowl and a dish, three cups and two saucers. This very popular folk art or naïve style pattern was produced in more than one Staffordshire kiln in the early 19th century, among them Ridgway & Sons and Machin. The pattern number used by Machin was 208, a number that can be seen on the back of the slop bowl. The diameter of the slop bowl is "6/ 15,5 cm and of the saucers appr. "5½ - 5¾ / 14,5 / 13,5 - 14.5 cm. Condition: minor star crack to the dish (cf...

A wonderful example of a creamware dish made by Sewell and Donkin of Newcastle (St. Anthony's until 1819). The painted central scene shows a dying patient receiving his unction above the motto "T Oliesel" (Last Rites), and is surrounded with a colorful floral border. The reverse of the dish has the partial impressed manufacturer's name.

The condition of this 10" diameter piece is excellent, with good color, no cracks, chips, or restoration...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

A stoneware dinner plate with a shaped edge transfer printed in light blue with an elaborate floral border on the lip and an equally elaborate alpine view with flowers and chalet in the well. On the back a floral cartouche with the title, “Genevese” in the center and “Opaque China” on the lower edge with a script capital “A.” This pattern was made by Minton with the letter “M,” this plate was probably made by them with a different letter. English circa 1830...

A very well molded pitcher with floral decoration on each side, molded foot, lip and handle. Across the front of the pitcher and on either side of the neck are hand painted flowers, very much in the Adam’s Rose” style. This form of molded pitcher closely resembles those in porcelain of J. and R. Riley of Burslem. The body is very white, but isn’t porcelain. 8 3/8 inches (21.5 cm) to the top of the handle and approx...

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked. The first two are probably...

A Creamware Basket and Stand Of oval form, the rim pierced with diamonds and hearts. Scrolling pierced shell shaped handles. Probably Shorthouse L18thC. Length of stand 10 1/2″ (26.6 cm). Condition; very good, small glaze bruise to rim of basket. Some firing speckling to underside of stand.

Circa 1830, historical dark blue Staffordshire teapot with a different scene on each side. One side shows 3 men chopping down a tree with a house in the background. The opposing side depicts a train engine pulling a coach. This teapot was produced by Enoch Wood & Sons (1818 - 1846) of Staffordshire. The deep blue color is remarkable as well as its excellent condition. Measures 10.5ʺ wide, 5ʺ deep, 7ʺ high.

A blue transfer printed “Stone China” or ironstone dinner plate by John and William Ridgway, marked on the back with the pattern and ‘J. W. R.” 10 ¼ inches (26 cm) diameter. Gadroon edge and good clear printing in dark blue. Circa 1820.

Condition: No cracks or hairlines. Two chips to the foot ring and a minute flake to the glaze on the rim and one at the edge of the well. Very minor knife scratches.

Very rare, circa 1888, English tapestry ware biscuit jar with hand painted scenes of a pair of quail and a pair of herons in their appropriate settings. The surface is very clean and feels smooth to the touch. Marked on bottom is the Taylor,Tunnicliffe & Co. of Hanley with the rare Kings Crown logo which was registered in 1886. In excellent condition, no chips, cracks or repairs, it measures 6" high With handle down x 5.5 diameter.

Please note: My photos make the texture look rais...

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.

An English stoneware plate, salt-glazed and enameled in rust-red, blue and green, c 1800 or somewhat earlier. Diameter "9½/ 24 cm. Condition: a small glaze-burst to rim, otherwise fine.

A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).

Black basalt milk jug with an elegant leaf handle. Engine turned in a bamboo-like pattern. England, Wedgwood style, c 1800-1820. Height "4 ½ / 11.5 cm. Condition: hairline near the base of the handle (cf. pic).

This Victorian copper luster pitcher practically dances with joy for the colorful flowers strung around the blue band of its bulbous form. Beading borders the blue and rim of the pitcher. Equally exciting is the mythical figure on the beaker spout. Condition is excellent and still retains luminous shine even after 170 years of life.

6 1/2" h

This fine Staffordshire copper luster pitcher is decorated with a blue band of enamel, creating a very clean, simple design, accented with beading around the border and rim of the pitcher. The fancy serpentine and strap handles give it grace. The warmth of the copper makes it an attractive accessory to a bookshelf or cabinet.

5 1/2" h

An English creamware mug probably either Yorkshire or Staffordshire elaborately decorated with a brown body on which is painted in green black and yellow a very stylized house with fences and trees all within a yellow band at the foot and the lip. The squared off handle is also yellow. The shape of the handle leads to the fairly late date. 4 ¾ inches (12 cm) tall and 5 5/8 inches across the handle (14.2 cm).

Condition: no cracks, hairlines or repairs. Some roughness around the lip and one...

A shaped rectangular dark blue ground dish with extensive gilding. Birds on the four edges and moths in the corners are painted in conjunction with the gilding. Though unmarked it is typical of Mason’s of the period around 1825. 9 ½ inches (24 cm) length, 8 inches (20 cm), 13/4 inches (4.5 cm) tall.

Condition: No chips cracks hairlines or repairs. Some gilding wear in the well on the right hand rose toward the edge and some wear through the gilding to the blue ground below at different p...

Rare Blue Willow Creamer and Cover in the shape of a cow standing on a grassy knoll with stenciled blue willow decoration.

English, circa 1840.

A group of pink lusterware made by Allerton, Staffordshire: slop bowl, two cups and three saucer bowls, all decorated with the Dahlia flowers typical of Charles Allerton & Sons, c 1860-70. Pattern numbers (?) 22, 707 and 701. Diameter of slop bowl "5½ / 14 cm, height of cups "2 ½ / 6.5 cm, diameter of saucers c. "5½ / 14 cm. Condition: wear to part of the decoration, nick to the foot rim of the slop bowl, one saucer with a hairline (cf. pics).

Copper luster and blue mustard pot, a footed salt and small dish, and a copper lustre and green pepper. All made around 1840-50, early Victorian Staffordshire lusterware. Height of pepper "4 ¾/ 12 cm, diameter of salt "3 ½/ 8.7 cm and of dish "5/ 12.8 cm. Condition: nick to the mustard pot lid.

A rare comical stoneware lidded jar in the shape of a blowfish by Mark V. Marshall for Doulton Lambeth, circa 1885. This globular vessel stands on three fin feet and the lid has a fin shaped handle. The entire piece is glazed in rich green, white and brown tones. The underside bears an impressed "Doulton Lambeth" mark, signature, and other incised factory marks. In excellent condition, it measures 6.5 inches high and 5.25" diameter.

Creamware plate, lobed and moulded, with pierced border of flower heads. Probably made in Staffordshire around 1780. Diameter "8 1/3 / 21 cm. Condition: a few glaze flaws, caused in the fabrication process.

A pair of creamware pierced plates, thinly potted and with ribbed recess and hand pierced border. Possibly from the factory of James & Charles Whitehead. In the pattern book published 1798 by the Whitehead brothers, two versions of this pattern are depicted side by side: one with a beaded edge, the other a ”plain” version like these two. Ten plates with the beaded edge are presented in another Global Ceramics listing. NB: this pattern appears to have been popular and was produced by more tha...

A fine transfer printed dark blue and white Staffordshire plate in the "Birds and Fruit" pattern. Attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this platter is a deep, clear blue, with no blurriness, and with the desired ripple glaze. Condition is excellent, with no cracks, restoration, ...

A superb transfer printed blue and white Staffordshire soup dish in the "Birds and Fruit" pattern. Unmarked but attributed to John Hall & Sons, Burslem, England. The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this dish is a deep, clear blue, with no blurriness, and with the desired ripple glaze. Condition is excellent, with no cracks, resto...

Eight dinner plates transfer printed in blue with the Wild Rose border and Nuneham Courtenay pattern, early to mid-19th century. The park at Nuneham House near the Thames was designed by Capability Brown. Many early Victorian potteries produced this pattern and the backstamps reveal a palette of potteries: four plates by Samuel Moore & Co in Tyne & Wear, impressed flowerhead mark for Swansea in Wales, impressed and underglaze blue mark of Bell Cook & Co, Phoenix pottery in Newcastle. One plate i...

Pearlware cup and saucer decorated with a silver resist (platinum) border of vines within thin red lines. As a cheaper alternative to luxury silver services and to avoid tarnishing, platinum on porcelain was used in the early 19th century. Silver resist or silver lustre wares were produced mainly in Staffordshire, before silver-plated metals took over the market. This cup and saucer was made around 1820 and is unmarked. Diameter of saucer "5 ½ / 14 cm and of cup "3 ¼ / 8 cm. Condition: slight ...

A “Salopian” pearlware coffee service: nine cups and saucers, coffee pot, cream jug and slop bowl. Transfer printed decoration and underglaze painting in yellow, light red, blue and green of flower borders and a romantic view of a farm house with cows, meadows and wanderers. The cups of generous bute shape with "London” handles, and inside each cup a very small cottage is to be admired. There is a blueish tone to the white glaze. The service, unmarked, was made in Staffordshire around 1810...

A pair of Royal Doulton Art Deco vases attributed to designer Bessie Newbery. In perfect condition, these vases are well suited to any home including mid-century modern where they can add a bit of interest. Dates between 1902 -1922 and measures 8 inches high.

English Imari pattern soft Ironstone two(2) handle Pastry tray, or serving tray, 19th century, 10 1/2" x 9" wide with two(2) handles in fluted rim, 1 1/4" high, Peony flowering branches decorated with underglaze blue, overglaze red and gold. This pastry tray feels very smooth and soft ivory white color and no damages except some gilding decorations are worn on the edges.

Rare majolica figural group spill vase featuring a pair of mallard ducks. In excellent condition, it measures 5.5 inches across x 3" high. Date circa 1880.

English Pink transfer ware scalloped edge Dinner Plate, 19th century, 10 1/2" diameter, woman and man talking and pointing to the two(2) cows are grazing in front of Monastery gate, marked "Monastery" and "10" in red on the bottom. Some glazed area are stained and hairline 1" long from the rim.

English Blue Transferware deep Plate, 19th century, 8 7/8" diameter, 1 1/4" high, fluted edge with Castle scenery and figures attending cows, impressed mark "2" on the bottom, possibly "Spode" pottery, the edges are worn and stained little, the condition is good.

English Spode Blue Transfer deep plate, late 19th century, 9 3/4" diameter, 1 1/2" high, with Italian pattern inside fluted rim and two(2) figures attending cows, imprinted mark "Spode 54" "Spode" in underglaze blue, the condition is good.

Three child’s plates with moulded double daisy borders, transfer printed in black, Victorian, 1840’s. Impressed anchor mark and London, probably made by John Carr in Northumberland for a London retailer (cf. discussions on the internet about potteries using this mark in the early Victorian era). One plate with a lady and a little girl in a trellised garden, the other two plates with scenes from a series called Juvenile Companions. Diameter "8 ¼ / 21 cm. Condition: fine.

A dark blue printed soup plate depicting in the center Saint Catherine’s hill in Surrey with fishermen and a boat on the River Wye. The back marked with an impressed Clews mark. Well printed and clear images. 8 ¾ inches diameter, 1 ¾ inches tall.

Condition: No chips, cracks, hairlines or repairs. A few minor scratches in the center of the bowl. Slight discoloration on the back.

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2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves. The transfer is black and the colors are...

Pale blue slip Pratt Ware pitcher with sprigged decoration c. 1810 A very well decorated bulbous pitcher with vertical sprigs of grape vines and a plant with green leaves and blue flowers (?) with a molded and decorated spout, blue bands and a molded stepped base. It is approx. 4 inches tall and 6 ½ inches from the spout to the end of the molded handle. A blue ground mug with similar grape vine is illustrated in John and Griselda Lewis Pratt Ware 2006 edition page 211.

Condition; no chip...

Circa 1867, Minton English majolica turquoise 6 well oyster plate, shape no. 1323, hard to see, but marked MINTON. In excellent condition,this oyster plate measures 9" in diameter