A high quality brilliant cut crystal celery or bread roll dish c1910-30. This 11-1/2 x 4-5/8" serving dish has an acid stamp mark with the Roden mark with the word THOMAS (possibly the pattern name or the retailer). This item is in very good original condition with no cracks, losses, damage or repairs other than the expected chips and flakes to the upper rim (on about 20 peaks with the largest shown)...

A fine quality unsigned pinwheel design American Brilliant Cut glass 3-3/4" tall (including lid) mustard pot c1900-20 . This hand cut crystal jar features a facetted stopper, and it is in excellent original condition with no cracks, losses, damage or repairs other than a miniscule fleabite to the bottom rim and the very top of the finial (barely noticeable)...

A crisply molded and clean American pressed or pattern glass celery vase in the Jubilee pattern, issued by McKee circa 1898. This 6-1/4" ruffled edge vase is also known as Hickman or LaClede, and it was also made by the Diamond Flint Glass Co. of Canada and appeared in the 1898 Eaton's Jubilee catalogue. This item is in excellent original condition with no chips, cracks, losses, damage or repairs...

A set of three scarce 4" footed green pressed glass nappies or small bowls in the Daisy & Button with Thumbprint Panel, introduced by Adams & Co., Pittsburgh in 1886. These lovely mint green pattern glass nappies are in very good original condition with no cracks, losses, damage or repairs other than the expected edge roughness and minor chipping (largest shown)...

A pair of pressed glass horn epergne or car flower vases from the 1910 era. Made with a loop for suspension from an epergne, a table decorative centerpiece, or a mount in an automobile, these 6-3/4" long unsigned vases measure 2-1/2" across the opening; they are in excellent original condition with no chips, cracks, losses, damage or repairs...

A high quality period American Brilliant Cut glass 9-3/8" comport identified for us as the Meteor pattern, produced by Pairpoint. This unsigned footed glass dish measures 6" across the bowl, and it is in excellent original condition with no cracks, losses, damage or repairs other than some very tiny bites to a few of the edges (largest shown is 3/16" long). A beautiful piece of glass from the great period of American cut glass...

A nice late Victorian South Jersey (Vineland/Millville area) glass paperweight with a frit “Home Sweet Home” design. The set-up is worked entirely in white frit and has few nice features including potted plants on the lawn, a picket fence, and a Y-shaped sidewalk. The glass is clean and has good magnification. The flat base is polished.

Origin: America, ca. 1900...

A very good fruit bouquet paperweight by the New England Glass Company. Four pears alternate with cherries and foliage around a central pear. The lampwork fruit is particularly nice in this weight. The bouquet is presented against a spiraling double latticinio basket. The dome is high and offers nice magnification. The crystal is a bit sugary, as is typical of many NEGC weights. The concave base has a wide basal ring.

Origin: America, ca. 1870...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon...

Flint EAPG ale goblet in the "Colonial" pattern, probably by the Boston & Sandwich Glass Company. The goblet has a very attractive, narrow form. Nice clarity.

Origin: America, ca. 1850. Condition: no chips or cracks, a scratch on the bottom interior of the bowl, normal frosted wear on the bottom. Size: 6-3/8" tall.

Flint EAPG goblet in the "Washington" pattern produced by the New England Glass Company. The clarity is excellent.

Origin: America, ca. 1860. Condition: no chips or cracks, normal frost wear on base. Size: 5-13/16" high.

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom...

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical exampl...

This Queen Heart lamp is 9 3/8" tall without the chimney. It was made by Dalzell, Gilmore, and Leighton in 1898. The collar is loose.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin:...

This lamp was made by the P & A Manufacturing Company of Waterbury, Connecticut.

Patented January 1890. What is unusual about this lamp is that it is a finger lamp, too. That is a safety feature.