Antique Japanese scroll painting of a koi jumping up a waterfall. Symbolizing strength, perseverance and aspiration, the large koi moves against the raging water which crashes below in a torrent of waves. Painted in sumi-e ink and white gofun on paper.

Age: Edo Period (1603-1867)

Dimensions: Total size: 72 1/2" high x 24 3/4" wide (26 1/2" wide including rollers). Size of art: 50 1/4" high x 20 3/4" wide.

A tiger sits tensed on a pine tree. The fearsome advance of the beast is suggested by the powerfully hunched shoulders, the placing of its feet, which all emphasize the animal's size and strength. Painted with ink on silk. The signature reads Ganryo and sealed. Kishi Ganryo (1798-1852) was a Kyoto based painter active during late Edo period, 19th century. He was trained under Kishi Ganku, who was a noted Japanese painter of the late Edo period and founder of the Kishi school of painting...

A Minimalistic Hanging Scroll Painting by Okada Hanko Hanging scroll painting depicting a group of rocks. Ink on paper. Signed Hanko and two seals. Okada Hanko (1782-1846) a Nanga painter and Caligrapher. He was born in Osaka, the son and pupil of Okada Beisenjin...

Nishiki-e. Oban, tate-e (ca. 24,4 x 35,2 cm).

Mi Brigade, Third Group, Fudanotsuji-ura: Actor Arashi Rikan III as Kaga no Chiyo, from the series Flowers of Edo and Views of

Famous Places (Edo no hana meishô-e)

Japanese, Edo period, 1864 (Bunkyû /Genji 1), 2nd month

Artist Utagawa Kunisada I (Toyokuni III), Japanese, 1786–1864...

Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches...

Antique Japanese scroll painting, with an arrangement representing a bounty of good fortune. Fish top a bushel of rice and are tied with roped straw in an auspicious presentation meant to bring in a bounty of fortune. Adding to it, three of the Lucky Gods make an appearance in miniature, treating the decoration as if it were a boat or their ship of good luck. Sumi ink on silk. Dates from 18th century.

Dimensions: Total size: 44" high x 22 1/4" wide (24 1/2" wide including ends)...

Two panel Japanese folding screen with image of two deers set on a grassy meadow-like surrounding with a waxing gibbous moon set on the left panel screen. The simple watercolor appearance, minimalist lines, and motif like appearance of the images are the signature elements seen in most Rinpa School. Age: Edo Period (18th-19th century). Size: Height: 67.5" Width: 68"

Antique Japanese fan painting of a single bat in sumi-e ink on paper. Signed by the artist. The painting is 18th century, later mounted as a scroll. The surface of the painting is very unusual and has a slight opalescent quality.
Size of scroll: 48" high x 24" wide (26" wide including scroll ends). Size of fan painting: 9" high x 19" wide.

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

Tosa school painting depicted a pair of crane with turtle. Painted with ink and pigments on silk. Signed and sealed.

Tosa Mitsuzane was a Japanese artist active during late Edo period(1603-1868) in Japan. He was the eldest son of Tosa Mitsusada (1738-1806). After his father’s death, Mitsuzane succeeded his father’s position retained artist by the Tokugawa shogunate. He worked on wall paintings at Edo castle...

Samurai Helmet depicted respectfully displayed on the stand. Painted on silk with ink and kindei, which is gold pigments. The kabuto was an important part of the equipment of the samurai, and played a symbolic role as well, which may explain the Japanese expressions, sayings and codes related to them. The Signature reads Tosanomori Mitsuzane (The load of Tosa) and sealed...

'Remote Landscape' by Tanomura Chokunyu (1814~1907)

Chokunyu was the step son of Tanomura Chikuden and he studied Chikuden's work. Chokunyu started to learn from Chikuden when he was 9 years old, and Chikuden found his talent and adopted him. Chokunyu learned Confucianism from Tsunoda Kyuka and Chinese poetry from Hirose Gyokuso. He also learned and got skills of Omotesenke Tea Ceremony, Kodo (Japanese art of appreciating incence) and Kenjutsu (the art of the sword). When he was ...

Antique Japanese small two-panel screen painting of Kiyomizu-dera temple. The scene shows the famous main hall platform that stands high above the trees on a cliff overlooking Kyoto. Kiyomizu-dera temple was founded in 778 and is now a World Heritage Site. This painting also shows the surrounding area with it's many smaller buildings, stone walls and elaborate gates. Painted in sumi ink and mineral colors on paper.

Age: Meiji Period (1868-1912)

Dimensions: 16" high x 30 1...

Antique Japanese byobu screen painting in six panels depicting a scene of a pair of pheasants sitting on the branch of a weeping willow tree. Ever feather is painted with care as is every leaf on the cascading willow. Lichen grows on it's gnarled trunk and a river flows calmly by. New shoots of bamboo peek over a low lying gold mist and pink azaleas spring from the rocks near the water.

Paired pheasants are a symbol of imperial elegance and are associated with Amaterasu-Omikami, g...

Impressive zenga painting of a Zen master's staff with a poem in the surrounding background, signed Tokuhon. Age: 19th century. Size: Length: 73" Width: 15.15" with good hardwood ends: 17.3".

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai. Isen mastered Yamato-e (Traditional Japanese pai...

A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a fine oxidized silverized patina. It appears to have the original brocade frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.

Sekkei Sansui-zu (landscape with snow). Painted with ink on paper. Signed and Sealed. It is framed without glass.It is dated on 1875 on the painting.

Some insignificant light marks, traces of damage that has been restored before, are present on the painting itself, otherwise the piece is in very good condition. Some tiny damage is present on the frame, otherwise it is in very good condition with the age. Some marks and light damages are present on the back of the frame, which is not distu...