A 12.75" late 17th century Kakiemon vase and cover decorated in iron-red, green, yellow and black enamels on underglaze blue, the body with a profusion of chrysanthemum, peony and cherry blossoms and foliage emerging from rockwork, the shoulder with alternate bands of lappets, hanabishi and karakusa, the neck and the foot with a continuous band of lappets, the cover similarly decorated.

Provenance: Christie's Lot 44, November 17, 1998

Condition: slight crack to base, cover restored.

Studio Vase by Sumida Artist Inoue Ryosai Signed, Meiji Period (1868-1912)

It is 8.25 inches (21 cm) by 4.5 inches (11.5 cm) wide.

It is in good condition with no repairs, cracks, or chips.

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A finely molded Kakiemon shallow bowl, five inches in diameter, the center of which is decorated in iron-red, blue, yellow and green enamel.

Ex-Christies

Condition: Excellent

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9" 19th century Kakiemon plates, slightly rounded, with blue flower baskets over blue underglaze. There are blue sprays on the undersides, each bears a Fuku mark.

Condition: Excellent, no chips, hairlines or repairs.

This is a rare late 18th century porcelain model of an elephant from the Arita Studio. 8" x 11.5", it is nicely decorated with blue medallions and a pale blue glaze.

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Condition: No chips, cracks or repairs.

Meiji period, late 1800s

This shallow bowl-shaped dish is set on a high foot with the characteristic Nabeshima comb pattern encircling it. The interior is painted with a design of chrysanthemums in cobalt blue of clear, rich tone. The underside is painted in the same cobalt blue with four groupings of four coin designs often seen on dishes of this size and shape. It is covered overall in a fine clear glaze with only the footring exposing the refined porcelain paste...

Circa 1680, this is one of the earliest examples of a Kakiemon sake bottle, rectangular in shape, 10.625" in height. Decorated in iron-red, yellow, green, aubergine, and black enamel, the four sides portray pine, bamboo, plum blossoms and peonies among clouds, with sprays of stylized lotus and scrolling karasuka upon the shoulders.

Condition: Early gold lacquer repair and cracks.

This is a fine 18th century 5.75 inch Nabeshima footed dish with blue underglaze, decorated with two enameled peaches and leaves. There are two old gold lacquer repairs to the rim.

Japanese Imari porcelain figure of a seated girl. Beautifully done in a blue, yellow, green, and red under glaze. A wonderful, fine example for the discerning collector. 9 inches, 23cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Late 1800s

Patterned after a Chinese Kangxi “Hawthorn” design. This bottle is delicately and rather thinly potted with a long, narrow neck rising from a bulbous body. It is painted in underglaze cobalt blue with a “cracked ice” pattern scattered overall with plum buds and blossoms—a design known among English connoisseurs in the early 20th century as the Hawthorn pattern...

Japanese Meiji period Imari porcelain 7 1/4” diameter x 3” deep bowl. The center of the bowl holds a central circular medallion with a stylized floral pattern pattern in underglaze blue (sometsuke). The interior and exterior sides are decorated in underglaze blue and overglaze polychrome enamel with gilt highlights and features three cartouches with flying phoenix birds on a white ground separated by rust-red and gilt medallions holding an animal motif set against a cobalt ground...

Meiji period, 1868-1912

Shallow bowl-shaped dish is raised on a tall foot and is decorated in underglaze blue with a branch of cherry blossoms encircling the interior. The painting is well-executed and the image is possibly based on a textile design. The underside is painted with three chrysanthemum sprays and the foot is decorated with the characteristic comb tooth pattern. Dish is glazed overall in a clear glaze leaving only the footring unglazed exposing the fine porcelain paste...

Late 1800s / early 1900s

The shape of this lobed dish with three sides was likely inspired by ceramic forms said to be based on the shape of Mount Fuji. The shallow tri-lobed dish is set on a raised foot with its circumference painted in a continuous fretwork pattern in underglaze cobalt blue. In the center of the glazed base is a square seal-form fuku mark. The edge of the flaring rim is enameled brown...

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony...

Dated: 1906

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