A rare set of three Deshima (Scheveningen) small bowls of lobed lotus petal form, two of which have all the elements of the traditional Deshima pattern, cups in this pattern appear to be exceptionally rare in the literature compared with flat wares, and one with a Chinese interpretation of the scene, where the figures and landscape are transposed into Chinese Immortals and a traditional Chinese style landscape, examples of which appear in the Burghley Collection etc...

A very large Imari charger with a painted dragon in the center chasing the elusive flaming pearl. The panels have various paintings of dancers and country scenes. It is unusual to see dragons in Japanese Imari plates. The back has been wired for hanging. Size: Diameter. 45.3cm. Condition: Perfect.

A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

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An Arita moulded dish of shuronogata, Hemp Palm, form decorated in underglaze blue with gilt outlined enamels, somenishikide, dating to the late Mid Edo period. The dish decorated with a kachoga design evoking an image of late Winter or early Spring incorporating the Shochikubai, the Three Friends of Winter. The under-glaze blue portion of the design a Bamboo “Tree” with shattered trunk and a pair of enlarged yukiwa, snow flake roundels, to suggest seki, viewing stones...

A decorative pair of Imari Beaker Vases made for export to the West brightly enamelled with traditional Japanese motifs. The main part of the vase is painted with a Crane symbolising longevity with the three friends of Winter, the shochikubai, the Pine, Bamboo and the Japanese Apricot (Prunus tree)...

Fine Japanese Arita Imari Wucai Dish c.1700. # 1 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character...

Fine Japanese Arita Imari Wucai Dish c.1700. # 2 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character...

An Arita cup possibly for noodles, Soba Choko, from the end of the 18th century or the beginning of the 19th. Shibata illustrates this mark as 1790~1810.

Approximately 7.2 cm high. Flea bite to one point, otherwise perfect.

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A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. The bowl is decorated with four elements of the pattern, two figures in a field, a female figure with cow held upon a leash, a rider in a landscape, and a “light-house”, beacon upon a hill. There is an Arita dish in the Groingen Museum with three of the elements, clearly copying very closely a Delft original of ...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. Although this is the most reproduced version in the literature the design is actually a sinofication of the original Dutch landscape. It reproduces the four elements that appear in No 1 and No 2, but the two figures are transposed into a Chinese Scholar and acolyte, probably meant to represent the Chinese poet, Lin ...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium. The design appe...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that...

A very large plate decorated with a kylin surrounded by panels of cranes among pine and prunus trees, separated by formal lotus flowers.

Just a tad under 41 cm diameter. No cracks, chips or restoration. Some light wear from use.

Stand not included.

Please study the photographs.

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A Japanese porcelain steep-sided dish depicting a traditional zashiki room or perhaps a temple interior. The plants seen through the windows are banana and cycad, both common in warmer climates as experienced in Kyushu or Okinawa. Arita 1730 - 1750. Two plates with similar central designs are found in ‘The Story of Imari’, Goro Shimura. ‘The Story of Imari, The Symbols and Mysteries of Antique Japanese Porcelain’, Ten Speed Press, Toronto. 2008. Items 61, 62.

Approximately 19.8 cm...