Edo Period (circa 1850) Japanese Noh Mask of Shojo, representing a happy, merry soul. He has a reddish complexion from drinking sake. This mask has a wonderful, happy presence. Beautifully carved to create a compelling expression. Lacquer over Paloma wood. 8.5 x 5 inches, 21.5 x 13 cm. Excellent Condition. From a prominent and widely exhibited collection.

Eight Part Temple Stone Pagoda or Stupa with moss lichen marks on surface,Hokyointo Type, Kansai area, Momoyama/Edo Period 16th-17th century, representing the five elements-water,earth,fire,wind,space. Size H 75" x W 25" x D 25"

A masterful rendering of an unusually large rooster posturing in full stance. The metals used are copper, silver, and gold. The major body of the cockerel is called shibuichi which is meticulously composed of silver and copper mixture. The feathers are beautifully sculpted and chased in details. The movement of the feathers pronounce the figurative composition. Its tail feather is patinated and infused into the silver.

Japanese bronze statute of a peasant maiden. Signed Hidemitsu. Meiji Period. Height 30-1/2"; diameter of base 9-1/4".

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look...

This signed Meiji Period (circa 1880) Japanese Theater Mask of Tengu by the artist, Kogyo is an extraordinary example of the character, with its dramatic and spectacular face. The most fabulous one we have seen. This mask represents the mischievous Forest God seen in Kyogen plays performed between Noh Dramas. It is for the most discerning collector. Lacquer over wood with silk hair. 9 inches (23 cm)h x 6.5 inches (16.5 cm)w, 21 inches (53.5 cm)h with beard. Excellent Condition...

Very fine and extremely rare Japanese Haniwa sculpture of a farmer with a charming expression, pointed hat, large hoop ear jewelry below a butterfly hairstyle, arms held to the front, 3rd Century AD (Kofun Period) created for a rice farmer to represent wealth. Rice farmers were among the most prosperous of Japanese society in the Kofun period. Provenance: Property formerly owned by the Honolulu Academy of Art. Collection Number is on the bottom of the piece...

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.

Jizo is one of the most beloved Buddhist Boddhisatva in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and its granite quarries made it a center of religious statue production and sales. This Jizo holds his hands in front of his chest in prayer, or in the traditional Indian greeting of "namaste." His face is well worn from the elements and time, but a faint smile seems to grace his lips. H.25cm(10") x W.13cm(5").

This very well carved gold gilt wood Buddha (Japanese name is Amida Nyorai or Amida Butsu.) is 18 ½” high, 7” wide and 6” thick (including base), the Buddha is 11 ¾” high, 3 ½” wide and 3” thick. It is a mid or late 18th century piece. His right hand facing outward means wisdom and his left hand facing downward means compassion. The halo on the back is missing. Aside from missing small pieces on the base and gold gilt lacquer lost from the robe, it is in excellent condition.

Meiji Period, late 1800s

This bronze sculpture of a ram is rather heavy cast and has well-delineated features in both face and coat. It is in good condition and it has its original applied reddish-brown patina overall. No signature is present...

Edo period, 1700s

Well-carved, lacquered and gilded, seated on a lotus petal base. The mandorla is missing, and there is an old loss to the hands, otherwise, it is in good condition. Acquired in Japan in the early 1970s.

Height: 6 ¼ in.

Beautiful Japanese antique highly carved butsudan panel, carved with scene of two dragons in swirling clouds and crashing waves, black and gilt lacquer with details in red, the eyes of the dragons are made of reverse painted glass, framed in black lacquer frame with copper hardware. This piece was once a ranma or transom over the interior doors of a large Buddhist butsudan shrine. Meiji Period. Size: 9" high x 44" long. Carving is up to 3" deep.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 9 inches (23 cm) high x 8 inches (20 cm) wide.

Antique Japanese keyaki (elm) wood temple carving of a fu-dog. Beautifully carved with mane of swirling curls and mouth full of sharp teeth, this fierce guardian would have once graced the eves of a buddhist temple roof. Edo Period. With contemporary black metal stand. Size: 15 1/2" high total (10 1/2" high not including stand) x 15" wide x 7 1/2" wide.

Antique Japanese tray carved in the form of a leaf out of burl wood, beautifully modeled with twisting branches, a smaller leaf and seed pods, the beauty of the burl is highlighted in this naturalistic carving, Meiji Period. Size: 19 1/4" wide x 19" wide