An unusual Japanese Satsuma koro in the form of a barrel, the body decorated with symbols of good fortune & longevity, the white metal lid, pierced and engraved with a bird in flight amongst flora, the base with artist signature with Shimizu mon and seal.

Approximately 14cm high x 11cm wide...

Fairly large bowl of irregular round shape with indentations in upper edge and openings in the side, decorated with a large red lobster. The spiny lobster is traditionally eaten during the New Year...

Antique Japanese oribe ware chawan (tea cup). Buff color stoneware with reddish brown translucent glaze. Two areas of thick white crackle glaze with black brushwork motifs give this cup it's traditional oribe appearance. Satisfying weight and shape. Lovely drips and depth. With tomobako.

Age: Taisho Period (early 20th century)

Dimensions: 3 1/4" high x 4 3/8" wide

Stoneware chawan with black glaze and floral spatula decoration. Diameter: 13 cm. Height: 8 cm. Origin: Japan. Period late 19th century. Attributed to Ogata Kenzan school.

Antique Japanese Raku ware chawan (tea bowl) with green crackle glaze. Kyoto. Incised ridges so the bowl molds to your hand...

An early Edo period Ki-Seto sake cup repurposed with a silver lid pierced with a chrysanthemum to function as an incense burner enclosed in a custom made silk pouch and bamboo case dating the transformation to New Years of Kae-7 (1854). Without the lid it is 5.5 cm (roughly 2 inches) diameter and in excellent condition.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

One of the most unusual pieces I have ever seen from this innovative artist, an octopus shaped Koro by Suwa Sozan I enclosed in the original signed wooden box bearing the Teishitsu Gigei-in seal of the Imperial Art Academy. The bulbous top of the head is removable along a line as if the creature were wearing a hachimaki head band, revealing the incense chamber within. It is 26.5 cm (10-1/2 inches) tall, 19.5 cm (roughly 8 inches) diameter and in excellent condition...

Lovely set of 5 Oribe ceramic tea ceremony sweets plates (set of 10 available). This famed stoneware with the trademark olive green glazes and feldspar iron geometric glazes makes a wonderful art deco impression. C.1915 earlier Taisho Period. 8" long x 4" wide. Seal on back. Ask for shipping quote.

This is a breathtaking work of art, a cherubic figure forms the finial of this later Edo period ceramic incense burner. Atop the lid strides a youth in purple robes wearing a lotus leaf as a hat and blowing a flue, a staff lays at his feet. About the square box of the ash pot are exquisite-colored designs lined with gold like precious jewels dangling from the edge. Two beast heads protrude from the sides and the entire is elevated on a square foot...

Midsize storage jar, tsubo. Greyish brown stoneware, with the typical white stone inclusions, partially bursting out through the surface. The ashes in the wood burning kiln settled during the firing onto the surface of the pot and melted, creating the beautiful brownish yellow ash glaze. This is a natural process that cannot be controlled by the potter beyond the decision of placement within the kiln...

Late 19th century Japanese Bizen stoneware okimono modeled as meditating Daruma - the founder of Zen Buddhism - enveloped in his monk’s robe with a hood, his hands folded on his chest. Excellent modeling with wonderful facial expression of severe concentration, fine detailing. Typical Bizen color to the surface, eyes are highlighted with white enamel, beautiful patina, in great condition. Marked with a potter’s stamp on the bottom, appears to read EISHO. Height 4 1/8 inches.

Rare antique Ko Iga Mizusashi made in the late Edo or Early Meiji period (19c)

Size
Height 16.5cm
Width 18.5cm
Weight 1450g


Condition
Very good considering the age.
There are minor chips on mouth.
It comes with the second wooden lid and old wooden box of the period.

Japanese Green Kutani Stoneware Dish, 8 1/4" diameter, 1 3/8" high, with very design of two(2) horses, one is white, other horse is gold, with attendant enjoying two(2) Birds singing on the tree branches in the Forest, surrounded with ornate intricate macramé design in Orange and green overglaze Border. Signed on the bottom "KUTANI" on top of the dark orange color inside the bottom rim, and black scrolling Vine design on top of the overglaze Green. The condition is good, no damages.

Dragons charge the sides of this large water urn covered in crackled pale glaze emblazoned with a panel which specifies: Water for the 11 Faced Kannon (Quanyin). Inside is lined with iron glaze. Outside key frets surround the rim leading to a nearly flat shoulder upon which blossom five petaled plum flowers. Below this the dragons vie in the tempest, with the base drawing precipitously covered in Shipppo designs (7 treasures). It is 38 cm (15 inches) tall, 34 cm (13-1/2 inches) diameter...

A perfectly potted body, a very beautiful Ge crackled glaze with an old original copper rim band to the rim. Most likely Japanese and probably from the seventeenth or eighteenth century. A simple graceful beauty. H : 7,9 cm. Condition : Perfect

An unusual Bizen stoneware figural group depicting three sages with attributes in clouds in a stele formation. One with wheat and sword flanked by attendants, one also with wheat and sword and the other with a palm frond or banana leaf fan...

A sweetmeat dish consisting of 1 central hexagonal dish surrounded by 6 fan-shaped dishes. Each dish has a straight side and is decorated in the center with one of the seven gods of good fortune, shichifukujin in overglaze enamels and gold on cream colored stoneware. The central dish holds the image of the only female member of the shichifukujin: Benzaiten.

The central dish is signed on the back Gyokuzan in a red and gold cartouche...

Tall and slender jug in the shape of a storage jar for pickles or in the shape of an actual octopus pot (trap).
Grayish brown stoneware built up from coils of clay; the inside covered with green glaze, the outside left unglazed. On the outside sits a dark brown, three-dimensional octopus, the way an octopus would sit on an octopus trap under water, on its way to inspect the inside of the jug.

Black ink inscription, almost washed away completely.

Unsigned...

Slightly tapered vase with horizontal ribs made of white stoneware, covered in a mottled glaze with cream and brown tones. On the front in white enamel and gold a winding, three-clawed dragon has been hand-painted. The back of the vase is flattened and there is a square opening towards the top of the vase, that allows an J-shaped hook to grab into it and hang it against the wall...

A rich black glaze covers this Kasama-yaki jar from the late 19th C. It is in the shape of a "natsume," a tea powder caddy used in the tea ceremony...

Sake Flask, "tokkuri," Meiji Era (1868-1912) from Mashiko, Tochigi Prefecture. H.10", Body Dia.6". This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body. In Meiji-era Mashiko, this patterned flask was called a "matsu-kawa-tokkuri" (pine-skin-tokkuri.) A rich, dark brown glaze decorates the neck. Similar wares were also produced around the same time in Fukushima Prefecture. Today, chatter marked wares, such as plates from Onta (Oita Prefecture) are the proba...

A striking Peacock feather colored flambe glazed vase by Leading Kyoto Potter Uno Ninmatsu enclosed in a signed wooden box dated the 10th month of Showa 5 (October 1930). It is 28 cm tall and in excellent condition.
Uno Ninmatsu (1864-1937) was born in Kyoto son of potter Wada Sohei and studied under his father as well as from a young age Seifu Yohei II then future Imperial Art Academy artist Seifu Yohei III until setting up his own studio at the age of 21. Outgoing by comparison to the ...

A Fushina (Fujina) yaki image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the Edo period. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What happens in the tea room, stays in the tea room! The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the Rakuzan seal. It comes in an antique woven thread pouch.
Rakuzan pottery falls under the umb...

Antique Japanese small Satsuma ware ceramic vase. Crackle glaze decorated with a continuous scene of noble men and women with children. Painted with colors and gold. Incised 2 character mark on the bottom.

Age: Meiji period (circa 1880)

Dimensions: 5 3/4" high x 2 1/2"wide

Plums blossom red on the dark surface of this traditionally shaped Mizusashi bearing the rare Ubagamochi Stamp impressed into the clay of the base. It is 18 cm diameter, 15 cm tall, and comes in an old custom made collectors kiri-wood box labeled Ubagamochi Mimitsuki Mizusashi. It retains the original ceramic lid, as well as two lacquered lids, one a tsukuibuta lid in austere black, the other redish brown outside, gold within, featuring a raised image of a dragon flying through billowing cloud...

Chawan tea bowl, or perhaps a soup bowl or a mukozuke. Fairly thin stoneware modeled in the shape of a drum with 8 nails (protrusions) along the upper edge that would hold the drum skin in place. Deep green glaze. Eight vertical lines engraved and filled in with gold.

A triangular shape is cut out of the foot by way of a potter’s mark. In the center of the bottom a round Raku seal impressed.

Raku ware, Kyoto, Japan, first half 19th century

H 3.75 x Diam at widest point 4.5 i...

Two lidded jars with Qingbai and Jizhou glazes and terra cotta playing pieces. Not Song Dynasty but all hand made. The brown jar Jizhou jar has some discoloration. This white “stones” are 180 and there are 176 of the darker ones. D: 12cm/4.8in and H: 8cm/3.1in.

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

A set of five ceramic tea cups with box used to serve sencha produced by Otagaki Rengetsu (1791-1875). The cups are in the form of lotus leaves and the exterior of the cups contain an inscription by Rengetsu, which generally translates: The willows, not in its disarrayed form, the branches not touching, yet branching out into the world. Age: Late 19th century. Size: diameter 2.3" height 1.5"

A Japanese water dropper in the form of a karashishi. It has a fine patina with the surface smooth from handling and darkened in places from accumulated grime. Inscribed signature on the base, unread. Probably 19th century.

Approximately 7.5cm long., 6.5 cm high. Perfect condition.

Please study the photographs.

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A fine kikugata mukuzuke moulded dish in the form of an asymmetric Chrysanthemum bloom with central motif of a single Chrysanthemum leaf richly enamelled in green and blue enamels with gilding. The rim decorated with a dark brown iron temmoku style glaze. The dish measures 18.5cm in length, 14cm wide and stands 4cm high. The dish is in excellent condition with no cracks, chips or restoration. Shipping at Cost.

Late 19th to early 20th century Japanese Bizen Tokkuri (sake bottle). Pinched form with impressed Daikoku (one of the Seven Gods). Perhaps intentionally thrown with an imperfection. It is in good condition. H: 7 ½ inches, W: 3 ½ inches

A small vase sculpted in the shape of a cluster of roses covered in cockscomb red by Kiyomizu Rokubei V enclosed in the original signed wooden box. The vase shows the influence of Art-Nouveau, and Rokubei was one of the leading proponents of blending Western and Eastern ideals in clay art. The vase is 6.5cm (2-1/2 inches) diameter, 18.5cm (7-1/2 inches) tall and in perfect condition. It comes wrapped in the original artist stamped cloth complete with the original black wood stand.
Kiyomiz...

Very Rare Antique Pottery Bowl with Kenzan Signature made by Kiyomizu Shichibei (1818–1891). Shichibei Kiyomizu was born in Kyoto in 1818 as the eldest son Takejiro of the second generation Rokubei Kiyomizu (1790-1860). Instead of taking over the family title, he founded his own kiln by 1839 with the name Kiyomizu Shichibei. It is not clear what was the reason behind that but it is known that Takejiro was a heavy drinker and was not allowed to use the same family name. His works are ofte...

Antique Japanese Seto ware chawan (tea bowl) with horses. A raised horse gallops on the outside of the cup near a fence. On the inside bottom of the cup is another running horse. Both have a celadon crackle glaze. The cup shape has an undulating surface and is glazed a rich, mottled brown with yellow flecks.

Age: 19th century

Dimensions: 3 1/8" high x 3 1/4" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vicker...

A diminutive image of Hotei (Putai) the lucky god of fortune from the Edo period kilns of the Matsudaira clan of Matsue in their distinct golden color. It is 4.5 x 3.3 x 4 cm tall and is in excellent condition. Fushina-yaki was the Goyogama clan kiln of the Matsudaira of Matsue Han in modern day Izumo, established around 1764. It fell strongly under the aesthetic taste of Matsudaira Harusato (1751-1818) Daimyo of the province and one of the most influential Tea Masters of the later Edo peri...

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years. Indeed a positive message, perhaps to accompany a warm cup of sake on a quiet winters evening.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen she was a lady in waiting at Kameoka castle where she was trained in the arts ...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition. The history of Shigaraki traces its origins to around the 12th century with the discovery of exceptional clay deposits rich in iron and other minerals which ...

A hawk rests on an elaborate perch, the feathers fluffed up, each uniquely carved on this rare okimono from the Mushiake kilns of Okayama prefecture. It comes in an ancient kiri-wood box. The notation on the side of the box states it was received in late Meiji 27 (1894) from the former Head of the Okayama fief Ikeda Mochimasa. The name of the recipient has been redacted, as is often the case when things change hands in Japan. It is 24 x 7.4 x 29 cm (9 x 3 x 11-1/2 inches). A ringlet on one side...

A fine pottery koro in typical milky white glaze supported by three figures in russet red by Okuda Mokuhaku dating from the mid 19th century. It is 13 cm (5 inches) diameter, 11.2 cm (4-1/4 inches) tall. There is a chip in the rim, otherwise is in excellent condition. It is stamped on the base AKahadayama followed by a circular seal reading Mokuhaku. t comes in a simple wooden box.
Akahada Pottery, starting around 1585, was created by several kilns in the area of Yamato-Koriyama, Nara...

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

Antique Japanese small Satsuma ware tea pot. Decorated with detailed scenes in color and gold. On one side are seven arhats and on the other side are ladies. Minute detailed pattern and flowers. The tea pot is complete with small, square lid. With Satsuma mark on the bottom.

Age: Meiji Period (c.1880)

Dimensions: 3 3/4" high x 4 3/8" long x 2" wide

Very interesting,bowl. Porcelaneous grey stoneware with a underglaze red decoration under a greenish colour fine crackled glaze. I am not very familiar with korean resp. japanese ceramics - I never before have seen a piece like this, but I know, how to look at a piece of porcelain resp. stoneware - this piece is genuine. It also has a " provinience " - it comes from a native Dayak family - very far from the interior of Kalimantan, Borneo. Diameter : 16,3 cm. Perfect condition ! ( This, what...

Storage jar with beautiful dark brown glaze drippings from the neck and shoulder down, over a dark brown stone ware with countless inclusions. Around the neck engraved with cross pattern. Shape somewhat distorted. Height 11 inches, width 10 inches. Two short cracks at the rim, one small chip at the rim, glaze partly rubbed due to extensive usage. Overall condition good. Japan 18/19th century.

Japanese Brown large heavy weight Earthenware Hibachi with bumpy irregular hand constructed and molded body and iridescent thick drip glaze, Ca. Meiji, 1800-1920, 12 1/2" high, 13" wide for rounded soft square top rim, 15" wide in the middle widest part, 12 1/2" diameter for unglazed bottom, multi color brown thick drip glaze on brown body, the bottom is not glazed. Hand shaped and molded top rim is rounded square and fold over overlapped, and wide round body in the middle, narrowing down to s...

Very rare Edo Period (1603-1868) Japanese Antique Hohin Teapot for Sencha/Gyokuro with wonderful Wabi Sabi atmosphere Size Length 10.5cm Width 8.5cm Height 6cm Weight 190g Condition Overall good There are minor chips and lack of glaze Please see the photos for reference

Antique Japanese Satsuma pottery group of three fu-dogs wrestling. Each of the three seems to be attacking another in this playful scene. A medium sized fu-dog lays with it's back on the ground, fending off the largest of the group who, in turn, has a smaller fu-dog biting his ear. The overall modeling gives off a feeling of whimsical turmoil and one can almost hear the playful snarls as they bite at each other's ears and toes. Details like ringlets of fur are painted on with gold, red and bl...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Sturdy storage jar for tea leaves or other goods with horizontally ribbed surface, sloping shoulder with very short neck. Coarse but dense clay with small inclusions. Outside middle brown with cream-colored and yellow natural ash glaze. Mingei.
Japan, 18th/19th century.

Height 7.5 inches, width 6 inches at the neck. Ash glaze partially rubbed off at upper edge and at the body commensurate with holding and using, otherwise very good condition.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion. This particular composition seems unique among Oribe pieces I have encountered over the years in terms of its ...

A radical Bizen Mizusashi with two lacquered wooden lids enclosed in a black lacquered wooden box with gold lacquer writing titled Samidare which is in turn enclosed in a kiri-wood storage box by the same title compartmentalized to allow the lids to be stored safely. Samidare is a poetic reading for Rain of the Fifth Month (June in the traditional calendar). It has a seal of overlapping rings impressed into the earth of the base, and dates from the Edo period. The lids are for differing event...

A large Japanese tokurri, emulating Korean Buncheon ware, with inlaid slip decoration; Edo period. The decoration is divided into multiple bands of repeating designs, which have been incised into the clay body. A white slip was applied, and the body wiped clean; leaving the slip infilling the incisions. The vase was coated in a celadon glaze; the body burnt red where the glaze was not present. Condition is good, with some light wear, and firing imperfections. Height 43 cm. To keep ou...

Antique Japanese chawan (tea bowl) made in the Iga Ueno - Shigaraki area. Beautifully sculpted and decorated with natural glazes which have melted to wonderful green and brown crackled drips. Perfect example of "wabi-cha", the style of Japanese tea ceremony that emphasizes simplicity. Shigaraki is known as one of the 6 great pottery regions of Japan. With a signed tomobako.

Dimensions: 2 1/2" high x 4 5/8" wide

Very nice example of rare Meiji period (1868-1912) Antique Inuyama pottery Teabowl of unusual design with many scholars. Inuyama pottery is a traditional ware of Aichi Prefecture which dates back to Edo period. Size Width / 4.914 inch ( 12.6cm ) 5.031 inch ( 12.9cm ) Height / 2.808 inch ( 7.2cm ) Total Weight / 275 g Condition : There is a repair of gold kinnaoshi technique.

Momoyama period (1568-1600) Ko Karatsu Sake Cup with beautiful greenish glaze.
Shallow body with reddish unglazed base typical for Momoyama period.
Painted with iron pigment at the mouth on one side. It was more likely unearthed and repaired long time ago.

Size
Height 3.5cm
Width 13cm
Weight 175g

Condtion
Repaired with kintsugi

Karatsu ware, also known as "Karatsu-yaki" in Japanese, is a traditional style of pottery that originated...

A striking soft-glazed six-sided incense burner by Maki Hokusai decorated with white flower blossoms on soft flesh colored glaze surmounted by a silver lid pierced with the character Kotobuki (Fortune) by Hata Zoroku. The pot itself is 10 cm tall, plus the sliver lid. It comes in an ancient wooden box signed by Zoroku.
Hata Zoroku I (1823-1890) learned metalwork techniques in the studio of Ryubundo in Kyoto. Hata produced works for the Imperial Household and it is known that he made the...

A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back. Sometimes during firing, or after r...

Rare Nakamura Donen (1876-1937) Mishima Ware Chawan Bowl with Gold Repair Kintsugi. Nakamura Donen was a famous potter during Meiji-Taisho periods who worked in different styles such as Raku and Mishima. He has a lot of Korean influence in his works as he studied the pottery in Korea. Size Width 11.5cm Height 8.6cm Condition Overall good, the bowl the some repair with gold. Please see the images for details. Supplied with old wooden box.

Large and heavy Mid-Edo Period (1603-1868) Seto Ware Blue and White Dish.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan. It is also considered as one of the Six Ancient Kilns of Japan.

Size
Diameter 31cm
Height 5.5cm
Weight 1570g

Condition
Good, no repairs.
Please see the pictures for details.