Another wonderful example of the beauty of Shino-yaki from the early Edo Period: Little deformed cylinder (hazutsu) shaped, in the style of shino ware - the bowl shows finger marks from throwing; foot ring and bottom have been cut with a potters knife. Typical for a Nezumi-Shino shino bowl, the light, unrefined Mino clay has been covered with an iron bearing engobe - with the exception of the bottom area...

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita)...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...

Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed...

Rare Kiyomizu Nodate Summer tea bowl with fantastic hand-painting, made during the Japanese Meiji Period (1868-1912).

This summer bowl is in great condition with no chips or cracks.

Size: 7,3 cm height x 8,1 cm in diameter.

The history of Kiyomizu ware began approximately 400 hundred years ago. Kyoto was the center of culture and the biggest economic market at the time, which led it to feature pottery from all over Japan...

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside...

Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. Two windows on two sides were left unglazed...

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date...

What a great Chawan! Cylinder shaped (hanzutsu) tea bowl thrown on a kick wheel. The little iron oxide bearing clay has been fully (except the footring and its surrounding) covered with a wood ash glaze which reacted with the iron oxide in the clay.

The thick and glossy glaze (guinomi-de) has a fine beautiful crazing. Before the glazing a flower and patterns have been incised, which where highlited by wonderful and vivid tanpan marks ( copper green marks ).

Ki-Seto is said...

A historic-cultural highlight: we proudly present a more than 1000 year old Yama Chawan with a strong kai-yu glaze. Once in a while you can find a traditional unglazed yama chawan on the antique market, but a Yama Chawan with a strong and vivid kai-yu glaze is very very rare. The Yama-Chawan is an excavated piece, stacked together with a second one for the firing process.

At the beginning of the 9th century, ceramics that use cooking at very high temperatures (about 1240 degrees) an...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the front a skewer with three rice balls was scratched into the black glaze before firing and covered with a transparent ash glaz...

Another historical masterpiece in the development of Japanese culture: grey Shino Chawan, distorted cylindrical shape - hanzutsu, covered with a whitish Shino glaze over an iron oxide engobe, resulting in a beautiful grey shino glaze, which partly turns to red shino (aka shino).

A decoration of a branch with a leaf and berries on the front and a criss cross grass pattern on the back has been incised into the engobe resulting in white shino colored lines. The regularly cut double fe...