Antique Japanese large silk embroidered tapestry, view of temple with Mt Fuji rising out of mist in the background, large trees on either side of water with a bridge across leading to the temple, sail boats, huts on far bank, Autumn foliage on trees, some toning, silk border frayed, late Meiji Period. Total size (with border): 78" high x 55" wide Size (of embroidery only): 69" high x 46" wide.

This is made with crepe embroidery of the Edo era, printing silk, Akita silk. The time when this was made is the latter period of the Meiji. There is no stain dirt. The condition is good. The embroidery of four attractive cherry blossoms is impressive. Size: 89cm x 120cm (35 "x 47.2")

This is Japanese antique silk Stripe and katazome and kasuri Child kimono of the Meiji era. It does not have a stain and damage. It is in a very good state. size::Length100cm(39.4inch) / Cuff to cuff, across the back: 98cm ( 38.6inch)

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck...

Japanese Kesa, Buddhist Priests' Robe, soft brocades with silk liner. The liner has some discoloration and is soiled. 46" x 77 1/2"

Miyako-jofu woman's kimono with fine kasuri which is hand-woven of choma (ramie) and dyed with Ryukyu-ai. Wefts and warps are hand plied. Miyako-jofu has been woven in Miyako Island in Okinawa since 14th century. It was called "Satsuma-jofu" in Edo period as the island belonged to Satsuma feudal domain. It was imposed as tax. It is time-consuming process of thread making, thread plying, weaving as matching wefts and warps kasuri pattern...

Cotton Kurume kasuri futonji with bold kasuri with asagi (light blue). Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton and vegetable indigo dyed. Late 19th to early 20th century. In excellent condition. 134cm x 150cm

This is fireman's sashiko hanten coat in Edo period. It is a motif of a big spider and the petal of cherry blossoms and the person of the kabuki. It is very impressive and it is bold.The petal of cherry blossoms that adhere to the cobweb is very fantastic. There is a little part that was able to be rubbed. However, the state is very good. There is neither stain nor damage. The lining is an indigo dye. It is sashiko hanten coat of a very valuable fireman. Please add to your collection...

Japanese sodenashi (work vest), made of indigo and other neutral colored sakiori (rag woven) cotton, edged with indigo cotton, beautifully worn, late 19th century. Size: 26" high x 21 1/2" wide

This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton. It is a very nice cotton hand spun with warm hands. It is drawn with Tsutsugaki and with natural indigo dye. There are slight stains, but they are not noticeable. There is a slight rubbing mark. The state can be worn well. Length 93 cm / 36.6inch　Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F

A japanese antique natural indigo dyed cotton tsutsugaki furoshiki from the Edo period.（1800-1867) This family crest is rare. It's thick, and this cotton is hand-spun. This one has some stains on the white part. There is a small hole here, but there is no big damage. Since this was used to wrap things, there is a part where the cloth is slightly stretched. Size::length 140cm x 130cm (55.1" x 51.1")

This is an indigo-dyed Shibori cotton kimono made by Arimatu Narumi during the Taisho period. Shibori is squeezed by hand, so the Shibori pattern changes little by little. You can enjoy the interesting changes in the handiwork of folk craftsmen. There are a couple of slight stains, but they are not noticeable. condition is good. Length 147cm x Width 128cm Box.G

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

It is indigo dyeing cotton Yogi of the Edo era. It uses technique of the ombre dyeing. It is dyeing of the high technique. It is handspan, handwoven and it is dyed with an indigo plant of nature. It has several places of repair traces. There is not the stain. It is all original in the Edo era. Size 147cm x 126cm(57.8"x49.6")

This is a Japanese anrique natural Dyed with vegetable dye beautiful hand embroidery kakesita obi of Mid-Edo period(1780-1800). There are a lot of thin stains over time. There is no damage. They are not disturbing, and as a whole it is in very good condition. Size:Length:348cm / 137inch Width:: 55cm / 21.6inch

It is a hemp umakake tsutsugaki type dyeing of handspun & natural indigo dyeing in the Edo period.It's a very charming pattern of family crests, treasure balls, arabesques and moving waves. It's long, so you can easily decorate it by folding it in half in the middle and hanging it on a stick. Folded in half and has the same pattern on both sides, you can enjoy both sides.There is　light stain, but there is no damage. it's in very good condition...

Japanese fireman's coat from the Edo period, c. 1850. Cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Design of a geisha standing in front of a red spider sitting atop its web. Flowers decorate the front and back. It measures 47" wide by 38" long.

Japanese antique silk shibori Tie-dye & katazome nakagi beautiful kimono Meiji era(1868-1910).It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 150cm (59.0inch) sleeve to sleeve 124cm (48.8inch)

Japanese antique Indigo dye cotton gotaiten-shibori ro-old kimono Taisho period(1912-1924).It has a thin discolorations .However, It is no damage.They are not disturbing, and as a whole it is in very good condition.This kimono does not have lining. size:Length 132cm (51.9") sleeve to sleeve 126cm (49.6")

This is the Katazome cotton festival costume used in Edo during the Edo period. It is dyed with natural indigo. Cotton is hand-spun and thick. It has a few repair marks, but it doesn't stand out. The condition is good and there are no stains. Size: Length 142cm / 55.9inch Cuff to cuff, across the back: 122cm / 48inch Box.c

This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton. It is an item from the Edo to Meiji era. This item was made in Sado region of Japan. It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist. The rubbing of the thread due to use has a warm touch. And the indigo dye lumps seem to look into the very beautiful sea. It does not stain or damage...

It is japanese antique silk child kimono of the original of the meiji era.(1868-1911)It has a charming design of cherry blossoms, chrysanthemums and bamboo. There are a few small stains and discolorations, but overall good condition. Children at this time wore cotton kimonos as their everyday clothes. This luxurious silk kimono was worn only on special occasions.Size: Length: 92cm (36，2 inches) / From cuffs to cuffs, entire back:80cm (31.4 inches)

It is an item from the Taisho era when feminine beauty was praised by the Taisho Roman movement. Under the influence of "romanticism", a spiritual movement that developed in Europe mainly in the 19th century, it came to be called in this way because of the liberation of individuals in the Taisho era and the idealistic climate for a new era. .. It is Jyuban made at this time. It is an item of the era when I longed for Western culture...

This is a Fusube-kawa (Smoked leather) wallet from the Edo period(1800-1867). Fusube-kawa is a leather that smokes the ground black with the smoke of pine needles and leaves a white pattern. The pattern is expressed by collecting samples of Fusube-kawa type dyeing. It is a valuable item to know a part of Fusube-kawa crafts in the Edo period. Wealthy people in the Edo period put koban (gold coins) in this wallet...

This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand...

Beautiful Okinawan uchikui which is a furoshiki (wrapping cloth) with cherry blossom design. The dye technique is tsutsugaki and bingata-zome which is traditional Okinawan dyeing technique adding colorful vegetable color or pigment. Uchikui is dyed with either tsutsugaki or katazome (stencil-resist-dye). Uchikui is used for not only wrapping but also covering gifts. This uchikui is two panels sewn together. Wefts are choma (ramie) and warps are cotton. Uchikui has same family crest in the last p...

Hemp furoshiki (wrapping cloth) made of hemp whose warps and wefts are hand-plied. It is dyed with vegetable indigo. It has many original mending patches, holes and worn out. The second half of the 19th century. W:105cm, L:112cm

This is the kimono which a girl wore for the Taisho era period. The pattern is ball and Spinning top and others. A color is pretty, and this is stylish. There are 2.3 places of small stains, but does not stand out. There is no damage. Size 92cm x 81cm (36.2 "x 31.8")

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition. ...

Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm

Antique aizome (traditional Japanese indigo dye) cloth taken from a Japanese bed comforter, thick cotton, circa Meiji Period (1868-1912). Excellent tapestry material. The condition is excellent; it was in new condition when we purchased. This was just washed (twice by mistake) prior to when the photos were taken. There are minor holes (shown in photo) concentrated on the top right side. Because of the size (62 1/2L x 58"W), the photos were taken from the bottom and sides.

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns. ...

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive. There is not such a bold design elsewhere. This does not have a stain and a wound. The state is very good. Size ...

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

Kajibanten (fireman's jacket) with sashiko, made of cotton. It has hand-drawn "shachi" motif, which is a mythical carp with the head of a lion and the body of a fish and it is an auspicious protecter. Generally, in good condition but some wear in the neck and brownish stain near hem. 19th century. W:122cm, L:87cm

Antique Japanese pilgrim's coat hand woven of asa (Japanese hemp) fiber. Hand painted with sumi ink calligraphy.

Size: 41" high x 47" wide

Mid Edo Period (1603 - 1868)

Amazing boro cloth which is one side of body part of noragi (farm wear). The ground cloth as well as mending patches are hand-spun cotton and vegetable indigo dyed. Sashiko thread is also indigo dyed cotton. Asa (hemp) thread is seen in the side seam and that means it is rather old. The second half of the 19th century. 32cm x 184cm

This is a Japanese antique natural thick hemp roll textile.Slight discoloration in 2 places and a stain on the edge of the roll. No damage. Size: Length:5m 50cm (216.5inch) Width: 36cm (14.1inch)

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

This is Shirushi-Hanten used in Kyoto for Edo period. This is dyed with a natural indigo plant. As for this, cotton is spun by hand. And this has good texture. As for this, a pattern is dyed in Tsutsugaki. This has the stain such as the image. There is no damage. Size 85cm x 136.5cm (33.4 "x 53.7")

Sakiori, or "rag weave", was a necessity of many common people in old Japan, especially those of the NE Japan (Tohoku region) which was known for its harsh climate and living conditions. This item is a late Meiji piece from the region showing wonderful color combination, and sporting a few repair patches from its long life. L.144cm(56.5") x W.34cm(13.5").

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5” x 51.9”)

Japanese candy apple red under-kimono with a simple, yet beautiful shibori style design of flowers. Shibori is a method of fabric dying in which bits of cloth are tied, sewn, folded, twisted, etc. to create patterns, similar to the Western method of tie-dye. It is lined with red cotton and has a white cotton collar and sleeves. Taisho period (1912-1925) Size: 46.75" height, 45" width

Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family. This theme of Pine, Bamboo, and Plum was especially auspicous for a newly married couple, with each element having its own characteristic way of overcoming hardship (the cold winter.) The free-...

This is a Japanese edo antique indigo dye silk katazome child kimono of ise- lobster pattern.There is a light stain, but not outstanding.It has no damage. They are not disturbing, and as a whole it is in very good condition. Recommended for your materials and collections. Size:Length:63cm / 24.8inch Cuff to cuff, across the back: 62.5cm / 24.6inch

Uma-gake (horse cover) made of hand-spun cotton and has hand-drawn tsutsugaki design whose motifs are hyotan (gourd), tassel and kanji letters. Letters can be either the place or horse's name. This colorful one was used for a festival or a ceremony. It has red cotton lining. In excellent condition. 19th century. 31.5cm x 2m36cm The last image is one hint how uma-gake was used from the woodblock print, ukiyo-e by Katsushika Hokusai (1760～1849).

Large Japanese temple cloth woven with cotton and strips of paper, great for a wall decoration. The dimensions are 107" x 47" (271.8cm x 119.4cm). Many things in Japan were made from paper, just like soy sauce was added in almost all cooking. Textiles were no exception. Some monks in Japan still make their own paper for their clothes. There are few beautiful samurai haori jackets made out of paper that still exist today in textile museums (which we have only seen in photos). The paper m...

This is a Jaoanese antique edo (1863) silk tyosennishiki uchishiki textile.There is discoloration and damage due to slight rubbing.They are not disturbing, and as a whole it is in very good condition. Size: Length 128 cm (50.3inch) Width 182 cm (71.6inch)

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

It is woven with common hemp thread, indigo-silk thread dyed beautifully and a double cotton thread dyed black. It is a very rare textile made in Iwate. The dye of the silk thread is bright blue. However, you can feel that you leave it a little in green. It is Noragi thick beautifully made in the Showa era from the Taisho era. Size 94cm x 116cm (37 "x 45.6")

Japanese antique edo(1800-1830) indigo dye silk kosode gosyyotoki pattern kimono of tsutsugaki and embroidery. Although there is light discoloration, there is no damage and it is in very good condition overall. Kimono with no lining, worn in spring and autumn. size::Length:155cm(61.0inch) / Cuff to cuff, across the back: 122cm (48.0inch)

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

This is hemp Umakake used in Iwate for meiji period.A cover for horses at weddings and festivals. As for this, hemp is spun by hand and is thick. This item is dyed twice from the front and back. It needs to be dyed so that both sides do not shift, and it is dyed with a very advanced technique. An impressive, vibrant and beautiful item of pine, peony and waves. Recommended for room displays and collections of ntique textiles. There are slight stains and damage, but overall it is in very good ...

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

Almost square fukusa or gift cover, with hand-painted (yuzen dye-technique) and embroidered (silk, god and silver thread) decoration of a garden landscape around a house in spring. Possibly a scene from the Tale of Genji.
Reverse of the cover is a bright red silk cloth decorated in brocade weave with cranes, chrysanthemums, bamboo, pine and shippo design.
Silk tassels. Japan, Meiji era, probably early 20th century.

H 26 ½ x W 25 inches.

One tassel missing, one sharp central ...

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords. ...

Antique Japanese kesa, Buddhist monk's traditional outer garment. Made from rich fragments of silk donated by wealthy devotees, kesa are traditionally made of square and rectangular swatches of material symbolizing the Buddha's patchwork garments. In contrast with this idea is the material itself, made of fine woven silks. The textile that makes up this kesa is woven with a multi color design of flowers with squares of a different silk woven with swirling clouds.

Edo Period

This is a japanese antique indigo dye thick hemp katazome Plaid long Roll textile. It is a handspun & natural indigo dye katazome. There is no stain.There is no damage and it is in very good condition. Size:Length:1143cm(37.49ft) / Width: 33cm(12.9inch)