Authentic Japanese Edo period woodblock print by Utagawa Kuniyoshi (1797-1861) depicting two actors in a kabuki play published by Enshuya Hikobei in 1852. The artist’s signature “Ichiyusai Kuniyoshi ga” and Yoshi Kiri seal are at the lower left with the seal of the publisher beside it. This print is possibly a panel from a triptych. Measures 14 3/4” x 10” (including margins on the top and left side). Very good, clean overall condition with nice color...

Rare Japanese wooden carried on shrine.

Age: Japan, Edo Period, 19th Century
Measurement: Height 62.5 C.M. / Width 24 C.M. / Thickness 15.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese wooden tray.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 10.5 C.M. / Width 38.7 C.M. / Length 64.2 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Small shunga book (vol. 1) with indistinct title in oblong format. 14 colour prints with erotic motifs and texts, five scenes in black ink and other pages with text only. Japan, late Edo, early 19th century. H 8 cm, L 18 cm. Condition: Good impressions and bright colours. Some wear to paper.

Japanese Erotic Shunga Prints. 8 double-page book illustrations in colours from a shunga book (6 with erotic motifs). Extremely good details of the interiors and clothing. Also part of the lot are 3 pages with poetic inscriptions. Probably by Utagawa Kunisada (1786–1865). Japan, late Edo, c. 1850. H 18.5 cm, L 26.5 cm. Condition: Good colours, general fine state of preservation with minor worming (repaired) on a few of the leaves.

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

An antique, Japanese boxwood lacquer comb with two kanzashi hair pins decorated with niello silver & mokoume-gane etched cat on gilt. The fine toothed comb is hand carved with floral motifs and a man walking over a bridge. The reverse side shows a house surrounded by mountains. Wooden combs in Japan were once believed to have shamanic qualities. Women would brush their black hair thinking that the combs would gather each strand’s spiritual energy...

The Japanese Norimono Palanquin is completely covered in a rich chestnut woven bamboo. The roof has a slight curve and a section of the roof can lift up for entry. The sedan is trimmed in black lacquered wood in a double lined grid pattern contrasting with the woven material. The three outer window openings provide shade covering of reeded sudaris with black wool borders and copper mounts. The sudari is held erect with copper L-shaped hooks...

LOTUS PEDESTAL FOR BUDDHA

Powerful and profound wood carving sacred-lotus pedestal. Edo period, 19th century, Japan. approx. W 43 x D 35 x H 14cm (16.92 x 13.77 x 5.51in)


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Rather unusual 19th century Japanese brush holder made out of a length of bamboo rhizome (root). Part of the root is made into a cover to the larger length which is hollowed inside to accommodate a painting brush. Five beautifully carved characters on the top read RAKUTAN YUUGI MOE which can be translated as “day of pleasure with strong affection to tradition/ceremony”...

Original antique 19th century Japanese Woodblock Print by KUNISADA (AKA TOYOKUNI III, 1786-1864). Presented matted and framed. In good antique condition some surface soiling commensurate of age. Kunisada Utagawa was born in 1786 in Honjo, in the outskirts of Tokyo, the capital of Japan, then called Edo. His father died when he was about one year old. But he had left his son a hereditary ferry-boat license which provided a safe income...

Wood oke, a container with a handle. The strips around it are made of bamboo. Generally in good condition. It has carved character in the bottom but unreadable. The second half of the 19th century. Diameter:20.3cm, Height:23.3cm

A wooblock print book whose pictures were originally by Ando Hiroshige (or another name Utagawa Hiroshige) who was a prominant and well known ukiyoe-shi (1797~1858). This book was edited in Ansei 2nd (1855). In good condition but has some patina from aging. 11.5cm x 18cm x 0.5mm 38 pages

Rare and authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “Susaki, New Year’s Sunrise after Snow” from the earliest known series of “Famous Views of the Eastern Capital” (Toto Meisho) dated 1831-1832. This image is considered to be the masterpiece of the ten-print set. Signed “Ichiyusai Hiroshige” at the upper right. The series and image titles are within the image at the upper right...

Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Hana no utage Murasaki no omokage" (Flower Party) published by Moriya Jihei in 1859. The print illustrates a scene with Prince Genji seated beside a lake on a raised platform with ladies at his side enjoying cherry blossoms and spring weather. Each panel measures 14 1/2" x 10" (the left panel is slightly more narrow). Very good color and good overall condition...

The kabuki actors Otani Tomoemon V (left), Nakamura Shikan IV (center), and Ichikawa Kuzo III (right) in a scene from the play Oshu Adachigahara. This Edo period Japanese woodblock print triptych by Toyohara Kunichika (1835-1900) was published by Izutsuya Shokichi in 1865...

Historically significant Japanese Meiji period woodblock print triptych by Kojima Shogetsu (active circa 1870-1904) illustrating the Emperor and Empress in the imperial carriage on the afternoon of February 11, 1889. The carriage and accompanying procession had just crossed the Niju Bridge and was heading to the parade grounds to celebrate Japan's new Constitution. This was the first time in Japan's history that the Emperor and Empress were seen riding together in the same coach. The full tri...

Japanese Edo period woodblock print triptych titled "Prospering Pines at South Port" depicting Mitsuuji holding a fan and dressed in a summer kimono covered in Genji incense signs seated on a balcony overlooking pines at Edo harbor. He is accompanied by several beauties. This triptych, published by Fujiokaya Keijiro in 1864, was a collaborative effort of Kunisada (Toyokuni III) and Hiroshige II (Shigenobu). The signature cartouches at the lower right read “Ichiryusai Hiroshige” and "79-ye...