Ca. late 1800s

This is a leaf from a design album. It shows the lower portion of a kimono with a design of pine needles and plum blossoms. Good condition.

Aiban tate-e: 8 1/4 in. x 12 ½ in.

Early 1900s

This is a design for a kimono textile that has skillfully incorporated the stylized woven fabric texture as part of the design as seen in the central field of flowering iris plants. The upper field appears to be a design of snowflakes, and the lower of an abstract water pattern. This was probably a leaf from an album of kimono designs...

Ca. 1900

This is a design for a kimono with a leafing vine surrounding a lacquer calligraphy box with inkstone and brushes in tones of grays and black with only the calligraphy brushes having red and yellow handles. The grain of the woodblock shows through the background of the kimono. Printed on mulberry paper and probably a leaf from a design album. There is a stain above the upper right sleeve, and a repaired 2 inch tear at the top of the leaf. The paper has yellowed slightly...

Woodcutter pausing for a drink of sake, issued ca. early 1900s

Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.

Publisher’s information on lower left with the number 21, good condition

Shikishiban: 9 ¼ x 9 ¼ in.

Illustration of a sculpture of the Wind God from the Sanjusangendo in Kyoto, and a design of a lacquer box, issued ca. 1890

Good impression and condition

Album leaf: 9 ¼ x 12 in.

Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Five individual “fuda” pasted side by side on a backing

Very good impression, good condition

Overall size: 6 ¼ x 10 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Very good impression and color, light staining in margins, light staining on verso

Overall size: 6 ½ x 8 ½ in.

Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Produced by the Tokyo Nai Fuda Club, Very good impression and color, good condition, light center crease, light glue residue on verso

Overall size: 6 ¾ x 8 ¼ in.

Album leaf depicting an antique textile fragment, issued ca. late 1800s

The artist skillfully illustrates the fabric dyeing techniques of stencil printing and tie-dyeing (shibori) using the woodblock print medium

Very good impression and color, centerfold, some thinning of paper on margins

Overall size: 9 ¾ x 14 in.

Various designs for textiles, issued late 1800s

Good impression and color, center fold, wrinkle to lower right corner, minor stain on center of upper margin, not backed

Album leaf: 9 ½ x 14 in.

Illustration of an early textile fragment, of the Tang Dynasty, Chinese, one of the Shosoin treasures, issued late 1800s

Very good printing (to simulate age and wear), color and condition

Overall size: 8 ¾ x 14 in.

Illustration of ceremonial flower arrangements, issued early 1900s

Very good printing and color, very heavy paper with remnants of thin backing, very minor soiling overall

Overall size: 9 ½ x 14 ¼ in.

A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges...

A woodblock print on washi with 29 ways of wearing tenugui which is the Japanese hand towel made of cotton. It has been using as hand towel as well as hat or scarf. In good condition except for a break in one of the corners. Printed by "Isetatsu which was founded in 1864, very late Edo period in kanda in Tokyo. The second half of the 19th century." 25cm x 37.5cm

Flowering branch in spring, issued ca. late 1800s

Very good impression and color, original album backing, center fold, minor wrinkling to lower corners Album leaf: 9 ¾ x 14 ½ in.

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.