Antique Japanese pair of bronze candle sticks. Simple and elegant with bell shaped feet. Most likely for use at a temple shrine.

Age: Edo Period (early 1800's)

Dimensions: 13" high x 4 1/4" wide at base

Funa dansu of the kakesuzuri-type, with a single hinged front door.
Behind the door, there are two full width drawers, one half-width small drawer and two mid-size ones with iron locks.
The exterior of the chest is made of keyaki (Zelkova) wood, which is unusual. Drawers made of the softer, kiri wood with iron hardware. Wrought iron handle on the top of the chest. Door, corners and edges fitted with sturdy and very decorative ironwork, ornamental lock...

Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes...

Rare Mid Edo Period choba, merchant's chest, from the Sakata area, made of kiri (paulownia) wood with original patina (not refinished), nice iron hardware, interior (behind sliding panels) contains set of five drawers (three on the right, 2 on the left) and one hidden drawer. Incredibly rare Large oversized iron handles flanking each side of the chest.

Edo (1603 - 1868)

H 35-3/4", W 38", D 16-3/4".

Japanese Totai Cloisonne Vase, enamel with silver wire work on Earthenware, signed in red "Kinkosan" under the high foot base, Ca. late 1800's, late Meiji period, 12" high, 4 3/4" wide-maximum width. The main body has colorful floral design enamel work divided by silver wire inside two(2) cartouches on each side on powder blue background, and more individual enamel floral design on the green Turquoise color background outside the cartouches...

Long scroll showing coloured paintings of many birds with titles in script on paper. 290 x 30 cm. Wooden end rollers. Patterned silk end, with binding cord. Undated, estimated to be mid to late 19th century or earlier. Can be viewed in central London by appointment or sent worldwide.

Japanese pair of Satsuma vases, beautifully decorated all over with scenes of in raised gold and colorful over glaze, motif is portraying the 18 arhats surrounding a kwan yin like form bodhisattva and Chinese sages. The vases portray characteristics seen in Yokohama Satsuma wares which were produced during the latter part of the Meiji Period. Age: Meiji Period, each vase is signed on bottom: Satsuma attributed to Hattori. Size: 9" high

A rare antique Japanese Kyushu Choba Tansu (merchant chest from Kyushu island) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. The frame of the chest was made using Suginoki wood measuring a very thick 1 1/ 8". Constructed with straight dovetail Japanese joinery and hardened wooden nails. It has 5 drawers and a pair of hinged doors that open to a spacious storage area with a split level shelf. All original hand forged iron hardware...

Height: 3.4 cm (1.3 in)
Width: 2.1 cm (0.8 in)
Depth: 2.4 cm (0.9 in)

Finely carved deer antler netsuke of Hotei with, typically, his large bag draped over his shoulder; white metal has been inlaid into the top section of the piece, possibly silver; good condition

Unusual Antique Japanese Sakata Funa Tansu (Captain's ship safe), made of very heavy solid Keyaki (Zelkova) wood with lovely dovetail joints used in its construction. Original deep red-orange and black lacquer finish, iron hardware, Sakata area of Japan, Edo Period. Stunning original condition. Size: 10 1/2" high x 22 1/2" wide x 13" deep.

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Aka Matsu (Red Pine) woods. Beautiful original hand forged iron hardware and Urushi lacquer finish. Two full width drawers and sliding doors with horizontal slats that hide three small drawers on the right and a business books and records storage area on the left. Upper drawer features a lucky treasure bag lock plate with a stylized Mt Fuji lock plate below...

A Japanese elegant Satsuma Gosu Blu cricket cage, depicting flying butterflies and chrysanthemums with polychrome enamels enriched with gilt. Unsigned. Masterpiece of Japanese art. Edo period 1850 ca. Sizes: 15 x 10 cm. Condition report: Good condition

Japanese Silver Tea Set w Bamboo Design & Signed

Description & Size

Teapot: 13.97 x 22.86 x 12.06 cm (5.5" x 9" x 4.75")

Sugar Pot: 10.16 x 16.51 x 10.16 cm (4" x 6.5" x 4")

Creamer: 8.89 x 14.6 x 8.25 cm (3.5" x 5.75" x 3.25")

Weight: 1113 gram (39.25 oz)

Age: Meiji Period 19th Century

Production: Handcrafted

This is a beautifully & handcrafted Japanese silver tea set in thick silver guage...

19th century finely hand-carved Japanese boxwood netsuke of a blind masseur or Totsuka Beggar crouching and trying to lift a stone, or possibly his hugely distended scrotum. He has the typical bump on his head. He squints as he attempts to lift the large object. He is wearing only a fundoshi. His right eye is inlaid with light colored horn. Excellent detail and patination. Netsuke measures 1.38 inches (3.5cm) wide, and 1.22 inches (3.1cm) tall...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

Superb late Meiji Period C.1900 bronze lamp that used oil and wick. Absolutely spectacular bronze craftsmanship and detail from floral vine lattice on the door and side panels to the treasure symbols in fine relief around the base. H:49cm; diameter:30cm. Condition excellent except for a missing bell or two on the protruding eaves. Ask for shipping quote.

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

Japan – Meiji era (1868-1912)
Height: 1.8 in (4.7 cm) – width : 8.3 in (21.3 cm) – dept: 10 in (25.5 cm)