We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare...
This is a very attractive Japanese cloisonne vase by a rare artist. The vase is not signed but the work is very unique. A signed Goto vase with very similar work can be seen on page 79 of the book Japanese Cloisonne by Coben and Ferster. We used to own that vase and the mate that went to it. This vase we believe was created by Goto. It is larger with more of the flower and branch decorations. This vase is very heavy and has very thick layer of high gloss enamel...
Rustic round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Pale yellow glaze that typically leaves the foot free. The plate is slightly warped, as is common with ishizara. Seto ware, Edo period.
In the Meiji era this plate was additionally decorated in moriage technique with overglaze enamels that required lower kiln temperatures...
Deluxe impression Edo period Japanese woodblock print depicting an actor portraying a man carrying a bucket in a scene from kabuki theater by Yoshitaki (1841-1899). Circa 1860. Exceptional color with lacquer highlights to the collar of the outer kimono. The background at the left side of the print contains fine calligraphy executed in silver. Chuban-sized print with margins evident on the top and right sides. Paper size: 9 7/8" x 7 1/8" (image measures 9 5/8" x 7")...
Five matching Imari dishes with tree and bird decorations in overglaze enamels. Rear of dishes have peony and prunes decoration and "Great Ming, Chai Ching" markings. Dishes measure 9 1/2" in diameter x 1 1/2" high and date to the 19th Century. Condition: The condition is excellent with some rubbing to the gold edges. Free shipping within the USA.
Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.
The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...
SEA BREAMS AND WAVES
Wood carving decoration with the remains of original bule paint as the actual fragment of a certain Japanese temple/shrine construction, Edo-Meiji period, 19th century, approx. 58 x 30 x 6.5cm (22.83 x 11.81 x 2.55in)...
Rectangular Japanese lidded box with superbly crafted gold nashiji maki-e lacquer having wonderful raised gold birds. The designs on the top continue onto all 4 sides and the attention to details are really amazing. Dates Late Edo to Early Meiji. Condition is excellent as this came from a private collection. Measures: 3" long, 2.5" wide, 2" high
Unusually sculptural 19th century good size netsuke of 2 shishi fighting over a hollow pierced ball. Extraordinary carving with superb detailing and volume - see their faces, powerful paws and muscular limbs, tufts of hair and long bushy tails. Expert staining, beautiful patina, very pleasant to the touch. Equally exceptional when viewed from the back...
19th century wooden netsuke of sitting Okame snickering as she fondles a long stem of a mushroom in her hand. The netsuke is definitely of shunga type with not so subtle sexual connotation. Wonderfully carved (see her endearingly ugly face, hair arrangement and flowing lines of her kimono), beautiful patina, little nicks here and there. Height 1 13/16 inches.
Antique Japanese 2 section Soma isho tansu from the Northern Honshu area, beautiful keyaki (elm) wood on front, sugi (cryptomeria) wood frame, deep red translucent lacquer finish, iron hardware with incised warabite shaped drawer pulls and very large round chrysanthemum shaped lock plates, safe box in lower right hand corner with 2 small interior drawers, safe box has key, Meiji Period (1868-1912).
Size: 44" high x 45 1/2" wide x 18" deep
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Toyotomi Hideyoshi seated on a tiger skin listening to a priest speaking on behalf of the Mouri clan. Text by Housai.
No...
19th century/Meiji period Japanese bone paper knife/page turner with low relief carving of a butterfly in flight above a flowering peony bush issuing from rocks. Very nice quality carving, brown, green and red ink highlight. Great patina, signed OSAI on the back, pleasant to hold, good desk object. Length 5 15/16 inches.
A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School.
The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot...
A curious set of sake cups decorated with auspicious leaping Carp, Koi, amongst water weeds with stylised waves with ao-dama, blue balls decorated with a repeating scale or imbricated wave pattern, seigaiha, painted in a limited palette of just iron red, gilt and underglaze cobalt blue. The base of the cup painted with an overlapping lotus leaf border.
The rim of the bowls decorated with a diaper pattern with small reserves containing auspicious lotus flowers...
18th century netsuke of sennin (Chinese sage) standing with one foot raised, clad in tiger skin skirt and holding in his hands tassels that support a large woven straw hat on his back...
This is Japanese EDo Indigo dye asamai-shibori dangawari-dye kimono. All asamai-shibori was made from the hand. The indigo dye is indigo of nature. It is a technology that dangawari is high. It is very charming. This was washed in water. There is a little stain. There is no damage. The state is very good. The techniques of several kinds of shibori are expressed in this one kimono. It is very beautiful, and wonderful. It is thick cotton. The The part of the cuff Is fabric at the edo chirimen silk...