Japanese small lacquer chest from the Meiji period (circa 1900). Beautiful lacquer detail with playful fudogs and butterflies. Fine details in the hardware and lacquer on each of the panels.
Dimensions: 19" Long X 18 1/4" High X 11 3/4" Deep
Fine Ko Imari Ryu-mon Tray Dish Mid Edo c.1750
A dish of decagonal scalloped form with a raised upturned rim decorated in some-nishikide style and gilt outlined enamels with a Chinese four toed dragon pursuing a flaming pearl in a sky filled with auspicious clouds and lightning bolts. Its body partially obscured by the clouds and its tail emerging from waves below...
Original antique painting by artist "Old Tosa" of an early scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance...
Late 1800s
Patterned after a Chinese Kangxi “Hawthorn” design. This bottle is delicately and rather thinly potted with a long, narrow neck rising from a bulbous body. It is painted in underglaze cobalt blue with a “cracked ice” pattern scattered overall with plum buds and blossoms—a design known among English connoisseurs in the early 20th century as the Hawthorn pattern...
A rather striking Chinese derived pattern of Shou Lao and the Eight Immortals painted in a wucai, five colour, palette. The central mikomi painted with an amalgam of a Feiyu, Flying fish dragon, and a conventional dragon, rather than a true Feiyu, which would have had a pair of fins and fish tail rather than legs and conventional tail of this example. The border pattern is composed of auspicious cloud and sacred fungus motifs linked by a Karakusa arabesque...
A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...
A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise...
Antique Japanese door with beautiful painting of two beautiful geisha. One holds a black and gold lacquer tray while the other kneels beside her. Flecks of gold accent the space surrounding the painting. The backside of the door has a monochromatic painting of waterside scenery. Meiji age (1868-1912)
Size: 71" height, 37" width, 1.25" depth
Imari ware porcelain soba choko (soba noodle dipping cups) from the mid-Edo Period (1600-1868.) H.5.5cm(2.2") Dia.7cm(2.6".) This pair features underglaze cobalt blue pattern with two of the three friends of winter; pine and plum (the other being bamboo,) front and back of each cup. Abbreviated brushstrokes give these cups an aesthetic of simple beauty. Soba choko were initially used for small morsels of food, much like mukozuke or ko-zara are used in today's presentation of Japanese cuisine...
A ribbed form bowl decorated in Gold Imari style with an elaborate ground of auspicious kikko-mon containing karahana linked by karakusa with green enamel Peach leaves arranged in the form of a crosses. Inset within the ground are four Peach shaped reserves containing Suisen, Japanese Narcissus, and Botan, Peonies. The well of the bowl is decorated with a Pomegranate, zakuro, painted in underglaze blue and outlined in gilt...
A set of five soba choko, straight sided cups, so called boars mouth cups, decorated with a pattern of a grape vine and a wasp (hachi, bee, wasp or hornet) an autumnal motif. Curiously the grapes have been inverted to resemble the more familiar pomegranate. These would have probably been used for serving sake rather than soba noodles.
The cups measure in 8cm diameter and are 6.4cm in height. They are in excellent condition, no cracks, chips or restoration...
Antique Japanese woven bamboo basket for ikebana, or flower arrangements. The body has a gourd form, inside it holds a large bamboo vase lined in metal.
Size: 16.5" height, 9" width
Exquisite fluted Imari vase containing intricate patterns of flowers and dragons.Flowers are painted in red and highlights of gold. The dragons are raised and painted in indigo blue. Age: Meiji Period circa 1880, Size: Diameter: 7.75" Height: 14.25"
Porcelain bowl with underglaze iron brown decoration. Seventeenth or eighteenth century.
Diameter : 11,7 cm. H : 4,9 cm.
Condition : Perfect
Japanese 17th century 6-panel byobu screen painting depicting Sho Chiku Bai or the "Three Friends of Late Winter" namely the plum, the pine and the bamboo. Beautifully painted in mineral colors with gold leaf on paper.
Size: 49 1/5" high x 115" long
Antique Japanese iron tetsubin (cast iron pot for heating water for tea), decorated with wonderful raised scene of houses over water and pine trees; on the other side, a sage sits under a rocky out cropping and reads by the light of the moon, in the distance are more houses nestled in the mountains, Signed on the bronze lid, Meiji Period.
Size: 10 1/2" high (including handle) x 7" wide (including spout).
Diameter approximately 32.5 cm. A chip at the rim. In good condition.
An unusual rhomboid quadrilobed form dish decorated with a landscape of islands with Pagodas within a lake or estuarine setting conceivably a composition based on the “Eight views of the Xiao and the Xiang rivers”, Shosho hakkei. The design produced largely through the use of a stencil with additional applications of wash. The technique of using paper stencils, katagamni zuri, to reproduce patterns was also used at the Nabeshima kiln...
Wonderful Japanese scroll painting of Mt. Fuji surrounded by mist, with small birds and reeds in foreground, painted in light colors on silk, signed: by Kazan, of Gaishi Studio. Total size: 33 1/2" wide x 69" high...
A hand painted piece of art of a plum tree, painted with ink on makuri paper with sign and seal of the artist - late Meiji Period.
I tried to find out the name of the artist, but it is difficult to read. The painting has a real nice and sensitive touch. It is hard to find similar items like this amazing one.
The condition is good - there is only some unimportant wrinkle and stain which gives the artwork that special touch of a unique piece of art.
Size: ca. 23 x 27 inches...
18th Century Japanese Two Panel Painted Screen. All four seasons are represented here, with the background representing Winter and the kimono patterns representing Spring, Summer, and Fall. This is an unusual and creative take on the tagasode (whose sleeves?) genre of screen painting that usually depicts interiors. The pair of kimono poetically speak of a romantic liaison. The colors are breathtaking and the painting technique is pure master work. 68 inches (173 cm)w x 60 inches (152.5 cm)h. Exc...
Best of the best! Distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay. The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom' the roughly cut foot ring and window, which is decorated with plover birds (chidori) over waves in black under a shin on type glaze. Next to the roughly cut foot ring is a kiln mark (kama jirushi). There is a repair to the rim, executed in real Japanese gold...
Black Raku Chawan with wood box, both have the sign of the 12th. Kichizaemon Konyu ( 1857-1932 ).
The lid back of the wood box bares the appraisal and of Sen Sosa XII 'Sesai' ( 1863 - 1937 ), who has been the 12th grand tea master of Omotesenke.
We offer this tea bowl by order of a German collector.
The chawan is in good condition with no repairs. There are two small inborn kiln cracks on the rim.
Size: 3,4'' height x 5,1'' length x 5,1'' width.
...
A unique early Japanese Ikebana Basket with a rich camel
colored bamboo entwined with Wisteria vines with a single, beautifully twisted and gnarled Wisteria
branch. Highly sought after by the discriminating basket collectors. Edo Period, circa 1850. 14 inches (35.5cm) tall x 12.5 inches (31.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Antique Japanese Zen Buddhist calligraphy scroll painting, with three red chops. Meiji age (1868-1912)
Size: 70" L x 19.5" W (entire scroll) 53.5" L x 12.75" W (artwork only)
A superb Karatsu chawan dating from the mid Edo period (1615-1868). Karatsu pottery originated more than four hundred years ago in the small town of Karatsu, located in northern Kyushu. It has been a favorite of tea practitioners for centuries for its simple design and natural feel. Decorated karatsu ware is called E-karatsu.
This tea bowl is in excellent condition and comes with a special wood box with describtion of its content ("Karatsu Tea Bowl Edo Period").
It is perf...
Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.
Finely Painted Six-Panel Crane Screen, in various poses with leaves and flowers on a charcoal silver background. A highly styled creation of the Taisho Period. Taisho screens are very much sort after today for their unique beauty and the way that they complement a contemporary setting. Each Panel: 30h x 13w inches, 76h x 33w cm; total Dimensions: 30h x 80w inches, 76h x 203 cm.
Japanese antique scroll painting of a group of three monkeys in persimmon tree, painted in colors on silk, school of Mori Sosen, Meiji Period (1868-1912).
total size: 58" high x 38" wide
A very unusual dish decorated in somenishiki-de style with a fanciful landscape featuring a Namban figure, a Portuguese perhaps rather than a Dutchman, accompanied by a servant with parasol, walking to and from some sort of compound in the background with a curious barrel shaped tower. The well of the bowl and the exterior decorated in underglaze blue with a Shou symbol, Kotobuki, and three pussy foot Dragons to the exterior of the bowl. The bowl has no attached foot-rim as such, but an unglazed...
Fine Japanese Arita Imari polychrome fluted bowl. Decorated in underglaze blue and maroon, yellow, red, and gold enamels with floral roundels between flowering shrubs, including plum and prunus, extending over the rim into the interior. The base with an iris. C1700. Dia. 9 1/2" (24.2cm). Condition: excellent, one small frit 0.2cm on rim.(See last image)
A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center. Edo ...
Wonderful Japanese antique incense case, made of bamboo with very highly raised lacquer in the form of a blossoming wisteria branch, beautiful color and details including a tiny wasp, signed: Shizan, Edo/Meiji Period.
12 1/2" long x 2/3" wide.
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the
very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law
of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature
paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...
A very rare Kakiemon moulded dish, ozara, in a nigoshide type porcelain body dating from the first period of the Kakiemon kiln at Nangawara. The dish is moulded with various motifs and symbols of Longevity, including, a pair of cranes, pine, bamboo, a minogame, and prunus, and a pair of precious objects an artemesin leaf combined with a flywhisk. In between the framed motifs various forms of yoraku, pendant Buddhist jewels. The dish is of twelve sided form with a barbed rim suggesting the form o...
Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted