Antique Japanese hardwood ranma (transom) with a black lacquer frame, carved with scene of a bridge, surrounded by small islands with pine trees.
Size: 74" L x 1" D x 13.5" H
Antique Japanese hardwood ranma (transom), ornately carved with a descending plum tree (ume) branch, bearing flowers in bloom.
Size: 73.5" L x 1" D x 20.75" H
Japanese antique single section isho tansu (clothing chest) made with dramatic keyaki (elm) wood burl on the front and sugi (cryptomeria) frame. The tansu is has a beautiful translucent light color lacquer finish on the front. The sides and top are lacquered a more opaque deep reddish brown. Two small drawers line the top portion of the chest. Under this, are three large drawers. The right hand side of the chest has two more small drawers; one above and one below the safe box door...
An unusual Arita bowl decorated to the exterior with an auspicious Hundred Chinese Boys pattern, baizi tu, which shows karako, Chinese boys, engaged in various playful activities, principally Fan and Flag waving, moving large objects and chasing chicken. There may be references to various Chinese folk tales within the procession. The enormous water jar is probably a reference to the tale of Sima Guang and so on...
A large impressive shallow dish of typical export type decorated with two boughs of auspicious Chrysanthemums and Cherry blossom to the centre. The border divided into a set of six elliptical reserves each containing Butterflies and Peonies by a series stylised floral motifs inset against alternating blue and blue and green enamel grounds. The reverse simply decorated with Chrysanthemum Sprigs...
A good Arita vase of bulbous ovoid form decorated with three panels featuring traditional kacho-ga motifs, birds and flowers, including Chrysanthemums, Camelias and Peonies. The neck and shoulder of the vase decorated with horizontal bands of palisade like vertical stripes and stylised overlapping petals. Each panel divided by a stylised Lotuses with kara kusa scrolls, and the base decorated with a simple saw tooth pattern...
This generously proportioned chawan (13.5cm in diameter) shows nice age, especially around the kodai, and likely dates from early Edo (several hundred years old). The base is unglazed showing the molded clay, contrasting nicely with the jet black glaze which displays a slight purplish hue when held to the light. The soft sheen of the Raku glaze overlying rippled and shaved clay gives this bowl a distinct presence...
This is an extremely fine Japanese Cloisonne vase with gold wire decorations.It measures just 3 1/2 inches tall so it is much finer and more exquisite in person. It is not signed. The fine workmanship on this piece was most likely done by Hayashi Kodenji as only an elite few could have ever created such a piece. The enamel colors and character of the bird also match Hayashi's work. Condition is excellent.
Wonderful and important chawan: rounded wan-shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - including the foot - with a transparent glaze of wood ash with some feldspar. The glaze shows attractive shrinking (kairagi) in the lower half of the bowl. It shows discoloration from green tea, a sign of many years of careful use...
Japanese mingei hinoki water wheel. Complete 11 spokes with paddles used as a functional water wheel. Iron piston protrudes from the central hub for rotational function.
19th Century
Size: 47 1/2" x 6"
Antique Japanese iron tomiodai candleholder. Includes full five tiered with twenty five iron prickets, used in traditional buddhist or Shinto rituals. Forged iron with age consistent to usage.
Meiji Period 19th Century
Size: 27.5" L x 14.5" W x 26.25" H
A pottery tradition that harkens from the Mino region of Japan, Shino-yaki dates from the Azuchi Momoyama period. It came into fashion when first commissioned by renowned Muromachi cha-jin (tea masters) Shino Soushin. This is thought to be the first type of pottery in Japan to feature drawn paintings on the ceramic surface.
This attractive e-Shino bowl (“e” meaning picture) bears an abstract motif on a background of white feldspar...
A beautiful and delicate white porcelain composition with low-relief molded seashell design lining the inside. The overall condition of the bowl and several oxidation marks on the bottom suggest considerable age—at least several hundred years. The box lid bears the character “定” which can be translated as “truth” or “certainty.” The origin of this piece is unknown, though the previous owner regarded it as Chinese (Northern Song)...
Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.
The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.
But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi)...
Antique Japanese Yumi set of six Hawk feather and arrow reed. These were used to shoot long distances before and after the introduction of firearms. Mounted on a custom stand for a stunning presentation.
Meiji Period 19th Century
Size: 36.5" L each (on display 16.5" W x 4" D x 37.75" H)
The Japanese matchlock was introduced to the Japanese by the Portuguese during the Sengoku period. Originally called teppo, it was known as the name tanegashima where its origins was founded.
The tanegashima rifle where used by the samurai class and their foot solders (ashiguru) and within a few years of the introduction of the munition it completely altered Japanese warfare. This long rifle gun has an octagonal russet iron barrel with a flat sighting plain on top and a bore of 3/4”...
Introduced to Japan through the Portuguese in 1543...
Of Steeply conical form with a bulbous top. This jingasa is constructed of hide and cloth, shaped in a mold, lacquered in reddish brown lacquer, with a gilt rising sun mon on the rounded apex.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather. Kasa shares its etymology with the Japanese word for "umbrella" (which is also pronounced "kasa", but written 傘).
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The netsuke is made in the shape of a matchlock pistol. It is composed of different material such as wood, brass, and iron. Constructed during the Meiji period for export to the European market. Mounted on a custom iron stand.
Meiji Period 19th Century
Size: 3.75" L x 1" W x 1.5" H
(4.75" H on stand)
Unusual original Japanese flint lighter netsuke. Constructed of iron and brass, this piece would have been used to create a steady fame in less then perfect conditions. The striker would create contact friction and create a spark igniting the fuel source. Firearms at this time required a flame in order to ignite the fuse. Original russet patina with all parts still intact.
Edo period (1603-1868)
Size: 2" L x 1" W x 1.5" H
Antique Japanese isho tansu (clothing chest) from the Sendai area, made with all Keyaki (elm) wood front with dramatic grain and translucent lacquer finish, elaborate thick iron hardware including moko shaped drawer pulls and ornate raised scrolling vine lock plates with floral mon, large drawer on top, three shorter drawers, two small drawers and a safebox on its right side, which also has ornate iron lotus mon and opens with a ring pull.
Meiji Period (1868-1912)
Size: 4...
A functionary yumi rattan bow string holder is an essential munition of an archer. Material is wooven rattan in spool shape used to wrap sinew string, strapped with leather and horn. The horn contains powdered rosin used as dry lubrication. Mounted on a custom iron stand.
19th Century
Size: 9" L x 4.5" W x 1.5" D (12.5" H on stand)
The mask is of dark brown russet lacquer finish and the interior is smoothed lacquered red. The high jaw his two protrusion hooks for strapping the cords, underneath the chin is a vent hole. The mask is fitted with yodare kare of three row of false scale lace and blue silk.
19th Century Edo Period
Size: 6.75" L x 3" W x 8.5" H (12.5" H on stand)
With a sturdy foot firmly grounded, the upper rim of this piece rises and falls, somewhat reminiscent of a mountain path. Combined with the plum blossoms floating on the white background, these elements together suggest balance and harmony.
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-l...
Antique Japanese Funa Tansu (ship safe chest) in original red lacquer Urushi finish. With heavy black iron fittings, a top handle for carrying. The front hinged door plated in iron, incised with Kiri leaf and peony designs, the side lock incised with mushrooms. The interior holds five drawers of varying size with pull handles. Included with a copy of antique certification from Oct. 17 1973.
Late Meiji period (1868-1912)
Size: 13" W x 16.5" D x 15" H
Antique Japanese two-section gifu choba tansu (accountant's chest) made with Hinoki (cypress) and Sugi (cedar) wood. The top section has two sliding doors with slats, and an open compartment inside with two drawers. The bottom section has an open storage compartment behind another pair of sliding doors, with five drawers and a lock safe.
Meiji period (1868-1912)
Size: 33" L x 14.25" W x 55" H
In our opinion this is the best Iga Vase, we have ever seen. Massive and intentionally distorted Vase of wonderful native Iga clay. The vase is 3300 g heavy and has a height of 8,1'' and a width of 7,1'', which is very tall for an antique Iga vase.
The vase was made between 1800 - 1850 during the later Edo Period and is in good antique condition. No repairs. Only an untimportant chip on the bottom caused during the process of firing. The vase comes with an old wooden box.
A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year. The reverse decorated with three pairs of ribbon tied shippo, and a six character reign mark for the Chinese Emperor Chenghua. The base of the dish supported by set of 4 spur marks distributed in a Y shaped form.
The dish was probably produced at the Kakiemon kiln in the Nangawara valley. See no 254 at page 135 Kakiemon – The Whole A...
A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year. The reverse decorated with three pairs of ribbon tied shippo, and a six character reign mark for the Chinese Emperor Chenghua. The base of the dish supported by set of 4 spur marks distributed in a Y shaped form.
The dish was probably produced at the Kakiemon kiln in the Nangawara valley. See no 254 at page 135 Kakiemon – The Whole A...
Antique Japanese woven bamboo traveling basket/trunk, with iron side handles and locks, an iron hinged top, lined in old light blue paper.
Size: 26" L x 16.5" W x 13" H
Japanese woodblock print of two beautiful ladies at the ocean, with a basket full of shells they've collected. With calligraphy in right margin.
Size: 7.25" W x 9.5" H (artwork only)
Futonji made of hand-spun cotton with tsutsugaki orizuru (origami crane) motif and dyed with natural indigo. It has green color lining which is also hand-spun cotton and dyed with natural indigo and yellow color. In excellent condition except for a hole near hem in the indigo cover, indigo faded parts and some holes in the green lining. Late 19th to early 20th century. 158cm x 188cm
A lovely Shino tea bowl fashioned from coarse Mino clay and covered in a crackled feldspar glazing. The front of the bowl is decorated with paintings of abstract foliage—possibly the lilting leaves of a willow tree—and the base of the bowl is unglazed, displaying rough clay. The paintings, which are applied using a ferrous glaze, along with the han-zutsu shape (half cylinder) are very typical of this type of Shino-ware. This particular piece appears to date from early to mid-Edo, has an inte...
Antique Japanese golden bamboo usubata (flower arranging vase) shaped and grown naturally into its wonderful twisting form, with a short bamboo insert.
Taisho period (1912-1926)
Size: 7" x 4" x 11" H
Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history.
Bonshō (Japanese: 梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging bells) or ōgane (大鐘, great bells) are large bells found in Buddhist temples throughout Japan, used to...
This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture. This was used in a very rich merchant's fam...