A rare Indonesian Keris/Kriss with very old short wavy pamir/pamor steel blade. The Javanese style hilt has a white metal (probably silver) fitting set with flat back - "rose cut" - diamonds. For similar diamond fitting please see fig 10a, page 385 - "Glossary of the Construction, Decoration and Use of Arms and Armor" by George Cameron Stone, 1934 - pub 1961 by Jack Brussel (New York). Condition - the tip of the blade is missing and there are two chips and an age related crack to the wooden hilt...

Antique Japanese tall box made from Kiri (paulownia), natural finish wood. With 5 front drawers slightly recessed into the box, opened by round "kan" pulls with lotus pod style backplates. The edges are protected and reinforced with iron plates.

Taisho period (1912-1925)

Dimensions: 11.25" x 20" D x 24" H

A fine Chinese Jin / Yuan dynasty Cizhou painted bottle with 4 lugs. Ht. 28.5cm. Condition: few chips to the body and mouth rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition...

Vintage Chinese Rosewood Stool. Warm deep red finish, with detailed carving seen throughout. Very solid and can withstand heavy weights. Perfect Condition Dimensions: 9 3/4" High X 11 1/2" Wide

Featuring rich earthy tones and intricate hand-drawn stencil designs of passion flowers resting on a string of vines, this bowl would be perfect for displaying an ikebana flower arrangement. A kintsugi (gold) repair attest to the age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Karatsumon O-wan” indicating a large Seto bowl with arabesque hand drawings (絵瀬戸 唐草文 大鉢)...

This is an antique, elegant, black lacquered Burgaute snuff bottle of rectangular tapering towards the base hexagonal faceted shape, with flat footing and a round neck. Beautifully decorated with mother-of-pearl and gold inlays of flowers and geometrical forms. Spectacular detail...

An absolute lovely teapot of the Guangxu period ( 1875 - 1908 ). Brilliantly enamelled " Mille Fleur " decoration which is extraordinary rich in detail. ( Famille Rose ) Iron-red Guangxu Mark and of the period. H : 10,8 cm. L : 17 cm. Condition : Perfect.

This censer is noticeable by its absolutely very well done, perfect shape of the body. By the particularly warm golden colour of the alloy, and by the additional decor ( with some calligraphy ) to the inside of the piece. The surface of the piece nearly appears like gilded. Unforunately why ever the images are not able to show this. Ming Xuande mark to the base of the piece. Diameter : 9,4 cm. H : 6,7 cm. Condition : Perfect

An ancient Egyptian bronze figure of Nefertum. Depicted striding on his integral base, wearing a tripartite wig, fronted with ureas, with his left foot forward, with arms along his side, wearing the lotus crown and with suspension loop behind. 3 1/4 inches high. Mounted. Said to have been purchased on the Paris art market @ 15 years ago...

An antique Japanese Isho Tansu (kimono storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware and Oxblood red Urushi lacquer finish. Drawer lock plates have an unusual stylized insect-like incised design with fine stimple work accents and handles in the Warabite style. True dovetail joinery and hardened wooden nails were used in the making of this chest.

Age: Late Meiji (1900-1910)

Dimensions: 35 1/4" Wide by 40 1/2" High by 16 5/8" Deep

High class Ohi Chawan made by the 8th generation Ohi Chozaemon (1851-1927) 120 years ago and is done in a style known as 'ameyu' or candy glazing. It comes with its originally signed and sealed wooden box.

The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple.

The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha...

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations...

A Bronze Vase with lobed rim and base. The central tree trunk section with applied branches and flowering magnolia. A good dark patina. Chinese 17/18thC. Height: 7″ (17.7 cm). Condition: light wear, slight depression to rim.

Antique Japanese cast iron tetsubin (tea kettle), cast with wonderful design of shells on each side, beautiful shape with tall handle and iron lid, Meiji Period. Size: 11" high

Antique pair of Sino-Tibetan footed silver offering cups. Decorated with repousse floral motifs.

19th century

Dimensions: 2" x 2 1/8" diameter

This piece features a warm golden glaze with several patches of lighter pigmentation. The inside of the bowl is especially inviting and shows a magnificent patina developed over many decades of use and what appears to be a partly faded stencil of a pinecone. The foot is well-shaped, well-grounded, and clearly displays the unglazed rich clay...

Small statue of Green Tara, wearing diadem, necklace and dhoti, sitting "at ease" on a double lotus throne. Her right hand holds the "cintamani", the jewel which "grants wishes or satisfies all desires". Bronze, with fine green patina in the recesses. Tibet, 16th century or earlier. Height: 3 3/8" (8,5 cm). Strong erosion due to very old age, tiny losses at the base of the throne, otherwise very good condition. NOTE: Green Tara is seen as the Buddhist protector against all dangers.