Chief god of the underworld. Of slender form, depicted mummiform, he is wearing the atef crown, fronted with an ureas, wearing the false beard and with hands emerging from tightly fitting garment. 2 3/4 inches/7 cm high. Mounted. Late Period, 600-300 B.C. Mounted. Private AZ. collection. Ex. Bill Freeman estate collection, Santa Fe, N.M. & Scottsdale AZ., acquired 1960’s - 1970’s. Reserved

Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll. Jin Cheng travelled internationally and was a founding member of the influential Chinese Painting Research Society (Zhongguo huaxue yanjiuhui) that became later known as the Hu Society (Hu she). The writing at the top right is an apocryphal dedication- gifted to Yu Po 1907...

A light raku chawan displaying a mitsuba-aoi family crest pressed into the side which has been shattered and repaired with black lacquer mellowed slightly brown, then broken again and repaired with gold. An amazing amount of work to save the fragments. The bowl is 12.5 cm (5 inches) diameter6.5 cm (2-1/2 inches) tall and comes enclosed in an old Kiri-wood collectors’ box...

Early 19c Chinese scholar’s carved rosewood double dragon brush rest. The dragons have wonderful facial features with turned up snouts. There is a round knob on the top between the two facing dragons to turn it easily. The bodies, feet and curling tails are wonderful. Workmanship and quality is superb, showing early original patina to the surfaces. The color is a rich reddish brown with all the shiny areas right where they should be from handling...

A Chinese Celadon Glazed Pear Shaped Vase. Circa, 12th-14th Century, Song-Yuan Dynasty. Found in the Philippines. Featuring a rounded body rising from a short straight foot, tapering inwards to its shoulders onto a long straight neck, slightly flaring to its mouth. The vase is covered overall in an olive green celadon glaze, except for the base. Measurements: height (5.9"inches or 15.5cm). Condition: in perfect condition. No repairs...

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx...

This is my Chinese tea pot open work stand 3 3/4 in height 3 1/4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot collection stand 3 5/8 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot collection stand 4 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

Boro futonji made of mostly hand-spun cotton and vegetable indigo dye in one side, and stripes in the other side. Late 19th to early 20th century. 94cm x 152cm

Large Afghan ceramic charger, of hollow form, decorated with splashed green and brown lines crossing on a light beige background. The charger is typical of art style of the Bamiyan period during the Bactrian civilisation era. Diameter: 26.5 cm. Height: 8.9 cm. Small hairline, otherwise very good condition. NOTE: Old French collection, collected in situ in 1970.

A nice tanged bronze lance from Ancient Near East, East Caspian Sea Area, 2nd. mill BC.

The lance with rouned shoulders and a defined, central midrib, interesting thick tang.

Size: c. 21,5 cm.

Condition: Nice Very fine, wear, but nice metal. Beautiful red patination.

Ex. Private Collection in Denmark, formed in the 1990's.

A serene vision of enlightenment, calming and compassionate, can be seen in the later Edo period Buddhist carving of Amitabha. He stands on a lotus base, with a flame like mandala rising up behind him in the shape of a jewel, the entire gilded in pure gold worn soft with age and care. The figure alone is 39 cm (15-1/2 inches) tall. With the base and mandala, it is 65.5 cm (just under 26 inches) tall. It is in excellent condition...

Rhyton, of conical shape, decorated at its base with the bust of a ram. Geometric design incised all over the body of the object. Bronze, with fine reddish-green age patina and traces of soil encrustations. Bactrian Civilisation, ca. 4th century B.C. Height: 15.3 cm. The piece is nicely mounted on a custom stand. Very good condition.

A Very Fine Korean Bronze Candle Holder/Butterfly, Fish.Character-19th C. Korea, Joseon dynasty, 19th C. This set of the candle holder sets of slender elegant designs in a molded symmetrical double happiness H-shape connecting to the stand...

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

Kake-Fukusa, a gift cover made of tapestry weave silk with carp and stream design. It is used to cover a gift on the auspicious event. The family crest (kamon) is Umebachi-mon. Four tassels are metal yarn. Generally, in good condition, but has light stains in blue ground and white waves. Meiji period (1868~1912) 63xm x 63cm

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm

Height: 3.4 cm (1.3 in)
Width: 3.9 cm (1.5 in)
Depth: 3.5 cm (1.3 in)

Fine Japanese carved netsuke of a father and child, the child holding a dragon fly; excellent carving throughout; natural material; the stained scrim-work particularly detailed; the extraordinary base work includes an oval panel with the signature, Gyokusai; good condition

Height: 3.9 cm (1.5 in)
Width: 2.3 cm (0.9 in)
Depth: 3.7 cm (1.4 in)

Quality Japanese netsuke of a seated monkey eating a peach and grasping another in his feet; natural material; excellent hair work and stained scrimmed clothing; signed on a polished reserve, Masanao; good condition

This is an authentic Neolithic Hongshan jade object, described in the literature as "hoof-shaped." Current scholarly opinion is that it was used to hold the individual's hair, based on where these objects have been found in excavated tombs. The piece measures 4-1/2" in height and is 2" in diameter. As with most published examples, it has two holes near the base which would have allowed the insertion of a "pin" to hold the hair in place...

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay...

A fine pottery koro in typical milky white glaze supported by three figures in russet red by Okuda Mokuhaku dating from the mid 19th century. It is 13 cm (5 inches) diameter, 11.2 cm (4-1/4 inches) tall. There is a chip in the rim, otherwise is in excellent condition. It is stamped on the base AKahadayama followed by a circular seal reading Mokuhaku. t comes in a simple wooden box.
Akahada Pottery, starting around 1585, was created by several kilns in the area of Yamato-Koriyama, Nara...

Kake-fukusa, a gift cover, used on the occasion of auspicious events. It is made of tapestry weave silk with two performers motif, one is wearing Daikoku costume with a gavel. Two men look Kado-tsuke, strolling musicians or performers who play dancing and music in front of houses and get some money. In good condition but damage in the black Eboshi (hat) of the man with a fan. Meiji period (1868~1912) 62cm x 67cm

A looping handle sweeps above this fabulous bowl decorated with burgeoning gourds by Takahashi Dohachi VI enclosed in the original signed wooden box. It is 21 x 18 x 15 cm (8 x 7 x 6 inches) and is in excellent condition.
Takahashi Dohachi VI (1881-1941) was born the second son of the 4th generation Dohachi in Kyoto. He was too young to succeed the family name upon his fathers early demise, and a a potter named Ogawa Yunosuke steered the helm as the 5th Dohachi until he too passed away i...

We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we see a beautiful work that appears to be at least 200 years old and likely much older. On the side can be seen the typical “hasami no ato” (tongs mark) and along the base on both the inside and the outside are impressed lines, formed during the firing process, that I have seen only a few times before and only on very old ...

Chinese Famille Rose Mandarin Palette Tea Bowl and Saucer. Decorated with a scene of a standing lady holding a fan next to another seated and with a child on a terrace. The tea bowl with two cartouches, one with the lady and child the other with the standing figure. Qianlong C1775. Diameter of the saucer; 5 1/2″ (14.0 cm). Condition; perfect.

A Rare/Fine Korean One of 오방오제위도 (五方五帝位圖) Buddhism Paintings-18th C. This Painting inscribed 동방대호지군-東方大皡之君), Korea, Joseon dynasty, 17th / 18th century. “The painitng is one of 5 (동방대호지군(東方大皡之君),남방연제지군(南方炎帝之君), 서방보필소호지군(西方少皡之君),북방전욱지군(北方？頊之君),중방황제지군(中方黃帝之君).서방소호지군(西方少皡之君) Buddhism paintings”. ...

A Very Rare/Fine Korean White Porcelain Dome-Shape(무릎연적) Water Dropper-19th C. : Korea, Joseon dynasty, 19th century. A quite large sized beehive porcelain water dropper set on a ring foot with a cylindrical spout, covered overall by an even light blue tinged clear and high sheen white glaze. It’s in very fine condition without any damages at all, It measures 10 cm high x 11 cm d. ***Provenance: a collection of Koo, NY (Ji Young Koo, New York). *** a similar sold Christie’s ...

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore. They are ...

Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.

Age: Edo Period (1603-1867)

Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide

An exceptionally fine Egyptian Bifacial seal or seal plaque, for Amenhoteb III, 18th Dynasty, 1390 BC-1352 BC.

The seal finely engraved with hieroglyphs. On one with the standing depiction of Ptah, the other with a bird and the carthouche of Amenhoteb.

Size: c. 17 mm. long.

Condition: Choice Extremely fine, very sharp miniature engraving and almost complete blue glazing. A gem!

Provenance: Antique dealer Lau Sundes private collection (1960s), and lat...

Super interesting massive amulet from an extremely old private collection, incl. the original envelope with collectors notes (late 19th.-early 20th. century).

The amulet in the shape of a double Uraeus (we think) and with an unidentified carthouche / hieroglyphs on both sides. Beautiful light torquise faiance.

Size: c. 38 mm. tall, incl. the loop.

Condition: Extremely fine and intact.

Provenance: David Utzon Frank collection, ex. Bruun Rasmussens auc...

Found in the Philippines. Featuring a circular body, resting on a short straight foot and is decorated with a carved central floral spray, adorned with combed lines. The box is covered overall in a pale green celadon glaze, except for its base, which is left fully unglazed and partially burnt to red. Measurements: diameter (3.9"inches) across. Condition: in perfect condition. No repairs, UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalr...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe. Commissioned in 1690, this scroll commemorates the reconstruction of the main hall of Ryuhon-ji Temple, estab...

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', a...