Authentic detailed Tang Horse Groom of a foreigner.There is still a lot of pigment still remaining on the surface and a very detail casting of the face of the groom. This comes from a collection excavated in 1998. See last photo. Size: H.49cm. W. 15cm. Condition: No repairs.

Meiji (1868-1912) Japanese Kyto Satsuma Bowl with Flower Attributed to Nonomura Ninsei

It is 5.1 inches (13 cm) tall by 10.1 inches (25.7 cm) wide. It is 1.7 Lb.

It has loss gold and paint, stains, and surface wears and scratches (as seen in the photos).

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Pair of 1900's Japanese Cloisonne Vase with Egret & Willow Tree & Flowers

They are 6.1 inches (15.5 cm) tall by 4.6 inches (11.7 cm) wide. The total weight is 1.7 Lb.

They have stains at the bottom, tarnished metal, and surface wears and scratches (as seen in the photos).

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A beautiful authentic Western Han pottery cocoon jar in the shape of a silkworm cocoon. The outer surface is embellished with the original painted abstract banding and scrolling designs in pigments of dark and light brick reds, grey blue, and white. Size: H. 28cm.L. 31cm. W. 28cm Condition: Minor chip on the rim and the base from age.See photos.

An antique Japanese Gifu Choba Tansu made of Hinoki and Sugi wood. Top section has two slat sliding doors with two small interior drawers. The bottom section has a pair of sliding doors , five drawers and a safe compartment.Excellent condition.

Date: Mid Meiji (1868 - 1912)

Dimensions: 35" wide X 17" deep X 62" tall (both sections top section is 24" tall & bottom section is 38"

A Japanese antique merchant (Choba) tansu made of thick quartered sawn keyaki wood with keyaki burl wood doors. The wonderful hardware is hand made iron. The casing is crytomeria. The tansu's top section has three top drawers. The mid section has sliding doors with an interior shelf and adjacent two drawers. The lower section has 4 small drawers and below them 3 more smaller drawers...

An antique Japanese Ko-Giri Tansu from the Taisho period. Made of all-kiri wood with two round locks, "c" shaped handles, original copper hardware.

Date: Taisho Period (1912-1926)

Dimensions: 16' tall X 23.5" wide X 12" deep

Very rare late 18th - early 19th century framed Tibetan thangka depicting arhat Kanaka Bharadvaja - one of the 16 original disciples of the historical Buddha - seated on a lotus dais with his hands in dhyanamudra - mudra of concentration. He is surrounded by 7 other original arhat with their characteristic hand gestures and attributes (anticlockwise from lower left): Anjita, Shribhadra, Pindola, Rahula, Kalika, Nagasena and Abheda...

An antique bronze Yama Dharmaraja. Yama Dharmaraja is an emanation of Manjushri and is a Tantric Buddhist deity and a protector deity. The name means 'Lord of Death, King of the Law. Dharma is the law of cause and effect (karma).

Date: 18th Century (early to mid 1700's)

Dimensions: 6.5" tall X 5" wide X 2" deep

An rare an early gilt on bronze Tang-sui votive on four curved feet with vine branches holding seven Buddhas. These images appear early Buddhist iconography representing the Buddhas of the Past. Later these multiple images became one image. This votive was made for personal devotion. See Anthony Lin Exhibition "Icons and Iconoclasts"...

Tibetan Repousee raised Silver on Burlwood Tea Bowl, Tsampa Tea Bowl, Ca. early 1900, 4 3/8" diameter-top rim, 2 5/8" high, 2 1/2" diameter-bottom rim, smooth silver lining over the top of the Burlwood rim, raised intricate hand hammered design on the side, continue on with intricate silver work over the high raised foot, and cover the entire sunken bottom with large Silver Conch Shell. This is high quality Tea Bowl, the condition is good.

18th century Tibetan thangka depicting Ekadasamukha - Boddhisattva Avalokiteshvara manifesting its form with 11 faces. Boddhisattva is holding various implements in his 6 hands, there is Tsongkhapa surrounded by 2 lamas depicted above him and 3 deities (White Tara, Mahakala and Green Tara) below. Beautifully painted with natural mineral pigments on cotton, original mounts lost its silk front but retained cotton backing, the thangka can be displayed hanging...

Very unusual small 1910s Tibetan thangka painted on a buffalo horn plaque with mineral pigments and depicting Bhavachakra - a symbolic representation of samsara - the cycle of repeated birth, mundane existence and dying again without the beginning or the end. The pig, rooster and snake in the hub of the wheel represent “the three poisons” - ignorance, attachment and anger...

Height: 20.5 cm (8.2 in)
Width: 9.5 cm (3.7 in)

Chinese Ge type crackle vase; fired to stoneware; beast head handles; fine iron wire crackles throughout in a cream glaze; possibly Ming; good condition

This is a Japanese antique Edo Period of habutae-silk kaga-noren of Mount Fuji and the seaside landscape(miho no matubara). High quality hand-yuzen dyed Kaga Noren. With indigo and gray hand-drawn dyeing, it expresses an elegant and beautiful landscape. This kaga-noren is a very rare design and I think it was made by a special order by a wealthy merchant. It has a light stain but no damage and is in very good condition.This color of Yuzen dyeing is very well preserved. kaga-noren is made of...

A large root-wood sculpture made of a single piece of burnished and lacquered cypress or perhaps rosewood. Dramatic details. All in all very decorative piece for the scholar’s studio. China, early 20th cent. H 55 cm, W 40 cm. Condition: Excellent.

Japanese Porcelain Kutani Tea Pouring Cup or Tea Water Cup, Ca...

Good size late 18th to early 19th century Tibetan thangka depicting Buddha Amitabha presiding over Sukhavati, the Western paradise. Amitabha - the Buddha of Infinite Light - sits in his palace surrounded by pious men dwelling in the land of bliss. There are flying Buddhist angels above the palace, and before it there is a lake in which devotees are reborn on lotus flowers with two rowing boats carrying believers to the Amitabha’s paradise...

Good size early 19th century Tibetan thangka in original mounts depicting 6-armed Bhuddist dharmapala Hayagriva easily recognizable by 3 horse heads in his crown. He is considered to be the terrific form of Avalokiteshvara and thus the archetype of fierce compassion. Hayagriva is shown wearing a tiger skin apron and a long necklace of human heads, holding various implements in his hands...

Old (1920's) Japanese Cast Iron Kettle Tetsubin Signed Ryubundou (KINRYU-DO)

It is 9.6 inches (24.5 cm) tall with handle up and 6.25 inches (16 cm) tall with handle down by 7.55 inches (19.2 cm) wide. It is 5.6 Lb.

It has rust, loss patina, surface wears and scratches (as seen in the photos).

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Early 19th century Tibetan / Mongolian thangka depicting Tserendug - the White Old Man - Lord of the earth and water, protector of all living things. Rare icon, Tserendug as the patron of the plant and animal world is one of the ancient chthonic deities incorporated into Buddhist iconography and is associated with Buddha Amitayus...

13th Century Chinese Cizhou Pottery Kwan-Yin Buddha

It is 8 inches (20.3 cm) tall by 4.6 inches (11.8 cm) wide...

A very good, embroidered satin silk unofficial informal robe for a Manchu lady. The background in turquoise colour satin, is embroidered with butterflies, bats, different kind of flowers etc., in multicoloured silk floss. Borders in black and blue band with embroidered light blue small flowers. Fastened with five knot-end-loop toggle buttons. Lining in light silk. Calf-length type: H. 110 cm; W. 145 cm. Qing, late 19th to early 20th cent. Condition: very good, but some wear and minor st...

Early 19th century Tibetan thangka in original mounts depicting Bodhisattva Manjushri seated on a lotus throne holding a flaming sword and a lotus flower with a book on it in his hands, sun and moon among clouds behind him and a pile of offerings in front of the throne. Manjushri’s name means “Gentle Glory”, a flaming sword represents the realization of transcendent wisdom which cuts down ignorance and duality. The scripture supported by the lotus is Prajnaparamita Sutra representing his a...

18th century Tibetan thangka in original mounts depicting Begtse standing on a lotus throne trampling on the corpses of horses and humans, brandishing a sword, supporting a lance and a bow and devouring a human heart. Rather rare icon, Beg-tse (also called Jamsaran) is a dharmapala (the Defender of the Buddhist Law) and the Lord of War, in origin a pre-Buddhist war god of the Mongols - his name means “hidden coat of mail”. He has red skin and orange-red hair, two arms (as opposed to other Ma...

Early 18th to early 19th century Tibetan thangka in original mounts depicting Green Tara with the image of Buddha Amitabha above her and her 21 forms around her. She is the miraculous savior rescuing all beings from suffering, particularly from the “eight calamities” of both mundane and spiritual nature: 1. lions and pride 2. wild elephants and delusion 3. forest fires and hatred 4. snakes and envy 5. robbers and fanatical views 6. prisons and avarice 7. floods and lust 8. demons and doubts....

18th to early 19th century Tibetan thangka in original mounts depicting six-armed Mahakala standing on a lotus base trampling on elephant headed Vigneshwara (Lord of Obstacles). Mahakala is an emanation of Boddhisattva Avalokiteshvara and the leader of the dharmapalas (Defenders of the Buddhist Law), his name means “beyond time/death”, and he represents the flow of time. This is 6-armed form of Mahakala with each hand holding a different implement, the crown is adorned with 5 skulls and a s...

Early 19th century Tibetan thangka in original mounts depicting Buddha Amitabha seated on a lotus throne holding an alms bowl in his hands, sun and moon among clouds behind him and a pile of offerings in front of the throne. Amitabha is the Buddha of Infinite Light and presides over Sukhavati (the Western Paradise). Beautifully painted with natural mineral pigments on cotton, wonderful tranquil face, excellent quality painting, some expected wear, overall in great condition for a 200 years old d...

A Japanese Tsukioka Yoshiyoshi tryptch "Toin no Akinotsuki" from the "Legend of the Hero and Warrior" series. Autumn Moon at Toin: Flute Player Yasymasa. The print is signed by Toshiyoshi (1839-1892)who is considered one of the last great masters of ukiyo-e. The triptych is a woodblock print with Katada Chojiro, the publisher hand stamped in the left hand corner.

Date: 1894

Dimensions:13.25"h x 27.25"w

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

Chinese yixing zisha purple clay. 18,2 cm wide. 9,5 high. Good conditions except small chipped at the lid. 19th century.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

An antique Japanese bronze platter of mixed metals with silver. The image is of a masked swordsman. Bugaku court dance and music is the Japanese traditional dance that has been performed to select elites mostly in the Japanese imperial court, for over twelve hundred years. The dance is marked by its slow, precise and regal movements. The dancers wear intricate traditional Buddhist costumes which usually include striking masks. Gagaku is the court music that goes beside the Bugaku court dance. G...

A very rare Bronze Seal that was used as a pendant with an old glass bead. There are still remnants of the gold leaf surrounding the seal. I judge it as a Han seal or earlier. I have never came across one like this before

A pair of antique Japanese mixed metal candlesticks made of bronze and silver. The base of the tall candlestick has elephant trunks as legs. The top portion has reliefs of birds in foliage and a dragonfly on lotus leaves. The shorter candlestick has similar reliefs of birds and a dragonfly.

Date:

Dimensions: tall candlestick is 10.75"tall X 3.5" wide,the shorter candlestick is 5"tall X 4.5" wide

Late Meiji (1890s to 1912) Japanese boxwood seal set consisting of the seal itself, seal holder and seal paste container, all fitting very well. Excellent quality crisp carving, old red seal paste in the grooves of the seal and in the paste container. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina, grime accumulation on the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actua...