Circa 1870s Cantonese export carved ivory larger size calling card case. The front is saturated with open flowers, leaves, stems and buds in the type of work that appears like they are lifted in the air with skilled undercutting and back carving. The background is all perfectly hatched in the wan-fret design and there is a central area that is filled in with scenes of Chinese life, also in high relief...

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

This pair of ivory carvings of ladies and lotus was completed in the mid 19th century. They depict aristocratic ladies holding stylized bouquets of reeds and lotus. Mythical deer are leaning over their robes. The carving is superb. Their traditional hairstyles, peaceful faces and detailed silk robes, playful deer and floral design bases really contribute to the overall quality of the pieces...

This rare ivory carving of an empress with her attendant is a late 19th century product. It is 9” high (with a fitted hardwood carved base, it is 10 ½” high), 2 ¾” wide and 2 1/8” deep (both measured from bottom). This image depicts a story told in traditional Chinese opera and classical literature about a beautiful young noble woman, Yang YuHuan (楊 玉 環) who lived from 719 to 756 A. D...

A fine Chinese late 19th century ivory card case featuring an intricately carved garden setting with figures and pavilions on a pierced background. It is in excellent condition save for a very small break/loss that is almost invisible when the case is closed, see last 3 photos. Otherwise, no cracks, no repairs, etc. Measures 4.5" high, 3" wide.

The pair of mid 19th century carved ivory emperor and empress are 14”~15” high, 3”~3 ½” wide and 2 ½” thick. The emperor’s right hand holds a pagoda; his left hand carries a long sword. Two small long tailed birds and a flower plant are placed in front of him. The empress’s right hand holds a flower basket; her left hand carries a tassel. A large phoenix sitting on a garden rock is beside her...

Small statue of legendary poet Li Bai (or Li Po), seated and sleeping beside a wine jar. Old ivory. China, end of 19th century. Height: 5 cm. Length of base: 6 cm. The statue is sold with its custom wood stand. Very good condition.

This very well carved ivory glove stretcher is a mid 19th century product. There are garden scenes carved on both sides. It is 10 ¾” long. It has beautiful patina. Aside from a few crack lines due to its age, it is in excellent condition.

This superb late 19th century export ivory carving is 11 ¾” high, 4 ½” wide and 3 ¾” thick. It depicts daily activity in a small village. There are houses, temples and pagodas surrounded by a river, a forest of pine trees and mountains. There is an old repair on a pine tree, some small losses and several hairline cracks on the top of the tusk. Considering its age, it is in great condition.

This finely carved noble lady is a mid or late 19th century product. It is 12” high, 2 ¾” wide and 2 3/8” thick. There is an honorable “Yong Zheng” mark on the bottom. The lady is holding a bunch of lily blossoms in her left hand and a basket of peony blossoms in her right hand. The statue has great patina. Aside from some loss of coloring and a small old repair to a broken tassel on the front of her robe, it is in excellent condition.

This matched pair of ivory carvings of birds resting on a plum tree was completed in the mid or late 19th century. They depict long tail birds resting on old plum tree trunk. Their heads are turned in an interesting pose. They are 10” high (11 ½” high with hard wood base), 2 ¼” wide and 2” in depth. The carvings have a very nice patina. Aside from one hair line crack on the bottom of one of the trees, they are in great condition.

This superb carved ivory page turner is an early 19th century product. On one side there is a very well carved garden scene and figures; a textured pattern covers the other side. It is 12 ¼” long, 1 5/8” wide and a little less than quarter of an inch thick (measured from the handle). It has a great patina. Aside from one hair line crack on the back, it is in excellent condition.

This 19th century ivory carving of a young woman wearing a straw hat and holding a fish is 11” high (13 1/2” high with hardwood base), 2 ¾” wide and 2” thick. This young woman is the central figure in a well-known Chinese opera called “The Fisherman’s Revenge” (Da Yu Sha Jia). The story concerns an old fisherman was threatened by a ruthless provincial governor. The governor insisted that the fisherman marry off his beautiful daughter to become the governor’s concubine...

Width: 5 cm (2 in)
Height: 1.7 cm (0.7 in)
Depth: 3.2 cm (1.2 in)

Chinese toggle of a lotus plant; natural material; lovely patina; early 19th century or earlier; good condition

Height: 3.4 cm (1.4 in)
Width: 4.2 cm (1.8 in)
Depth: 1.2 cm (0.5 in)

Quality early Chinese toggle of an old Sage resting; natural material; possibly converted to a netsuke in Japan; good patina and condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina and age wear; good condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina with wear; age lines on the base; good condition

Height: 4 cm (1.7 in)
Width: 2.9 cm (1.1.in)

Chinese toggle seal of a Dog of Foo with carved seal to the base; natural material; circa 18th century; good condition