Pair of silver vase cloisonné of enamels. Gold lacquer cartouches inlaid with mother-of-pearl shibayama, buffalo horn, stained bone. Signature of the artist in a gold cartouche. Japanese work from the end of the 19th century. Good condition. No restoration, some missing inlays (see pictures) the silver parts are in good condition, not dented or scratched...

An exquisite Japanese pillow, the body woven with red pigment lacquer, the ends lacquered in black with gilt lacquer. One end depicts the mythical creature Baku, said to devour bad dreams. The other end is a floral scene with beautiful nashiji gold flakes.

Meiji Period (1868 - 1912)

Size: 8.5" L x 6.75" D x 4" H

A pair of circular make-up boxes in nashi-ji lacquer adorned with a floral pattern and an aoi go mon motif (three mallow leaves in a ring) on the lid. This motif is well-known for being the mon (family crest) of the famous dynasty of the Tokugawa shoguns. The bottom of the lid and the top of the box are lined with silver...

Suzuribako orned with a kakemono in glod and silver lacquer, cerned by plum blossoms in gold hira maki-e lacquer, green, silver and white, on a black lacquer background.
The inside of the lid is orned by a cloud sky in gold and silver lacque, on a hiramei-ji lacquer background (more or less dense gold flakes on a black background).
The inside of suzuribako presents a tray with a suteki (water bucket) with water melon decors, and a suzuri, (inkstone), the all laid on a hiramei-ji ...

A Group of Japanese Meiji Period Gold Lacquered Wood Lotus Blossoms. They were displayed on the altar of a Buddhist temple and represent rebirth and the cycle of life. Each flower is depicted in a different state of maturity. Late 19th Century. Height of the tallest flower: 30 inches (76cm).

A large table made of layers of lacquer carved through to reveal the various colors by Suwa Sozan I enclosed in the original signed wooden box titled Guri Joku and bearing the Teishitsu Gigei-in Seal of the Imperial Art Academy. It is 65 x 40.5 x 20 cm (25-1/2 x 16 x 8 inches) and is in excellent condition. The artists seal is expertly incised into the back of one ball shaped foot...

Antique Japanese lacquer box for incense. Decorated with scenes of flying geese over gently swirling water and marsh grasses in maki-e lacquer on a black lacquer ground. On the reverse side, pheasants and chicks peck among flowers. The interior of the box is fitted with a separate tray decorated with seven children playing with three dogs in maki-e and color lacquer on a black ground. The tray stands on 4 small feet and the sides are decorated with tiny scrolling vines and butterflies...

Layer upon layer of lacquer has been carved with scrolling designs revealing the depth of the surface in a style known as Guri by Suwa Sozan I enclosed in a wooden box titled Guri Kobon. It is 23 x 33 cm (9 x 13 inches) and in excellent condition, the artist seal inlayed in mother of pearl beneath. The box is annotated by his adopted daughter and heir Torako (Suwa Sozan II)...

Japanese antique Shibayama inlaid horn vase, decorated with lotuses in a pond with flying cranes and song birds in shell inlay and gold maki-e lacquer. Inscribed with three characters and mounted on a wooden stand decorated w maki-e lacquer and carved design of scrolling vines.

Meiji Period (1868-1912)

Dimensions: 8 5/8" high

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603)...

A classic Nanban style Japanese lacquer tray decorated with mother of pearl inlay featuring four panels of birds among floral patterns separated by bands and frets dating from the 17th century later Momoyama to early Edo era. It is 43 × 28.5 x 2cm (17 x 11 x 1 inches). It has been fully restored, with repairs to the original lacquer and inlay, and the underside has been re-lacquered. It comes in a custom fitted Chinese style cloth bound box lined with red silk...

Kobako in gold and silver lacquer taka maki-e and hira maki-e, decorated with a yanagi (weeping willow) and flowering trees adjacent to a black and gold lacquer barrier. The barrier panels are decorated with regular geometric patterns in taka maki-e gold lacquer.

In Asia, the weeping willow is a tree that is often found in mythology. The city of the Willows, the Mou-yang-chen, in China, is the very place of immortality...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

Lacquer kobako box with two compartments in the shape of a fan...

Rectangular box in red lacquer and black highlights, with three drawers with floral decoration on one of the short sides. Adorned with dragon, kirin, chimera and baku in hiramaki-e, in multi-lobed reserves

The baku is a Japanese fantasy creature from Chinese folklore, whose name means "dream eater". He is credited with the ability to devour bad dreams and nightmares. It most often takes the form of an elephant and tiger chimera, although its appearance changes over time. In more mod...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu. The cabinet is 36 x 28 x 39 cm (11 x 14 x 15-1...

Rectangular kobako in gold lacquer fundame. The cover represents in hiramaki-e a Japanese castle, surrounded by majestic pines. The decoration extends on the edges of the lid and on the sides of the box. The interior and bottom are in nashi-ji lacquer.

Japanese castles (shiro) are constructions mainly made of stone and wood. They are perched on stone headlands. Their appearance coincided with the beginning of Japanese feudalism. At the beginning simple wooden fortifications intended...

A Taisho period Lacquer writing box of superb quality decorated with a design of a stone lantern under broad leaves enclosed in an age darkened kiri-wood box. The scene is performed with Thick slices of shell and lead inlay on black Ro-iro ground with Taka-maki-e and Hira-maki-e designs. Inside is finished in Kin-gin (gold and silver) Nashiji. It contains two ink stones, a solid silver water dropper and Silver lidded box, as well as the original brushes, hole punch and paper knife all in matc...