Antique Japanese copper and bronze tsuri-doro, Buddhist temple hanging lantern. Six sided lantern with doors decorated with pierced designs of kiri blossoms and scrolling leaves. The base stands on feet which have a repouse design of lotus leaves. The top finial and handle is in the shape of a budding chrysanthemum flower. The double door is latched with a flying crane...

A Japanese bronze vase decorated with dragons and clouds. Meiji period, mid to late nineteenth century. Unsigned. The work is reminiscent of Murata Seimin.

Approximately 21 cm high...

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

A rare Japanese bronze mirror in Tang style dating to the late Heian period decorated with Karahana, Tang flowers, and a pair of Mandarin ducks, symbols of marital fidelity. A distinguishing feature of Japanese mirrors was that each individual design was carefully carved into the sand mould using a spatula and similar tools, so that no mirror was identical, rather than using a mould as did the Koreans and the Chinese...

Japanese small bronze censer for a Buddhist shrine, made in a squat round form with inlaid gold metal shapes in a random pattern. Cast mark on the bottom. Nice patina.

Meiji Period (1868-1912)

Dimensions: 2" high x 2 7/8" wide diameter

A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325. A great deal of the detail has been lost as a result of wear and over polishing...

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga...

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs...

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time...

This is a beautiful pair of mixed metal decorated bronze vases. They are highly detailed and stand just 5 inches. Both vases are signed Miyabe Atsuyoshi. One vase has a lightly bent rim otherwise the condition of the pair is excellent.

This is an exquisite decorated iron Koro signed Nihonkoku Kyoto ni sumu Komai sei. The condition is excellent and actually better than the images show. A glue/cloth residue was left on the underside and side of the base.This is easy to remove.The piece stands 4 1/8 inches tall and is 3 1/8 inches wide. The delicate lid appears to be silver.

With short neck and ovoid body, this beautiful Japanese copper ‘do-chu' vase is marked 'Hisayoshi' on the side. The brilliant rich color of this type of ware is achieved by adding smoked straw during firing and often deepens over time...

The design of this mirror has not entirely escaped the conventions of earlier Kagami-e (Long handled Mirrors) of the late Muromachi –Momoyama era, which are essentially mirrors of conventional round form retaining a central boss to which a handle has been attached. In this example the Cranes are arranged directly opposite each other, their beaks meeting with that of the kame, to create a T form; a convention that appears in the late 16th century...

A small bronze, hakudo (white bronze), early handled mirror 17.2cm long. The mirror portion measuring 7.7cm in diameter. Typically for an early bronze mirror, it is basically a round handleless mirror, even down to a pierced boss for the attachment of a ribbon, with an attached handle...

Antique Japanese iron tomiodai candleholder. Includes full five tiered with twenty five iron prickets, used in traditional buddhist or Shinto rituals. Forged iron with age consistent to usage.

Meiji Period 19th Century

Size: 27.5" L x 14.5" W x 26.25" H

Unusual original Japanese flint lighter netsuke. Constructed of iron and brass, this piece would have been used to create a steady fame in less then perfect conditions. The striker would create contact friction and create a spark igniting the fuel source. Firearms at this time required a flame in order to ignite the fuse. Original russet patina with all parts still intact.

Edo period (1603-1868)

Size: 2" L x 1" W x 1.5" H

The mask is of dark brown russet lacquer finish and the interior is smoothed lacquered red. The high jaw his two protrusion hooks for strapping the cords, underneath the chin is a vent hole. The mask is fitted with yodare kare of three row of false scale lace and blue silk.

19th Century Edo Period

Size: 6.75" L x 3" W x 8.5" H (12.5" H on stand)

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history...

A Myochin iron forged Jizai Okimono articulated spiny lobster. Each iron plate is carefully reppouse hammered iron creating a natural realism representing the spiny lobster. The amount of fine detail that goes into this piece is equal to that of one of his most well known helmets. The lobster is fully splayed on a well mounted bronze stand.
All ten legs and long antenna and articulated with multiple joints on each leg. Exquisitely crafted, showing off a very high skill of the metal w...

Antique Japanese bronze temple bell known as a "bonsho", with a handle of dragon heads called a ryuzu. Protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, with lotus shaped "tsukiza".

Bonshō (Japanese: 梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging bells) or ōgane (大鐘, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks...

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history.

BonshÅ (Japanese: 梵é˜, Buddhist bells), also known as tsurigane (釣りé˜, hanging bells) or Ågane (大é˜, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer...

Antique Japanese bronze vase, of wide, round, and shortened form, its edges sculpted with dragons flying through clouds. Beautiful original aged patina.

Early Meiji Period (1868 - 1912)

Size: 12" W x 7.5" H

A Very Rare/Fine Japanese Bronze Bell Casted with Date, Dadicators and Temple’s Name: Japan, early 20th century, dated: Tahsho 9-1921, The quite large size of Japanese bronze bell casted with 9 nipples per each panel for 3 panels, and dragon head as a bell head is from early 20th century, rare as a casted large 4 characters between square panel, date, dadicators and its temple’s name on the bronze bell, the bell covered over all with old green patina. It is in very excellent conditio...

Antique Japanese okimono gilt bronze rooster crafted in the shokado method of casting comprised of bronze, gold, and silver. The cockerel's feathered body is finely chased and carved, delineating each feather with gilding and blackened patinated silver this is infused into the finish.

Detailed gilt feet, beak, and eyes using the same technique except the red lacquered Comb of the cockerel. The realism of the sculpture is a test to the Meiji period craftsmanship.

Mei...

Japanese pair of bronze fu dog sculptures. Nicely detailed and very heavy in weight. Shoawa age c1950.

Size: 9" L x 3.5" W x 7" H

Antique Japanese small silver box with a 14-petal Chrysanthemum in the center of its lid, a special mon indicative of the Imperial household. The underside of the box is marked with a 5 character Japanese inscription. Meiji period (1868 - 1912)

Size: 2.5" L x 1.75" W x .75" H

Gorgeous Japanese antique bronze vase with three swimming fish, detailed with realistic scales and fins, and gilt accented eyes. The backside has a gilt imprinted 14 petal Chrysanthemum, a mark of the Imperial household. The underside of the vase is signed "Shinzui". Hardwood stand is included, along with original tomobako.
Meiji period (1868-1912)

Size: 8.5" H x 9" W (on stand is 9.5" H)
Tomobako is 11.5" H x 10.5" W x 10.75" D

Japanese oval shaped bronze suiban, or shallow dish to fill with small viewing stones called suiseki. The feet are shaped like spiraling smoke. Artist's signature is engraved underneath. Size: 13.25" L x 8" W x 1.25" H

Incredibly charming Japanese bronze incenser in the form of a floppy eared dog, with a curly tail and and a real bell handing off of his neck. A pierced lid comes off of his back to place incense inside, which would then pillow forth from the mouth. Original natural patina from antiquity. Early Edo period (1615-1868) Size: 7" H x 7" L x 2.5" W

Unusual large pair of antique giboshi (bridge finials). Made of bronze mixed with a substantial amount of copper. This can be seen in areas of where people's hands have rubbed back the finish. A lovely almost black patina with areas of green. Very heavy and solid. Unusual to have a matching pair this size. Mid Edo Period (circa 1800's). Size: 16 1/2" high x 8" wide diameter.

Absolutely incredible Japanese antique bronze figure of a monkey sitting and inspecting a small wasp's nest. He is delicately modeled with great care given to his expression and details. The monkey figure wears a little coat with incised decoration of more monkeys playing with crabs, a scene which highlights the theme of the main figure which seems to be the inquisitive nature of monkeys. Early Meiji Period (1868-1912), signed by the artist "Shunben" Size: 12" high x 8" wide x 14" deep.

Antique Japanese wrought iron lantern with lattice work panels. The lantern would have been placed in a temple with a candle that would have been lit. It is supported by four feet. It measures 9" x 9" x 12" tall. Meiji period: 1868-1912.

Antique Japanese wrought iron lantern with garden scenes. The lantern would have been placed in a temple where a candle would have been lit. The This lantern has four panels: the door: a bird, bamboo branch, tree, sun in the clouds. The lid is round with a handle for hanging. The base is round with three feet. The door latches closed. It measures 11" diameter, 8" tall. Taisho period, circa 1920.

Antique Japanese pair of bronze three section lanterns. Tall finials in flame shapes adorn temple style lids and small bronze bells hanging from the edges. Would have originally been used with well light candles, the pair is perfectly matched. The caged midsection has reticulated spiral design walls, which stands on large bell shaped feet. Nice patina due to natural oxidation. Mid to Late Meiji Period (1868 - 1912) Size: 36" H x 14" W