A Kakiemon 6"foliate rimmed shallow bowl decorated with alternating flowers and ho birds.

Condition: No chips, cracks or repairs.

Meiji period, late 1800s

This shallow bowl-shaped dish is set on a high foot with the characteristic Nabeshima comb pattern encircling it. The interior is painted with a design of chrysanthemums in cobalt blue of clear, rich tone. The underside is painted in the same cobalt blue with four groupings of four coin designs often seen on dishes of this size and shape. It is covered overall in a fine clear glaze with only the footring exposing the refined porcelain paste...

Circa 1680, this is one of the earliest examples of a Kakiemon sake bottle, rectangular in shape, 10.625" in height. Decorated in iron-red, yellow, green, aubergine, and black enamel, the four sides portray pine, bamboo, plum blossoms and peonies among clouds, with sprays of stylized lotus and scrolling karasuka upon the shoulders.

Condition: Early gold lacquer repair and cracks.

This is a fine 18th century 5.75 inch Nabeshima footed dish with blue underglaze, decorated with two enameled peaches and leaves. There are two old gold lacquer repairs to the rim.

Japanese Imari porcelain figure of a seated girl. Beautifully done in a blue, yellow, green, and red under glaze. A wonderful, fine example for the discerning collector. 9 inches, 23cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Late 1800s

Patterned after a Chinese Kangxi “Hawthorn” design. This bottle is delicately and rather thinly potted with a long, narrow neck rising from a bulbous body. It is painted in underglaze cobalt blue with a “cracked ice” pattern scattered overall with plum buds and blossoms—a design known among English connoisseurs in the early 20th century as the Hawthorn pattern...

Japanese Meiji period Imari porcelain 7 1/4” diameter x 3” deep bowl. The center of the bowl holds a central circular medallion with a stylized floral pattern pattern in underglaze blue (sometsuke). The interior and exterior sides are decorated in underglaze blue and overglaze polychrome enamel with gilt highlights and features three cartouches with flying phoenix birds on a white ground separated by rust-red and gilt medallions holding an animal motif set against a cobalt ground...

Meiji period, 1868-1912

Shallow bowl-shaped dish is raised on a tall foot and is decorated in underglaze blue with a branch of cherry blossoms encircling the interior. The painting is well-executed and the image is possibly based on a textile design. The underside is painted with three chrysanthemum sprays and the foot is decorated with the characteristic comb tooth pattern. Dish is glazed overall in a clear glaze leaving only the footring unglazed exposing the fine porcelain paste...

Late 1800s / early 1900s

The shape of this lobed dish with three sides was likely inspired by ceramic forms said to be based on the shape of Mount Fuji. The shallow tri-lobed dish is set on a raised foot with its circumference painted in a continuous fretwork pattern in underglaze cobalt blue. In the center of the glazed base is a square seal-form fuku mark. The edge of the flaring rim is enameled brown...

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony...

Dated: 1906

Painted in thick overglaze enamels with a scene of fish with human bodies brandishing sticks at a large turtle-like creature. The base in inscribed in gold enamel with a date, a four-character seal and the English name, Thomas Bigelow written in katakana script. The date reads: Meiji 39 (1906), fourth month, tenth day. It is unusual to find specifically dated porcelains and particularly with an individual western name inscribed...

Ca. early 1800s

In the style of Okuda Eisen, possibly made in Kyoto at one of the Kiyomizu Kilns. One of a set of five or ten used for individual servings of sweets or other items in a tea ceremony context. Made from porcelain with thick overglaze green enamel and rapidly painted floral designs in red enamel. This style was popular in Kyoto in the late 1700s and 1800s, and was revived again in the 1900s...

Large Makuzu Kozan Studio Vase with Relief Fans, Rings, & Garden Scenes, Meiji Period (1868-1912)

It is 15 inches (38 cm) tall, and 7.5 inches (19 cm) wide.

It is in good condition with no cracks, except manufacture defect of firing cracks that has been repaired by the manufacture, missing the small rings, and chips at the fan holder (as seen in the photos).

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Kinkozon Satsuma Geisha Vase, Meiji Period (1868-1912)

It is 3.4 inches (8.6 cm) tall by 1.65 inches (4.1 cm) wide...

This is a colorful porcelain Japanese Imari plate centered with rising phoenix surrounded by blue and red diaper pattern and gilt accents and rims; rimmed with medallions on the reverse, late 19th century . Condition: Very good with a chip and small hairline at the rim. Measurement: 9" dia.

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.