Antique Japanese Noh performer's mask, carved, lacquered and painted, wrinkled features beautifully rendered and sensitively painted, good patina, white beard and eyebrows, mouth grip, worn circular chop on back: "_____munae", Edo Period (early 19th century). Size: 6" high x 4 3/4" wide

A large pair of temple foxes carved from granite. The Inari foxes come complete with separate plinth bases. This pair of Kitsune (foxes) is finely rendered with ears pricked back, tail upright, with paws and hinds seated on its bases. The stone Imari foxes have bryophyte moss growth which is now dormant...

A “wood-grain carving” figure of a minogame, a turtle with a long tail of algae growing from its carapace. Carved out of Jindai-sugi (Japanese cedar wood) in such a way that the wood grain accentuates the skin on the legs and head, the protrusions of the carapace and the algae.

Unsigned...

Incredible highly detailed hand carved Japanese temple ranma (transom carving). Carved of a solid thick slab of hinoki (Japanese cypress) wood. Depicting a pair of beautiful musical apsaras (celestial beings), floating in a elaborate swirling clouds. Each figure is adorned with a head dress and whimsical flowing dress. The celestial beings are shown holding a drum and the other a flute. The transom is carved in high relief with great detail...

A powerful and extremely rare Japanese Edo Period Kyogen mask of a Nio Guardian King, ferocious native deities, often associated with the Naga Dragon Kings, who converted to Buddhism and now act as bodyguards for the Buddha. The Edo period was the golden age of Noh Drama. Kyogen theater was performed between Noh acts. This mask is a brilliantly carved work of art, accentuating the dramatic power of this important mythical figure...

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity...

Japanese antique carved boxwood figure of Soko-tanuki. Here he is disguised as a monk with a large temple bell. The story goes that a tanuki (who is famous for his shapeshifting abilities) worked in the temple for many years. One day while he was taking a nap, he was caught in his original form...

Antique Japanese small ink stone. Carved with leaves and fruit on front and back. The front is accented with three tiny pieces of coral. The entire back side is carved with intricately interlacing vines, leaves and fruit. A small mouse sits off the the right side. Comes with kiri wood tomobako.

Age: Meiji Period (1868-1912)

Dimensions: 4 1/8" high x 3" wide

Unusual 19th century Japanese carved wooden head of a scholar. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina, inscribed in ink on the back of the post. The bottom of the post is branded with the mark of the workshop where the piece was carved. Height 3.64 inches.

Pair of beautifully hand carved dragon temple corbels. Each is made of solid keyaki hardwood and hand carved with great detail. Original pigment can be seen highlighted in red, gold and black tones. Each dragon is twisting and swirling both looking in different directions. These would have originally been mounted up high within a temple shrine...

Fine Japanese Bronze Sculpture of a Turtle Couple. Superb casting of an early Meiji Period bronze, circa 1880, with exquisite detail featuring a natural effect with a rich beautiful patina. Signed. 1.5h x 2.75w x 2.25d inches, 3.75h x 7w x 5.75d cm.

Dark brown patina bronze figure of a standing kappa with its right leg leaning on a cucumber. The figure is put on four-legged rattan-like bronze stand.

The kappa (河童) is a aquatic creature taken from Japanese folklore having the appearance of an anthropomorphic turtle.
His skull is either slightly hollowed out to accommodate water, from which it derives its power, or hidden with a water lily leaf hiding this sag...

These are two wooden miniature Fudos ( Cetaka ) who is the incarnate of Dainichi Nyorai, the highest ranking Buddha. It is said that he can change evil minds of demons and make them good. He has an expression of rage, holding a sword in the right hand, the kensaku ( originally a trap for birds or small animals ) in the left hand ( Both are lost of these Fudos ). One is standing on a rock, but this wooden one is not an original. Right-H: 12cm W: 7.5cm Left-H: 10.5cm W: 4.2cm

Wooden figure of a lion, companion to Fugen bosatsu. On his back he carries a lotus base, on which Fugen used to sit (figure missing). The lion stands on high and slightly stiff legs, each foot positioned on a small lotus base.
The figure has been carved out of several blocks of wood that were subsequently assembled into the final figure. This technique is called yosegi saiku and was widely used for complex sculptures like these. The tail is stuck into the back, remaining loose...

Japanese antique pair of zenko, good spirit kitsune (foxes) specifically associated with the goddess, Inari. These figures are carved of wood and painted with gofun, a white paste made from oyster shells. Details are painted using black and red pigments. Gold lacquered hoshi no tama, resembling flames and symbolizing magical jewels that hold part of the kitsune's power, are held by each fox on the tip of it's tail. These foxes were believed to be both messengers and guardians serving In...

Fine example of a Jomon Period Dogu, the earliest known Japanese figure. This figure was purchased in Japan and belonged to the renowned Japanese art historian, Shirley Day. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract...

17th Century Japanese Standing Buddha. A rare and fine example from the early Edo Period. Carved of Poloma wood with a rich dark patina. Complete with Stand and Mandala. It has a spiritual presence and a beautiful face to contemplate. 15 inches, 38 cm tall. From a prominent and widely exhibited collection.

STONE JIZO

'Jizo Bosatsu' (Jizo Bodhisattva) carved from a single stone block, in weathered and well-worn condition for many years at outside as is. Edo period, 19th century, Japan. approx. 32.5 x 10.5 x 8cm (12.79 x 4.13 x 3.14in)


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