All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1800 item #1473101 (stock #0582)

A beautifully crafted and remarkable example of Edo period Raku pottery...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1336227 (stock #0321)

This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.

Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1385285 (stock #0437)

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1920 item #1444967 (stock #TRC210817)
A very interesting ceremonial tea bowl produced by one of the oldest generational potting families in Kyoto. In excellent condition with one fine gold repair along the rim; apart from its obvious beauty, this piece is interesting as a conversation piece for its involvement of two generations of Eiraku, a Head Tea Master of Urasenke, and a former Head Priest of Daitokuji...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1355916 (stock #TRC1856)
A very interesting chawan (tea bowl) from the Korean Joseon period (Richo in Japanese; 1392-1897). This particular piece appears to date from the 15th/ 16th century and comes with what may be the original box and a quite old silk pouch. The light creamy crackled glaze is smooth in the hand and fine hairline fractures radiating along the walls of the bowl show remnants of gold repairs from previous centuries...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1920 item #1428469 (stock #TRC221029)
Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke made with sweeping yet calculated motions to evoke nostalgia for sultry summer days and tropical climes...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1482121 (stock ##TRC221103)


We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we see a beautiful work that appears to be at least 200 years old and likely much older...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1900 item #1344349 (stock #TRC1629)
This Madara-garatsu tea bowl (Madara Karatsu-ware) uses a technique known as yobitsugi—using pottery shards from other works to complete the gold repair—thereby adding a special character to the piece...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1369681 (stock #TRC1831)
Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1900 item #1453218 (stock #TRC211009)
An eye-catching combination of red lacquer and gold repairs on a classic Karatsu tea bowl dating from Edo. Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1800 item #1352081 (stock #0360)

Wonderful and important chawan: rounded wan-shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - including the foot - with a transparent glaze of wood ash with some feldspar. The glaze shows attractive shrinking (kairagi) in the lower half of the bowl. It shows discoloration from green tea, a sign of many years of careful use...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1311806 (stock #0254)

Love at first sight! From deep inside the cultural heart of the Japanese Edo Period we are proud to present you another stunning Chawan from our collection...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1900 item #1412470 (stock #0466)

A magnificent Kuro Oribe Chawan of larger size and wonderful shape, made during the end of the Edo period (1615-1868). This kind of shoe-shaped bowl is called kutsu-chawan...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1293268 (stock #0217)

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to the late Momoyama Period. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed.

The decoration scratched into the ...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1800 item #1359614 (stock #TRC1821)
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richo in Japanese; 1392-1897). This particular piece appears to date from the 16th/ 17th century and comes with a very old box which appears to have been furnished sometime in Edo. The light creamy crackled glaze is smooth in the hand and fine hairline fractures radiate along the sides of the bowl contrasting nicely with the gold repairs. Such pieces have long been favored by learned cha-jin (tea people) and are quite pri...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1466668 (stock #0559)

One of a kind - a rare 17th century Kiyomizu Chawan with a wonderful thick and vivid hand painted Sakura scenery. Such old Kiyomizu items in perfect antique condition are very, very rare.

It comes with an antique wooden box.

Kyo ware/Kiyomizu ware are works of art that illustrate the scenery of the four seasons in Kyoto or feature drawings that bring good luck. A lot of the vessels are made by using the technique wherein the clay is baked once before being painted. They...

All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1418859 (stock #TRC2050)
This lovely Shino tea bowl from the Edo period is fashioned from coarse Mino clay and is covered in feldspar glazing. As with many pieces of this period and style, it has classic abstract painting across the sides created using ferrous pigment—contrasting nicely with the ivory background. Not only does this piece have a lovely wabi feel to it bestowed by age; it also has several exquisite gold repairs that contrast nicely with the soft patina and the crackled glazing.

Shino-ware d...
All Items : Antiques : Regional Art : Asian : Japanese : Tea Articles : Pre 1700 item #1358955 (stock #0374)

Very little distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part and through the finger marks (rokuro-me) covered with an ash glaze inside and outside. The little iron oxide in the clay turned the glaze to light brown.

On two opposite sides, decoration has been applied under the glaze in iron oxide with a little white engobe. On the front y...