Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use...

We present a Hagi chawan from the Koraizaemon Saka family, offered with the original wood box, dating from the Meiji Period

No cracks and repairs.

Size: 7,9 cm in height x 12 cm in diameter.

The first Hagi wares, a glazed, high-fired stoneware, originated with the Korean potter Li Kyong. He was brought back to Japan by Lord Mori Terumoto after the invasion of Korea in 1593...

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies...

A really old Japanese lacquer wooden mizusashi for the tea ceremony, made of cherry wood with its original lacquered lid. It dates from the later Edo Period. Such wooden mizusashis are really rare. It is elegantly proportioned and has a black lacquered interior.

Mizusashi is a fresh water jar with a lid used in the traditional Japanese tea ceremony to fill the boiling kettle and rinse the tea bowls...

Rough unrefined Shigaraki clay, with little iron oxide, thrown into the shape of a small tsubo called 'uzukumaru'. The unglazed body was scorched by the fire to a beautiful red discolouration. The bottom plate shows two stripes called 'geta', which held the pot in place on the hand wheel. Some flying ash has created a natural glaze on the shoulder and the mouth...

Antique Aka Raku Chawan by greatest Kichizaemon Tan-nyu, ennobled with a REAL kintsugi gold repair.

Half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red glaze was applied.

The red glaze turned to to grey where it got in contact with charcoal in the kiln...

Beautiful and slightly distorted masterpiece Mizusashi (water jar for tea ceremony) of dark Seto yaki with black and brown glaze. Around 1900, Meiji Period. No chips, no cracks.

Size: 18 cm height x 13 cm diameter on top.

Rare tebineri (hand pinching) E-Seto Chawan, dating back to the 19th. century with fantastic glaze.

It has a sophisticated form, an aesthetic kintsugi gold repair and an also 'four directions bottom stand' (shiho kodai). Extraordinary - take your chance.

The tea bowl comes with a good wood box.

Size: 6,5 cm height x 12 cm in diameter.

A beautiful example of an antique Shigaraki Tsubo (storage jar) Vase displaying classic Shigaraki markings of red ochre, pale and natural ash glaze.

This eye-catching tsubo dates back to the the beginning of the 17th century, early Edo Period (1603-1868).

Standing in front of this massive tsubo with its aesthetic form, its Higaki Mon (檜垣文, cypress fence pattern), its rough natural glazes and sparkling tsuchi-aji (clay flavor), one cannot help but feel in awe of thei...

Little distorted half cylinder shaped (kutsugata) tea bowl with flaring mouth made of light, coarse unrefined Mino clay. The expertly thrown body was covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with fern sprouts. This is a typical late Momoyama design, which seems to represent winter and summer. You can find a black Oribe bowl with a similar design in the Nezu Museum.

The somewhat irregular but...

This is a first class Kashiki of old Shino ware. It is 200 years old ( Edo Period ), beautiful distorted and has a tasteful painting.

Kashiki is the general term for bowls or plates to present biscuits and sweets for the tea ceremony.

It is an indispensable item for the authentic tea ceremony.

There is potter's mark. The name of the artist is Sozan. Nice antique condition with aesthetic inborn kiln cracks and with no repairs.

Size: 3,6'' Height x 6,9...

Very fine example of a Japanese Kiyomizu Tenmoku Chawan with aesthetic Namako (sea cucumber) glaze. It was made around 1900 and is in perfect antique condition. No chips, cracks or repairs.

Size: 7,1 cm height x 13 cm in diameter. Wooden box available for 30 USD.

We present a real rare item. A fantastic tea bowl by legendary potter Nin'ami Dohachi made about 180 years ago, during Japanese Edo Period. Take your chance to get it.

Nin’ami Dohachi (born as Takahashi Mitsutoki; 1783-1855) worked in Awata until he set up a kiln in Fushimi, near Kyoto, in 1842. Dohachi was specialized in tea ceramics and was famous for his recreations of other styles in stoneware and porcelain, especially his efforts to revive the Ninsei and Kenzan styles.

Mid Edo period Hagi Chawan in the stylish shape of modest slight distortion. It is roughly coated in slightly glossy white slip and bears beside a wari-kodai (splitted foot) a fantastic 'landscape' on the inside.

But the highlight is the old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

The chawan comes together with a good wood box and a blue shifuku for a perfect protection.

Size: 8,4 cm height, ...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay from the late Momoyama or early Edo period. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of a bamboo grass (sass) and a fence have been applied in iron oxide (oni ita). Just the foot ring and its immediate surrounding was left unglaze...

One of the best tea bowls I have ever seen. Wonderful Raku Chawan in the style of Donyu (Nonko III) Kichizaemon, made by greatest Raku 12th generation Kônyû Kichizaemon. Holding this masterpiece is like a universe held in the palms of your hands.

Among the various generations of the Kichizaemon family, it has always been customary to devote themselves artistically to at least one of their ancestors and produce a work of art commemorating the great work of their ancestors. And so d...

A true treasure! Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with incised straight zig-zag lines, the other half was decorated with a ...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the front a skewer with three rice balls was scratched into the black glaze before firing and covered with a transparent ash glaz...

Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan.

It comes with an old wooden box with appraisal, a silk pouch (shif...

Distorted half cylinder shaped (kutsugata) tea bowl made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body, trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxide inside and outside. Here it is a rarely seen dark brown due to a lack of manganese.

A window on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a form of straight and wavy lines. This is a typical Momoyama design.

MEASUREMENTS:

Height from the bottom to the top of the handle: 10 cm (3...

Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns. This is a ty...

One of such rare antique Hagi Chawan with wonderful glaze and aesthetically pleasing patina from the early 18th century (Edo Period), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

It comes together with its wooden box and the authentication and appraisal of Soshu Mori, a former chief priest of the Daitoku-Ji Temple 大徳寺 Kyoto.

Like many of the great Jap...

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita).

This is a typical piece of the Ogama ty...

Little distorted half cylinder shaped (kutsugata) tea bowl - made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving 2 unglazed 'windows' on opposite sites. One 'window' is decorated with ivy or vine leaves. The other 'window' shows flying birds in iron oxide glaze which has been covered with a clear ash and feldspar glaze. This is a typical Momoyama Era design.

The somewh...

Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu 三代 楽吉左衛門 道入 (1599 - 1656) also known as Nonko. It was made around 1650 and was named 'Hekigan' which means 'Pale blue water of a mountain stream'.

It comes in great antique condition. The wooden box bears sign and seal of Judai Tannyû X Kichzaemon (1794-1854) and the authentication of the 11th Urasenke Generation Seichu Soshitsu (Gengensai, 1810-77).

Donyu, who was Jo...

A superb Karatsu chawan dating from the mid Edo period (1615-1868). Karatsu pottery originated more than four hundred years ago in the small town of Karatsu, located in northern Kyushu. It has been a favorite of tea practitioners for centuries for its simple design and natural feel. Decorated karatsu ware is called E-karatsu.

This tea bowl is in excellent condition and comes with a special wood box with describtion of its content ("Karatsu Tea Bowl Edo Period").

It is perf...

One of such rare antique Hagi Chawan with wonderful milky white glaze from the 18th century, perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

Like many of the great Japanese ceramic traditions of western Japan, Hagi originated with Korean potters. Indeed, in the Momoyama era (1573-1603) and in the early years of the Edo period (1603 - 1867), ceramics like Karatsu, Agano, ...

Another stunning and important cultural highlight of our collection: distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - applied with a brush sparing out a cross mark on one side and a kind of a window with a land scope in flying brush style (haboku) ov...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze. On the other...