This is benibana-dye (Natural safflower dyeing)-shibori and katazome yosegire kimono textile of the Edo era(1800-1867).
It has a few thin stains. It has a small damage in several places. However, it is in a state good
The red shibori (Tie-dye)is very impressive and beautiful.
The pattern on the hem is a traditional Japanese treasure and has a very auspicious design.
Size: Size: Length: 140cm (55.1inch) / Cuff to cuff: 123cm (48.4inch)
A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...
Omi-e-kasuri (pictorial kasuri) with double kasuri pine and bamboo motif. It is handwoven of taima (hemp) and weft yarn with pine tree pattern is clamp-board dye so that the textile has white bar-code like lines in both selvedges. Both choma (ramie) and taima (hemp) textiles were woven from 12th century in Omi region in Shiga prefecture, but kasuri textiles were woven of taima (hemp). In excellent condition but the white lining has light stains and very light two spots in the upper back...
This is Japanese antique silk vest of the yosegire patchwork of the Edo era(1800-1867).
It is dyer's Safflower dyeing itajime (katazome)and katazome and shibori.
It is compose it of the silk of the silkworm of nature of three kinds of colors.
It is very luxurious, and it is beautiful. It does not have a stain and damage.
Both frames are open and partly connected.
The crimson silk of the lining has the part that a color changed...
This is a Dark brown used in the house of the merchant of Kyoto in the latter half of the Meiji(1868-1911).
As for drawing the same line on the both sides of the noren, an expert technique is required.
With the boldness that people get a lot of looks because it is a signboard, it is an impressive item.
There is no hurt stain really...
Amazing boro which used to be noragi (work wear). It is made of many fragments of vegetable indigo dye and hand^spun cotton cloth. It is from cold areas such as Tohoku or Japan Sea Side where cotton could not be cultivated and cotton cloth for kimono was expensive so that people bought fragments which were brought from warm areas such as Shikoku , Kandsai or Chubu districts. The second half of the 19th century. Measurement: Approx. 160cm x 150cm
A fragment of cotton cloth with tsutsugaki turtle and crane design which is an auspicious motif. The cloth is hand-spun cotton and natural dye. It is probably a fragment of nobori (banner). It has calligraphy in one of the hems, but not readable. In good condition. The first half of the 19th century. 32cm x 74.5cm
Antique Japanese lady's kimono made with grey-green chirimen silk and white silk jacquard with orange and green embroidery of bamboo and plum blossoms with cranes. Details in wrapped gold thread and use of tiny shibori technique in the leaves and flowers. The front hem of the kimono is decorated with a delicate design of plum blossom in resist and white silk embroidery. The kimono interior is lined with red silk.
Meiji period (1868-1912)
Dimensions: 60" high x 48" wide
Two Saga-men, Okame and Hyottoko which were sold in front of temples in Saga region in Kyoto since late Edo period (the first half of the 19th century). They were sold as charms against bad luck and evil but interrupted in early 20th century and revived in 1950s. Both are made in late 19th to early 20th century. Many layers of wastepaper are pasted on the plaster model and colored. Hyottoko-men is not finished.
Okame mask has some paint came off...
This is a sashiko socks made of white cotton that was made and used from the Edo period to the Meiji period. It is in good condition, but there are some stains. There is no damage. Length: 21.5 cm Height: 13 cm
This is a Japanese vintage textile made of indigo dye cotton corduroy Tattered socks with repair. All original condition.Size: length 22cm
Kimono, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. "Suzu" means bamboo grass. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. It is made of thick cotton and dyed with sumi (ink)...
Hanten, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. This one is made of asa (hemp) and both warp and weft are hand-plied...
Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm
Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motif of the picture in the lower part is “Gonin-dachi Kashima Odori”, five people performing Kashima dance which is the group folk dancing originated from Kashima-jingu Shrine in Ibaraki Pref. The design is katazome (stencil-resist-dye) and vegetable indigo dyed and pigments...
This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed.
It's like a beautiful Japanese painting...
Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm
This is Japanese Edo era Beautiful silk of the patchwork yosegire beni-itajime kimono. This kimono is original from the Edo period and consists of 6 types of safflower dyeing and 1 type of edo type dyeing. The lining is also safflower-dyed silk from the Edo period. There are some small stains and damage. However, overall it is in very good condition. I recommend it to your collection. Size: 131cm (515inch) 116cm (45.6inch)
This is a Japanese antique tekumo-shibori (Tie-dye) handspun & natural indigo dye cotton beautiful rug.
It sew two pieces of cloth, front and back.It is a very excellent small rug with no stains or damage.
Size:Length:84cm / 33inch
Width:: 64cm / 25.1nch
Japanese antique a charming and rare design of indigo-dyed cotton Yokote-shibori from the Meiji era. It is a kimono with a very beautiful shade of indigo dyeing.Hand-spun and natural indigo-dyed cotton that is very comfortable to the touch. There is a very thin slight stain on the collar mountain. There is no damage and it is in very good condition. Recommended for your collection. Size :: Length: 124cm (48.81inch) / From cuffs to cuffs, entire back: 125cm (49.2inch)
A piece of Narumi-Kongata (also called Urumi-zome) cloth which is hand-spun cotton and dyed with vegetable indigo. Narumi-Kongata is one kind of katazome (stencil-resist-dye) imitating shibori. It had been produced from late Edo to Meiji period but not produced anymore. It has auspicious shrimp motif with intricate pattern which requires high dye and stencil making technique. In excellent condition. 35cm x 172cm
This is a very rare tattered boro textile with a lot of Japanese antique natural Persimmon astringent dyed brown and indigo dye hemp patched with sashiko stitches.
The vintage old cloth, which has been repaired and used many times and has faded, is a wonderful work of art in itself and can be enjoyed on both sides. You can easily decorate it on the wall or use it as a bedspread. Size: Length: 176cm (69.2inch) / Width :: 100cm (39.3inch)
It is a slightly larger size.
Two layers of indigo-dyed cotton cloth are layered and he is sashiko-stitched with a soft feel noragi.
In Akita prefecture, there are many soft sashiko compared to neighboring prefectures.
This tendency is especially noticeable in mountainous areas. The sashiko method is also stabbed as if scooping a cloth slightly.
This is the same sashiko method that is very common in the area, with some variations, but most are soft straight sashiko in the vertical...
This is a layer of stencil-dyed cotton and indigo-dyed plain cotton, with hand-stitched stitches all over.
The indigo-dyed cotton and stencil-dyed cotton were made in the Kansai region.
It is a sashiko nora garment used by tailoring it to noragi in the Hirosaki region of Aomori prefecture and applying sashiko stitching.
In Hirosaki, Aomori Prefecture, it was popular to use sashiko cotton cloth with stencil dyeing, so the sashiko was left with a gorgeous appearance.
Sashiko, which...
This is a japanese antique Edo period tsutsugaki Natural Indigo Multicolor Pigment Hemp Wall The design is a very rare design with a very auspicious pattern of sacred shimenawa and pine, bamboo and plum.It has discoloration and repair marks, but is in good condition for the remnants.You can easily decorate it on the wall. Recommended for your antique collection. Size::length:144cm(56.6inch) / width:68cm (26.7inch)
It separates a holy place from other unclean places and is considered a barr...
It is a Japanese antique child kimono of hemp ground handspun & natural safflower dyed and shibori dye "Fan face & Hinomaru" pattern of Meiji period.There is a slight slight stain, but it is not noticeable. There is no damage and it is in very good condition.size::Length:89cm (35inchi) Cuff to cuff, across the back:83cm (32.6inch)
It is a Japanese antique uchishiki of silk (chirimen) of the hand yuzen dye tsutsugaki of the highest class in Edo period. The bold composition of the paulownia is impressive with the Chinese phoenix. Yuzen kimono is also very polite. There are two small repair marks. There are no stains and the condition is very good overall. It is a very valuable gem. Edo period (1597/1868) Size::length170cm ( 66.9inch) / Width146cm (57.4inch)
Hanten remade from Echigo-jofu kimono which is handwoven with choma (ramie) and both weft and warp are hand-plied. Echigo-jofu has been woven in Echigo region in Niigata prefecture since ancient time. Especially, pictorial and cross double kasuri patterns were very popular and much produced in late Edo period (the first half of the 19th century). Those Echigo-jofu with cross double kasuri kimono are seen many in Ukiyo-e. This hanten has double kasuri pattern and stripes. 19th century. In good co...
Baby's ceremonial kimono made of Echigo-jofu which is hand-woven of choma (ramie) and dyed with indigo. The fine kasuri pattern is yoko-gasuri (weft kasuri) and bamboo, pine tree and plum bloom motifs. Echigo jofu was first woven asa kasuri in mainland Japan having been influenced by Ryukyu (Okinawan) kasuri. The dye is called Ai-sabi which is very dark blue dyed with vegetable indigo mixed with shoen (burnt pine shoot) or other catalysts. It has rare charms, one is ribbons made of red silk crep...
This is a Japanese antique indigo dye silk Hand-painted dyeing child kimono.It is a very elegant and very beautiful children's kimono with hand-painted Yuzen dyeing and embroidery. It is a charming and elegant design of kaioke and chrysanthemums and peony. It has a light stain but is not noticeable.A "kai-awase" is an octagonal container that holds a game of shellfish (a large clam with portrait petals and Japanese poems written on it) called Kai-awase, which was held among the upper classes of...
This is a Japanese antique natural indigo dye cotton Excellent with rubbed and faded jacket of Indigo dye boro noragi patched and syonai-sashiko stitch Meiji (1868-1912).
This noragi can enjoy both sides.
Since this drifting object has been used and washed many times, it rubs well, and the indigo-dyed fading and the rubbing of cotton are very beautiful. Do patchwork and remake it to your favorite Boronoragi and enjoy.
It was repaired many times, and the boro rag that were used bec...
This is Edo period silk kinran, elephant and seahorse kaicyumono.
What is kaicyumono (things in your pocket or pocket, especially wallets and paper cases)
It's a very rare image pattern, and the metal fittings are auspicious seahorses. The silk cloth inside is kaiki. The child's gold is very gorgeous and beautiful.
Seahorses have the meaning of wishing for the prosperity of their descendants and are very auspicious.There is very little rubbing on the corners, There is a slight stain on the ...
Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm
The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out.
It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back. The silk waist straps on a white background are all original.
It was carefully communicated and stored. I recommend it to your collection.
Size:Length:165.5cm (25.7inch)/ Cuff to cuff,...
Han-gappa (short jacket) made of kuzdu-fu whose wefts are kudzu fiber and warps are cotton. Kudzu is one kind of leguminous plant. The collar is made of imported wool. Han-gappa made of kudzu-fu was worn in summer and other ones with lining was for winter. The design of the straps show it was made after Tenpo era (1830∼1844)in Edo period, according to the "Kinsei Fuzoku-shi" Buttons are made of the horn of the water buffalo. Kudzu-fu has been produced mainly in Kakegawa in Shizuoka prefectur...
Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians. Many kinds of imitated sarasa were produced in Japan and they were named according to their pro...
It is Japanese antique Tsutsugaki yogi cotton kimono textile dyed with natural indigo Edo Period (1830-1867).
The big Uchiwa (japanese washi fan) and family crest are very impressive. A Cotton is a thick hand-spun item and wonderful hand-spun cotton with a warm feel.
There are indigo fading in several places. There are repair marks in several places, but overall the condition is good.
It is the largest size among Tsutsugaki textile items.
Size: Length 183cm / 72inch Cuff to cuff...
This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton.
It is a very nice cotton hand spun with warm hands.
It is drawn with Tsutsugaki and with natural indigo dye.
There are slight stains, but they are not noticeable. There is a slight rubbing mark.
The state can be worn well.
Length 93 cm / 36.6inch Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F
This is a Japanese antique indigo dye cotton Shonai Sashiko noragi boro hanten jacket.
A slightly thin indigo-dyed cotton cloth with two threads in one, and hand sashiko. Cotton cloth is a thin hand-spun cotton.
It is an item around the end of the Meiji era. The shade of indigo dyeing is beautiful and it is a little thin, so it is ideal for wearing.
There are 3 holes that have been fixed.
There are light stains, but they are not noticeable.
Size: Length 82 cm / 32.28inch
...
This ia a Japanese antique Thick handspun & natural indigo dye katazome long fabric of meiji era .
It's a One-sided change Checkered pattern.
There are some light stains. There is no damage.They are not disturbing, and as a whole it is in very good condition.
Size::Length::164cm( 64.5inch)
Width:: 34.5cm( 13.5inch)
Sample book of fragments which are mostly hand-spun cotton with katazome (stencil-resist-dye) and also has ramie and hemp with kasuri pattern and bashofu with katazome. It has about 80 different fragments. In good condition. The second half of the 19th century. 8cm x 24cm x 3cm
Futonji or shikimono (carpet) made of many pieces of hand-spun cotton cloth except for the lining. Most of pieces are vegetable indigo dyed and some with chawata (natural brown cotton)It has some holes and mending patches. Late 19th to early 20th century. 120cm x 130cm
This is Shonai Sasiko made in the Edo period. This is an item made by Sashiko craftsmen during the Edo period. And it is a very rare design sashiko. This is the work clothes that a wealthy merchant had as one of his daughter's wedding supplies. The front side is dark indigo dyeing. The back side is a blue color called hanada. There are almost no traces of use and it is in good condition. You can wear it and enjoy it. And you can wash it with water.
Length 75cm 29.5” Back width 63cm 24....
A pair of tabi with sashiko which is made of white cotton cloth. In good condition but has some stains (washed). Late 19th to early 20th century. L:23cm W:10.5cm H:16cm
This is a Japanese antique tsutsugaki of indigo dye of shika odori Traditional dance Ornament.
This has light stains and small holes.They are not disturbing, and as a whole it is in very good condition.
Size:Length:152cm( 59.8inch ) Width:: 27cm(10.62inch)
shika (Deer) dance is a traditional dance that has been handed down in the Nanbu territory of the Edo period and the Mutsu territory of the Date clan, that is, around the present Iwate and Miyagi prefectures.
There is something in com...
Furoshiki with tsutsugaki auspicious motif, sho-chiku-bai which are pine, bamboo and plum blossoms. It is made of hand-spun cotton and dyed with vegetable indigo and colored with pigments. In good condition but has a hole (2cm x 5mm) which is mended and pigment in plum blossoms is faded. Late 19th to early 20th century. 130cm x 142cm
Samurai's kaji-haori (jacket), mune-ate (breast pad) and ate (ornament in the back waist) and all pieces have Tomoe kamon (three-way family crest). The ground fabric is not sure, looks mixture of cotton and wool and the lining is cotton European print. There were many massive fires in Edo in 17th and 18th century. Edo government organized the fire prevention system by samurai and then by civilian firefighters (hikeshi) later. Civilian firefighters fought fire at the fire site but samurai did pa...
Two pieces of asa kaya cloth (hemp mosquito net. Warps and wefts are hand-plied and vegetable indigo dyed. Faded
indigo blue and good condition. Late 19th century. 34cm x 2m80cm
Japanese Antique Kesa Cloth (Buddhist Priest's Vestment) made with prized brocade displaying the crest of the Tokugawa shogunate and framed with a rare purple and gold silk brocade with red accents. The "triple hollyhock" mon belonged to the Tokugawa feudal military government of Edo Japan (1600-1868).
Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched ga...
Japanese antique rectangular kesa or priest/monk's outer vestment cloth. The silk brocade of this kesa is a pale orange color and finely woven with colorful designs of dragons in clouds. The silk is Imperial Chinese, as shown by the five clawed dragons. Lined with dark blue silk.
Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed f...
Antique Japanese textile decorated with a design of tea ceremony utensils. Small items such as a bamboo ladle for water (hishaku), a container of charcoal, cups, a tea whisk (chasen), a container for water (mizusashi), and other items surround a large central image of a portable iron tea kettle (kama) and brazier (furo). This design in done using a paste resist and indigo dye. A lovely blue color in four panels sewn together. 5 tabs at the top suggest it was used for a curtain similar to a...
Furoshiki (wrapping cloth) made of hand-spun cotton and vegetable indigo dyed. The crest is hand-drawn by tsutsugaki
technique. It has sashiko on the four corners. In excellent condition except for a cut (1cm) in the crest. The second half of the 19th century. 135cm x 137cm
This is a antique silk tsutsugaki dye child kimono With auspicious designs from the Edo period, treasures are delicately and carefully drawn. And the crane and turtle are very charming. There is a light discoloration. There is one small damage, but not noticeable. size:104cm x 87cm (40.9" x 34.2")
It is the design of Ryuo Shikai.
The figure that protects sea fishes from evil is represented by dragons and anchors.
This is a very rare firefighter Sashiko jacket. And it has a very large size. The condition of the painting is in very good condition, as it is rarely used. In this item, the anchor is drawn large in the center to calm the anger, and the octopus and fish at the gate of Ryuo are very attractive. In Japan, anger and anchor are expressed with the same pronunciation, so the expr...
This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).
This is a very advanced technique. And the entire surface is stitched with sashiko. The lining is indigo dyed.
Song dynasty in the early 12th century
Water Gate Break is a famous scene in "Suikoden". Chou Jun, who appears in Chinese biography stories, has the best swimming talent among biographic characters and is famous for breaking e...
This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton.
It is an item from the Edo to Meiji era.
This item was made in Sado region of Japan.
It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist.
The rubbing of the thread due to use has a warm touch.
And the indigo dye lumps seem to look into the very beautiful sea.
It does not stain or damage. Very good condition.
Size:Length:84cm / 33.0inch :: C...
This is a Japanese edo antique indigo dye silk katazome child kimono of ise- lobster pattern.There is a light stain, but not outstanding.It has no damage.
They are not disturbing, and as a whole it is in very good condition.
Recommended for your materials and collections.
Size:Length:63cm / 24.8inch
Cuff to cuff, across the back: 62.5cm / 24.6inch
This is Japanese rare edo hand shibori (Tie-dye) & Hand embroidery and Natural safflower dyeing silk kimono.
This shibori and embroidery technique is wonderful, very luxurious and beautiful kimono.
The cranes around and the flying cranes are very charming.
There is no stain, but there are parts where the embroidery is slightly off. But overall it is in good condition.
This kimono is from the Edo period.(1800-1850)
Size:Length:160cm (62.99inch)
Cuff to cuff, across the back: 122cm (48.0i...
This is Japanese antique rare Edo era yuzen dye Hand-painted dye and Hand embroidery kimono.
It is a gorgeous and beautiful kimono with an excellent design of dahlia, chrysanthemums, nadeshiko, running water, roses, and hagi flowers.
There is a fading discoloration in the flower pattern over time. However, there is no damage and overall it is in very good condition.
This kimono is from the late Edo period.(1850-1869)
This kimono is an unlined kimono that is worn outside of winter.
Yuze dye ...
Japanese antique edo(1800-1830) indigo dye silk kosode gosyyotoki pattern kimono of tsutsugaki and embroidery.
Although there is light discoloration, there is no damage and it is in very good condition overall.
Kimono with no lining, worn in spring and autumn.
size::Length:155cm(61.0inch) /
Cuff to cuff, across the back: 122cm (48.0inch)