Beautiful Japanese antique wedding kimono made of chirimen silk (crepe) and decorated all over with a scene of a river and blossoming plum trees in a rural pavilion setting, the design is done in a paste resist with a delicate blending of colors, silk embroidered details are accented with extensive use of gold thread and small areas of shibori technique. The kimono is lined in a salmon color silk and padded along the hem and edges of sleeves. Meiji Period. Size: 63" high x 51" wide

This is an indigo dyeing cotton kimono used in Kyoto. As for this, cotton is spun by hand. This cotton is thick. This is dyed with a beautiful natural indigo plant. This indigo plant is a good indigo plant cultivated in Kyoto. This has a few stains to a chest and a collar, but does not stand out. This is the very good state that does not include damage. Size 132cm X 118cm (51.9 "X 46.4 g)

Japanese Beautiful zanshi and sashiko Stitch furoshiki Meiji era (1868-1912).It is made of hand-spun cotton.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:136cm x 118cm(53.5" x 46.4")

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck...

Yokote Kasuri Yogi was used in the Akita region during the Meiji period. Dyed with natural indigo. In this regard, the cotton is hand-spun. The pattern is Urashima Taro. This pattern is extremely rare. Very good condition No stains or damage. Size 147cm x 140cm (57.8" x 55.1")

This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

Japanese Antique dark Indigo dye thick a little cotton& tsutsugaki Indigo dye jyofu(hemp) samurai dotyugi long coat of tha Edo era(1800-1867) rare.It has a few thin stains. and few remains of repair However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.It is natural indigo dyed cotton and jyofu(hemp) and made of hand-spun . size:Length 130cm (51.1") sleeve to sleeve 125cm (49.2") Width of the shoulder 62cm (24.4")

Antique Japanese light orange chirimen silk kimono, with beautiful floral and linear designs woven in the fabric. It is heavily embroidered with bright and beautiful flowers of many kinds, colorful leaves, twisting striped ribbons in thick gold and silver thread, and shibori accents.The upper interior is lined in white silk. Early 20th century Size: 66" height, 51" width

This is one of the best Shounai-Noren used in Shonai, Yamagata area for Edo period. As for the hemp of this item, a delicate thread spun by hand is used. The pattern is full of Chadougu which was popular in Shikoku. Chadougu is an instrument used at tea ceremony. The Chadougu design reached shounai by a goods-carrying merchant ship. The artist Fujita displayed cloth full of Chadougu in the atelier of Japan. There was the picture near a great painter without sense of incongruity...

This is very rare Shibori Kimono produced in Akita Asamai area for Edo period. This is dyed with a natural indigo plant carefully. As for this, a pattern is Eba-gara. Three carps swim in the water like a brick. In the Hanada-colored ground, three bold carps and waterweeds with the force are expressed in indigo dyeing Shibori. This cotton is spun by hand...

This is Shibori Kimono produced in Akita Asamai area for Edo period. As for this, a pattern is Eba-gara. A carp swims in spray like a brick. The lower part is expressed in dark indigo dyeing Shibori in Shirakage-Shibori at the upper part. This cotton is spun by hand...

This is Sashiko Hanten which the leader of certain occupation group of Edo period wore. A technique to be called very high Sagara embroidery is used for this. This embroiders all by hand. The cotton thread used for embroidery is spun by hand. The thread is dyed with plant dye. It is clothes to identify social position promptly even if anyone looks. The part of the collar has a kanji of Toudori...

Japanese candy apple red under-kimono with a simple, yet beautiful shibori style design of flowers. Shibori is a method of fabric dying in which bits of cloth are tied, sewn, folded, twisted, etc. to create patterns, similar to the Western method of tie-dye. It is lined with red cotton and has a white cotton collar and sleeves. Taisho period (1912-1925) Size: 46.75" height, 45" width

Antique cotton woven futon cover, dyed indigo and then dyed again with a paste resist technique with the image of the ho-oh or fenghuang, a mythological bird in Asian culture, about to touch down upon a kiri wood branch with budding flowers, representing Japan. Minor damage due to age. Meiji period (1868-1912) Size: (with board) 84" height, 72" length, (futon only) 67.5" height, 50" length

This is Tsutsugaki Hanten of the very big size of the Meiji era. As for this, the powerful face of the dragon is very impressive. The good cotton of this texture is spun by hand. The part of the sleeve has two or three places of slightly thin stains. It does not stand out.As for this, the state is complete. There is no damage. You can enjoy it in this. This is dyed with a natural indigo plant. shoulder length64cm(25.1") Size: 125cm x 130cm (49.2 "x 51.1")

It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko...

This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant. As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem...

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes...

This is Katsugi dyed with an indigo plant of the Edo era. This is made with high-quality hemp. The whole is dyed in Katazome. The part of the hem is drawn in Tsutsukaki. A rich family used Katsugi at the time of ceremonial occasion. This type of Katsugi was used in a part of Yamagata mainly. Jyofu-hemp Edo Katsugi often generally has heavy damage, but this item does not have damage at all.The width of Katazome is 13cm. There are several places of a few thin stains. Please enjoy bright indigo...

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki. As for this, an instrument is expressed three-dimensionally. This bold picture and design were able to be produced only by Tsu...

This is a rain jacket of the high-quality indigo dyeing cloth with splashed pattern cotton of the Edo era. The lining is indigo dyeing striped cotton cloth. The cloth with splashed pattern pattern is a referee's fan and a hat. The Western hat was a stylish item of the gentlemen at that time. There are a few stains to the hem. There is no damage. The cotton is spun by hand. Size: 92cm x 368cm (36.2 "x 144.8cm")

Spectacular Meiji Period maru obi c.1900. Woven on both sides with a jacquard loom, the blue/green dyes make this a superb example of a Kyoto style obi. The motifs are fans with pine, plum, bamboo, chrysanthemum and cranes; all auspicious symbols of happiness and good fortune. Excellent condition. Can be made into table runners or hangings. Total length: 394cm woven on both sides. W:31 1/2cm. Ask for shipping quote.

It is a silk kimono made in Akita region in the latter half in the Meiji era. In the times when better quality was found in the Meiji era, this is a superior expensive item. It is a kimono of precious silk not to be able to make in the present age.There are very few stains a little. I recommend this to collection of you. Size: 117cm x 114cm (46 "x 44.8")

This is made with crepe embroidery of the Edo era, printing silk, Akita silk. The time when this was made is the latter period of the Meiji. There is no stain dirt. The condition is good. The embroidery of four attractive cherry blossoms is impressive. Size: 89cm x 120cm (35 "x 47.2")

This flag is a very superior item produced by a bold line of Tutugaki, the delicate line of the sumi painting. The image of red Kintarou is an item to keep off an evil and smallpox. And the people prayed it in hope of the growth of the child. There are 22 places of embroidery marks of the flag. It is the embroidery that it is very unique, and is charming. 22 embroidery has each meaning. This has a thin stain. However, there is not the damage and is very high quality. The image of Tutugaki is d...

Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand. And crane and tortoises of the freehand drawing run well too. Lining is cotton dyed with rouge made specially in Yamagata. There are four stains of approximately 1cm (figure 1). There are two places extremely thin stain (figure 2). And there is one place of old rectification (figure 3). You...

This is traditional Bugaku- clothes of the Edo era. This is the form that is traditional in silk twill fabrics. It has two extremely small holes. There are no stain and damage. The pattern is Ganryo- dyeing. It can be hardly exhibited at the market. Size 193cm x 186cm (75.9 "x 73.2")

It is indigo dyeing cotton Yogi of the Edo era. It uses technique of the ombre dyeing. It is dyeing of the high technique. It is handspan, handwoven and it is dyed with an indigo plant of nature. It has several places of repair traces. There is not the stain. It is all original in the Edo era. Size 147cm x 126cm(57.8"x49.6")

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

It is considered that the sacredness which symbolizes the crop of a rich grape tree is a tree.The tree of the grape has a feeling of a lively motion very much. This is a "yogi", a kind of futon in the shape of kimono made of hand-spun cotton of Edo era (1800-1867). It is stuffed with cotton and has hand-spun cotton lining dyed with vegetable color. It is damage few very good condition.The motif of the tree of this grape is very rare and precious tsutsugaki textile. I recommend this tsutsugaki...

It is echigo-jyofu hemp Indigo dye kasuri Child kimono of the Edo era81800-1867). The kimono is very rare, and It is excellent and am delicate, and the technique is very beautiful. It is a Chinese hairdo and a pattern of the treasures. It does not have a stain and the damage. size:86cm x 74cm (33.8" x 29.1")

This is kanjin-sumoh gyoji tsutsugaki nobori textile of the Edo era. It is very very rare textile. It has a thin stain. However, it does not stand out. It has slight damage. However, it is good condition generally.The sumoh wrestling was an event called sumoh wrestling sechie to which original was done in the court. size:187cm x 41cm (73.6" x 16.1")

This is kanjin-sumo rikishi tsutsugaki nobori textile of the Edo era. It is very very rare textile. It has a thin stain. However, it does not stand out. It has slight damage. However, it is good condition generally. size:190cm x 41cm (74.8" x 16.1")

This is nanbu shikon-dye shibori futon cover at the Meiji era. (1868-1912) It is cotton of nanbu-shikon-dye of iwate Prefecture. It is a shikon of nature dye. It spins by the hand and shibori dye is done by the hand. Very, it is wonderful, beautiful shibori dye. There is neither stain nor damage.It has five small traces of the repair on the back side. However, it is good condition.The change of the color by fading is very beautiful, and it is charming. It recommends it for your collection. It is...