Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding...

Girl's hanten worn at the festival or ceremony with the girl's name "Kimiko" in front. Itis made of hand-spun cotton and cotton lining with katazome (stencil-resist-dye) crane motif. In excellent condition except for two tiny holes in front. Late 19th to early 20th century. W:73cm, L:53cm

Two pairs of fireman's gloves made of cotton and hand-stitched sashiko. Long ones are used but in good condition. Short one look almost new. The second half of the 19th century. Long gloves L:40cm, W:17cm. Short gloves L:24cm, W:14cm

A 19th Century embroidered tabako-ire with a dragon amidst water, the kanamono of silvered metal in shape of a dragon, and the kagamibuta with a dragon in silvered metal and an imitation ivory bowl.

A 19th Century embroidered tabako-ire with a flower pattern. The kagamibuta is carved with a figure.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motifs of the picture are auspicious ones such as crane, turtle, large sake cup and sea birds, and also the name of boat in the banner with katazome (stencil-resist-dye). It is vegetable indigo dye and colored with pigments...

"Sorihiki-happi"from Yusa in Yamagata prefecture which was worn for sleigh pulling. It has cloth with sashiko for reinforcement diagonally, from shoulder to one side of the body, and also both sides. It was worn when sorihiki pull down a sleigh with firewood from the mountain to the foot of the mountain. Yusa sashiko is one of Shonai sashiko in Yamagata prefecture. This happi has fine horizontal as well as vertical sashiko on whole ground cloth...

This is a japanese antique 1920-1940 cotton Buddhist Shugensha hanten coat worn by Shugen practitioners who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains , but is in very good condition. Size::Length :80 cm (31.4 inch) / Sleeve to sleeve :130cm (51.1 inch) / Back width :65cm (25.5inch)

This is tsutsugaki textile from the Edo period. A design of lions and peonies in the midst of silent falling snow. It's not flashy, but it looks like a fusuma painting from the Edo period. Both the indigo dye and the cotton are from the Edo period, and they have a very nice texture. There is one slight repair mark on the upper left corner. There are some light stains, but overall the item is in very good condition.Size:Length:170cm (66.9inch)inch / Width:150cm(59inch)

A sample book of wa-sarasa (Japanese sarasa) with 106 fragments on 43 sheets of paper board, mostly made in Meiji period (1869～1912) and some from early Taisho period (1910s). Originally it has 45 sheets, but 2 (3rd and 20th) are lost. The dye techniques are katazome (stencil-resist-dye) and print. The book is published by Kyoto Shoin in Showa 42 (1967). The 4th among limited 60 issues. 27cm x 35cm x 5cm.

This is a rare and tattered tunobukuro bag textile made from old hemp and rags from the Meiji period (1868-1911). This is the bag you put the sweetfish in after you catch them. It's been used a lot, so it's a little soft. It has been washed, so there is no smell. You can enjoy both sides. Size: Length: 140cm (55.1"), Width: 30cm (11.8").

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 96 x 7-26 cm (37.79 x 2.75-10.23in). Creases, slight discoloration, and mending due to aging as is...

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 90 x 29 cm (35.43 x 11.41in). Creases, slight discoloration, and mending due to aging as is...

It is a Japanese antique komebukuro bag. It is a komebukuro bag sewn together with indigo dye Omi Kasuri jyoufu and European chintz. It does not stain and has two small holes. There is damage on the bottom.The inside has light stains from aging. 　　 size:: Length 22cm / 8.66inch Width 42cm / 16.5cm

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

Han-gappa which is a kind of jacket worn over kimono. Wefts are silk yarn and warps look cotton yarn. The collar is made of black wool which might be imported, and straps are made of wool cloth and vegetable indigo dye silk cords. In good condition except for a few moth holes in the wool collar and a rip in the shoulder. The second half of the 19th century. 129cm x 98cm

Large bag made of vegetable indigo dye hemp which looks recycled from hemp mosquito net, whose warps and wefts are hand-plied. The second half of the 20th century. 63cm x 88cm

Dochugi made of kudzu fiber for wefts and cotton yarn for warps. Dochugi is a kind of haori worn over kimono and kudzu-fu one is worn in summer. Kudzufu has been produced mainly in Kakegawa in Shizuoka prefecture since 13th century. It was used for hakama (pants), kamishimo and dochugi. The collar and one of straps of this dochugi are replaced. straps have damages and several pin holes in the back and a cut (3cm) in front. It has a slit for a sword in the left side...

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. This kogin is called "Nishi-Kogin" which has stripes in shoulders. It is for enforcement of shoulders for a charcoal maker who brings a burden. Kogin is a kind of sashiko and its yarn is white cotton, making the hemp kimono warmer with thick sashiko in the colder district. It has several different kinds of kogin pattern...

Rice bag made of fragments of hand-spun cotton with stripes, katazome (stencil-resist-dye) and checks, all vegetable indigo and brown dye. The cord is cotton. Kome-bukuro was used when people dedicated rice to temples or shrines. In excellent condition except for several mending. The first half of the 20th century. W:44cm, H:33cm

This is a japanese antique boro patched of dark brown hemp Mosquito net fabric. It is an old mosquito net textile from the meiji era (1868-1911). The beautiful color of the persimmon tannin dye is slightly soft to the touch. The brown color of persimmon dyeing has changed beautifully over time. Size::Length::161cm (63.3inch) Width:: 35cm ( 13.7inch)

DECORATIVE HORSE ROPE

Tied-up rope made of twisting white and organic indigo dyed cotton once used for ritual horse-decoration, early 20th century, Japan. Tied as seen: approx. 30 x 90 x D 18 cm (11.81 x 35.43 x 7.08 in), Untied: approx. 1000 cm (393.70in)...

Hemp cloth for child's ceremonial kimono with katazome (stencil-resist-dye) and hand-painting, the technique is called Kata-Yuzen. The weft and warp are hand plied. Both long cloths have cuts in the center for the neck and front cloth is narrower than back cloth. Generally, in good condition except for a bit of color fading. 19th century. Two short pieces, W:35.6cm, L:49cm, A short piece, W:35cm x 134cm, Two long pieces for a body part, W:35cm &27.5cm, L:236cm

Kataginu, a top part of kamishimo which is a formal wear of samurai, worn over summer kimono. It is made of hemp and vegetable indigo dye. The weaving technique is "mojiri-ori" (warp crossing). Family crest design is faded but in good condition. 19th century. 66cm x 66cm

Cotton futonji made of hand-spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs such as crane, turtle, plum blossom, bamboo and pine tree. Tsutsugki technique is excellent. In good condition but has a mending patch causing the lacking part of design and re-sawn by machine, a mending patch and also a snag (2cm) in the upper part. 19th century. W:130cm, L:186cm

A Japanese fascinating embroidered silk hanging tapestry depicting a flying Phoenix 鳳凰 and a Kirin 麒麟, the two most powerful and sacred beasts of all Japanese within a silk frame finely decorated with a dense pattern of stylized motifs. The central scene is very unusual and it represents a Phoenix in flight in the upper part and a Kirin looking at each other. Even the back is finely embroidered with a dense decoration of stylized motifs on a blue background. The kirin and the ph...

This is a japanese antique indigo dye kasuri hemp kimono.It is in very good condition with no stains or damage.Size: Length: 143cm (56.2inch) Sleeve to Sleeve 122cm (48inch)

This is the part of the Rare indigo dye Katabira Ramie Kimono of the Edo period. The part of the yuzen dye is sewn together. It is not stained but has small holes. size::Length 98cm(38.5inch) / Width 31cm(12.2inch) 　　　2 pieces

This is yosegire Patchwork silk katazome kimono textile in Edo period(1603-1867). All are originals from the Edo period. There are four kinds of itajime-katazome, and seven kinds of katazome is included. The part of the sleeve is yuzen-dye that is drawn by the hand and dyed. The lower side is stripes of the silk in Edo period.The lining is red silk and has discoloration. There are no damage on the surface. There is a very slight faint stain, but it is not noticeable.It is a very beautiful kimon...

This is japanese antique kihada nature colour katazome sodenashi hanjyuban in Edo period(1603-1867). Katazome of kihada ground is very rare. Textile seems to be hand spun and woven and and has soft touch . The collar is yuzen and shibori of silk. There is neither stain nor damage. It is very beautiful. size: Length: 63cm (24.8inch) / Shoulder width 43cm (16.9inch)

This is a Japanese antique indigo stencil dyed thick cotton kimono from the Meiji period (1868-1912) with a rare weave. It is a very beautiful indigo stencil dyeing. There is a thin stain. It has one small hole, but is in very good condition. Made from hand-spun cotton and naturally dyed. Size: Length 140cm (55.1inch) Sleeve to sleeve: 123cm ( 48.4inch) Box.2

This is a rare Japanese antique natural indigo dye hand-spun thick hemp and cotton katazome fabric. It is a traditional Japanese pattern dyed with a beautiful tree pattern.The horizontal thread is hemp and the vertical thread is cotton. Katazome of antique linen is rare. There are no stains or damage, and the fabric is in very good condition. Size: Length: 640 cm ( 251.9inches) / Width: 35.5 cm (13.97 inches)