An antique Japanese transom (Ranma) made of Hinoki (Cypress) wood. Hand carved image of a crouching tiger moving with stealth and grace in a bamboo forest. Pronounced wood grain adds depth and movement to the image.
In Japan, the Ranma was placed above the Fusuma doors to provide air circulation in both rooms that it shared...
Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786~1865)The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm
Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand...
1936's Japanese Kawase Hasui Woodblock Print "Mt. Fuji Narusawa Late Autumn" with 7.1 mm Watanabe Seal
It is 15.5 inches (39.37 cm) tall by 10.6 inches (26.92 cm) wide.
One of its top edge is glued to the paper backing. It also has fading and discoloration (as seen in the photos).
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Antique Japanese root wood hibachi. Natural form with lovely burl and curling rim. The bottom has Japanese sumi ink writing, most likely a dedication.
Age: Meiji Period (1868-1912)
Dimensions: 5 1/4" high x 10 3/4" long x 8" wide
Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...
Japanese Edo period wood block print.
Print on paper, hanging scroll.
Two artist’s seals, one censor’s seal.
Print is in good condition, except for some tears and wears on the original mounting of the scroll. AS IS antique condition.
Sagemono complete with wooden tonkotsu with applications depicting different insects in the Shibayama technique, black stone ojime and horn netsuke.
Tonkotsu, made of wood, is used in Japanese culture to contain tobacco dust, flavorings or medicines.
A group of insects are depicted in great detail on the surface of the tonkotsu, including butterflies, a cricket, bees, a ladybird and a dragonfly...
Japanese Meiji period woodblock print by Ogata Gekko titled “The Soul of Japan: A Chivalrous Man” from the series Gekko’s Essays published by Takegawa Risaburo and dated in the lower left margin 1892. Signed and with the artist’s red seal at the lower right. Paper: 14 3/8” x 9 3/4" (image: 12 3/4" x 8 1/2"). Very good color and overall condition with gauffrage in the title cartouche and full margins...
Japanese Meiji period woodblock print depicting the journalist Fukuchi Gen'ichiro (1841-1906) reporting live at the battle front as government troops assaulted the rebels during the 1877 Satsuma Rebellion by Kobayashi Kiyochika (1847-1915). This image is number 45 from the series "Instructive Models of Lofty Ambition" published by Matsuki Heikichi in 1885...
Japanese Meiji period woodblock print by Kobayashi Kiyochika (1847-1915) depicting Kusunoki Masashige (1294-1336) parting from his eldest son Masatsura (1326-1348) at Sakurai Station as he entrusts Masatsura to lead his clan in battle against Ashikaga no Takauji. The title cartouche is at the upper right and the date of 1883 is at the lower left. Kiyochika’s name is at the lower right. Paper size: 14 1/4" x 9 5/8." The print is not backed and is in good overall condition...
Japanese Meiji period woodblock print triptych by Utagawa Kokunimasa (1874-1944), aka Ryua, titled “The battle between Japan and Russia at Seoul” depicting troops landing on the Korean peninsula at the start of the Russo-Japanese War. The print was published by Fukuda Hatsujiro and is dated in the cartouche at the lower left 2/1904. Signed at the lower right "Ryua" and with the artist's red "Edokko" seal below. Each of the three panels measures 14 1/2" - 14 5/8" x 9 3/4" (paper size)...
Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of a blooming camellia branch. One narrow side edge is tapered, so it can be used as a tea scoop as well. Beautiful subtle piece, superb quality carving, warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 4 3/8 x 1 15/16 inches.
Authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “View of the Precincts of Zojo-ji in Shiba” from the series of “Famous Places in the Eastern Capital” (Toto Meisho) published by Sanoki in the mid-1830s...
Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications.
Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root.
In addition, a butterfly is also present on the tonkotsu.
The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone.
Period: Edo 19th cent.
Dimensions: 7,5...
Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of a sparrow in flight, its wings spread wide. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 3/4 inches.
MINIATURE ANTHOLOGY
‘Hyakunin Isshu’ (ref. https://en.wikipedia.org/wiki/Ogura_Hyakunin_Isshu) as the classical Japanese anthological card game of 100 Japanese waka poetry by 100 poets,
and this one is unusual tiny version with woodblock printing dated back to the late Edo period (though incomplete with 90 picture cards and 90 letter cards). 2.5 x 3.5cm (0.98 x 1.37in) each.
Some wormholes and slightly bended as generally.
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Japanese woodblock Shunga print. Good condition. Unsigned like most Shunga but confidently ascribed to SHUNCHO
active 1780-1800. Paper size 25.5x34.5.
Can be viewed in central London and shipped worldwide.