Antique Japanese Meiji period, 1868-1912, bronze cast deer. The deer is lightly walking across a surface. Excellent naturalism. It measures 10" long 6" tall.

Antique Japanese large iron lantern in two sections, wonderful form with lamp section cut out with kiri blossom motifs, Meiji Period c1900 Size: 21" high x 14" wide

This well cast Meiji period Japanese bronze vase is 10 ¾ inches tall and 4 inches in diameter at its widest. It depicts a wild goose flying away from the moon. The moon is silver inlaid and the goose is silver overlay on top of the bronze body. The goose eye and feet is gold. There is a maker¡¯s seal on the bottom, it reads ¡°Kyoto, made by Kuroda¡±. There are a few scratches on the body and lighter color around the moon due to cleaning.

Japanese Sterling Silver & Enamel Censor

Description & Size: 10.79 x 12.7 cm (4.25" x 5"); Weight: 257 gram (9.06 oz)

Age: 1868 - 1912 Meiji Period; Material: Sterling Silver & Cloisonné enamel; Production: Handcrafted & hand hammered

This is a nice & fine production of a Japanese Sterling Silver & Censor Circa: 1868 - 1912 Meji, with cloisonné enamel added to garden flowers, & sparrows...

Antique ukiyo-e style woodblock print by artist Utagawa Kunisada, also known as Utagawa Toyokuni III (1786-1865), of a samurai warrior blocking the strike of another warrior's sword with his own. He has very detailed undergarments in mesh-patterned blue with light pink flowers, a black and white robe with jagged designs and red trim with a blue obi, and a red headband, with his hair styled in a traditional chonmage...

Antique pair of dramatic bronze censers, each with a warrior seated on top, the surface of each censer is decorated all over with ornate damascene (metal inlay) patterns, standing on four feet on stand inlaid with dragon, each leg is inlaid with the face of an oni (demon protector), each warrior sits on a rocky outcropping with hidden holes to allow incense smoke to escape dramatically around the figure, Meiji Period...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year. The reverse decorated with three pairs of ribbon tied shippo, and a six character reign mark for the Chinese Emperor Chenghua. The base of the dish supported by set of 4 spur marks distributed in a Y shaped form. The dish was probably produced at the Kakiemon kiln in the Nangawara valley...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety...

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...