Antique Japanese Buddhist abbot's oxbow arm folding chair. Made of red and gilt lacquer hardwood, with seat made of leather. The backrest has gilt lacquered panels with geometric motif carvings and pierced lingzhi carving, the reverse of the backrest marked with a triple mokko-mon (family crest). The edges of the chair are decorated in metal plating incised with motifs of chrysanthemums.

Edo Age 19th century Dimensions: 32" L x 20" D x 37" H

19th Century Japanese Cast Iron Kettle Teapot Tetsubin with Relief Dragon

It is 8.7 inches (22.2 cm) tall handle up by 7.2 inches (18.5 cm) wide. It is 4.7 Lb.

It has oxidation, rubbing gold at the handle and painted stain and surface wears (as seen in the photos).

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Cut iron tsuba. Decor of dragons and sacred pearls. Inside the beads, tiny iron balls are mobile. The style is called Namban. This kind of tsuba is little represented without however being rare. But the model presented here is exceptionally of excellent quality. Indeed the blacksmith has cut out his pattern excessively finely like an iron lace. We do not know of a model with such thin wires cut at the extreme limit of the constraints of the metal...

Height: 8.7 cm (3.4 in)
Width: 5.5 cm (2.2 in)

Fine pair of Japanese Satsuma vases, the upper section showing four panels of alternating figural and rural scenes; finely worked and gilded throughout, the base stem is decorated with polychrome millefleur work; the finest of diaper work radiate out from the central throat; signed Kozan on the bases; good condition

This is a antique boro noragi wonderful shabby Indigo dyed navy blue cotton . All stitching of the sashiko stitch for reinforcement and repair is handmade and beautifully designed. You can enjoy both sides. Size: :Length:78cm (30.7 ")　　Back width :54cm (21.2")

Beautiful antique painting of Hotei (also known as Budi or the Laughing Buddha), possibly depicted in his Dharmalaya body. He is shown sitting comfortably on a wooden bridge as men and women in gold straw hats walk by. Hotei is one of the Seven Lucky Gods in Japanese culture and is revered for his happiness and the luck that he brings. Set in glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.5" width (painting only) 9.5" height, 7.5" width

A Japanese Imari Tokuri. Decorated in the typical palette with alternate panels of a Carp leaping a waterfall and a Dragon in clouds above a Tiger 19thC. Height: 7 3/8″ (18.7 cm). Condition: excellent, light wear to gilding

A Japanese boxwood okimono of a rat-catcher preparing the miso on a big bowl before catching the rat. Black horn eyes. Excellent quality and great patina. Jigaku signature under the base. During the Edo period, blind people were recruited to hunt rats. With their sensitivity and hearing, they were able to hunt small rodents. Meiji period late 19th century Sizes: 9 x 8,5 x 8,5 cm. Condition report: Good condition

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

This beautiful elegant lotus is perched on curled stems that make up the lotus's stand. A small bud is tucked underneath, resting upward against the flower. A beautiful symbol, most often in Buddhism, represents enlightenment of the soul. Can hold small trinkets. Tai Sho period, circa (1912-1920) Dimensions: Height 4", 9" Long, 5" Wide

A pair of bottle-shaped heishi vases made for tribute to the gods emblazoned with the characters Dai-Kichi (Great Fortune) by Imamura Joen (1635-1717) signed on the base and enclosed in a wooden collectors box. They are 20.5 cm (8 inches) tall each and in excellent condition.

Kasuri (ikat) panel remnant with design of chrysanthemums, butterflies, and geometric squares. Japan, ca. Meji Era, 1868-1912. H.7.5"(19cm) x W.11.75"(32cm,) small 1.5cm repair patch in center. This is a wonderful example of mingei craft with a very playful image. Butterflies exist in Japanese folk imagery, but are not so common. This piece would be lovely framed.

Wonderful rare antique Japanese Funa Tansu (ship safe chest), all made of Keyaki (Zelkova) wood with heavy iron work, single door is a separate drop in panel with 3 locks, interior consists of 6 drawers of different sizes (2 of which have heavy iron locks), all drawers have thick Keyaki fronts and Kirinoki (Paulownia) wood interiors, beautiful grain and finish throughout, Kashiwa mon on front is made of bronze encircled in iron, comes with one key, characters in ink on bottom, Edo Period...

An antique Japanese Omise Tansu (merchant storage chest) made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Consisting of 15 total drawers, it was used in a merchant store setting to organize and keep inventory available for sale. The upper counter was used for the display of wares and the wrapping of sold items. All original hand forged iron hardware including the Warabite handles.

Age: Meiji Era (1880-1890)

Dimensions: 69 5/8" Wide by 26 3/4" High by 15 7/8" Deep

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

Beautiful large flat keyaki root wood stand with over 6 natural holes of root on surface, beautiful graining and sculptural presence, top edge carved at perimeter with incised line and raised surface on edging. Size: 40"L 25"W 5/8" H

Beautiful antique painting of a scene taken from the Japanese novel The Tale of Genji (Genji Monogatari), written by Murasaki Shikibu during the Heian period (794-1185 AD). The painting depicts chapter 4, in which Genji, 17 at the time, goes to visit his old wet-nurse, Koremitsu ,who had fallen ill. He notices some moonflowers growing in the adjacent yard, and he orders his servant to pick one...