Heavy, pure silver box with gold, silver, and copper inlaid bronze plaque inset in lid. The bronze plaque depicts a scene of dragonflies amidst autumn grasses. The grass is both incised and raised. The seeds are all inlaid gold. The dragonflies are raised above the surface with silver wings and copper bodies and the smallest dragonfly is inlaid with silver and copper. The sides of the box are incised with floral medallions and the base is raised on four solid silver feet...
An overall design of plum blossoms and buds on a rich blue background. The base and mouth are rimmed in silver. There is no maker’s mark, but similar works with generally the same pattern were produced by the artist Hayashi Tanigoro in the Taisho period, 1912-1926. Very good condition, having only a very small dent in the edge of the silver rim.
Height: 8 ¼ in.
Scene of geese on a flowering stream bank. Though unsigned, the design is very well executed in mostly earth-toned enamels. There are some faint stress lines of discoloration in one area under the enamel, otherwise the condition is very good.
Height: 12 in.
Signed Koson with seal, published by Daikokuya ca. 1910, fine impression, color and condition
Overall size: 14 3/8 x 7 1/8 in.
Signed Koson with seal, published by Daikokuya ca. 1910, fine impression, color and condition
Kakuban: 9 3/8 x 10 in.
Interior of a fan maker’s shop with craftsmen at work, ca. late 1800s
Unsigned, very good color, good condition, small repair to backing on upper right margin, retaining a portion of its original silver mounting paper probably from being mounted as a framed panel.
Overall size: 13 x 17 ½ in.; image size: 10 ¾ x 16 ½ in.
Signed Gototei Kunisada on lower left, partial loss of signature, Kiwame seal and publisher’s seal (Heikichi) on lower right, moderate impression and good color
Oban tate-e: 9 5/8 x 14 in.
Underdrawing for a woodblock print or a study for a painting
Ink on mulberry paper portraying an actor wearing a mask, painting details are noted in Kanji and Katakana characters, description of painting is written in Kanji characters on reverse and showing through on front, backed with old mulberry paper, centerfold, good condition
Shita-e: 10 ½ x 15 in.
Good impression and color, light mica dust in paper, minor wear, some paper thinning, light soiling on verso
Overall size: 7 x 9 ¾ in.
Good impression and color, very minor soiling, center fold
Album leaf: 9 x 13 ¾ in.
Printer’s information on lower left (no. 41), good condition
Shikishiban: 9 ¼ x 9 ¼ in.
Signed Kunisada Ga, good impression, color skip on grey robe, thumbnail size paper loss mended on upper right corner.
Oban tate-e: 10 x 14 ½ in.
Signed Gofukutei Sadatora on lower left, fair impression and color, some thinning and wear, small nicks to edges reinforced, not backed.
Oban tate-e: 8 7/8 x 13 in.
Signed Toyokuni (III) on lower left, good impression and color, lower margin trimmed into publisher’s seal, some wear and light soiling, not backed.
Oban tate-e: 9 ¾ x 14 ¼ in.