Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors...

Large rare antique Japanese choba tansu (merchant's chest), from the Mikuni area of Japan, made of heavy solid keyaki (elm) wood throughout, wooden bracing on sides and back, large compartment with sliding panels has 4 smaller interior drawers, safe box has 2 small interior drawers, beautiful heavy iron work, has 3 keys, Edo Period. Size: 35 1/2" high x 47 1/2" wide x 19 1/4" deep.

Antique Japanese pair of lively koma inu (temple fudog guardians), carved of keyaki (elm) wood, left hand creature has mouth open showing teeth and has a curly mane, right hand creature with toothy grin and wavey mane, wonderful detail carving, fain remnants of pigment (mouth, eyes, and whiskers), Meiji Period. Size of each: 17 1/2" high x 18" deep.

Furoshiki (Wrapping Cloth), Indigo-dyed with reinforced sashiko-embroidered corners. Additional center reinforcement panel. A few areas of repair mending and some small holes (please see detail images.)Early 20th Century. 79"(201cm) x 74"(188cm.) The contemporary image of furoshiki brings to mind a pleasantly printed small cloth the size of large handkerchief, used for wrapping one's bento (lunch box) or a small gift when visiting a friend...

Japanese Edo Period Lead and Silver Tobacco Pipe with Incised Darumas, both the man Daruma Taishi and the god Daruma. Acquired in Tokyo in 1986 by a renowned author on and collector of Asian art. 5 1/8 inches, 13.5 cm long.

Fine Large Edo Period Japanese Tobacco Pipe (Kiseru) from the collection of a renowned author on and collector of Asian art. This imposing, oversized pipe of bamboo and bronze with its striking phoenix would have been smoked by a man of prestige, and the effect would have been quite intimidating. Acquired in Kyoto in 1985 by a renowned author on and collector of Asian art. 9 5/8 inches, 24.5 cm long. Very Good Condition.

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.

Very Fine and Beautifully Rendered Hono Ema from the Tensho Shrine, dated October 7, 1695. The inscription reads Mikawa Province (modern day eastern Aichi Prefecture), Tomifuku-gun ('county'), Oshiro Mountain. While the wealthy would often give a horse as a gift to a Shinto shrine, the common person would give a Hono Ema (literally 'gift horse picture'). These plaques are then left hanging up at the shrine for the gods to see...

This rare and exceptional Japanese Mirror Chest of Japanese Ash and Elm with Hand Mirror of fine Persimmon and Gorgeous Brass Metalwork is from the collection of a renowned author on and collector of Asian art. The brass hinges are adorned with Chrysanthemums, the Japanese symbol of health, happiness and well-being. Truly a wonderful and rare piece. 14.25h x 9.75w x 9d inches, 36h x 25w x 23d cm. Excellent Condition.

The two fine and old haribako (Japanese Sewing Box) that we offer here on our site are likely the oldest ones you will see offered for sale. They come from the collection of a renowned author on and collector of Asian art. This lovely chest of paulownia and pine has the original hardware, original ruler, and original pincushion. 18.5h x 9d x 7.5w inches, 47h x 23d x 19w cm. Very Good Condition.

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Katazome Futonji, Stencil-dyed Bed Cover. Chrysanthemum Pattern. Four-panel indigo-dyed cotton bed cover with pattern of chrysanthemum flowers and leaves. Good condition with some tears, including a 19” vertical tear (see photos.) Top cover only, no wadding or backing...

E-Gasuri (Kasuri) Futonji, Picture Ikat-woven Bed Cover; Kurume, Fukuoka Prefecture. Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with e-gasuri (picture) ikat technique creating images of Otafuku (goddess of happiness & mirth) and Plovers, squares, and crosses. An excellent example of the picture ikat tradition of Kurume, Fukuoka Prefecture on the north end of Kyushu Island. Top cover only, no backing or wadding, good condition. 7” (18cm) tear to one end of cloth. Ca. 19...

LE-30 Kasuri Futonji, Ikat-woven Bed Cover. Three-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames) and crossed points. Top cover only, no backing or wadding, very good condition. Ca. 1900. L.66”(168cm) x W.39”(99cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the br...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames.) Top cover only, no backing or wadding; good condition, minor repair to one corner. Ca. 1900. L.54”(137cm) x W.52”(132cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover was often ...

An early 6" koro decorated in the 10,000 flower design against a pale grey blue ground, well executed and with minimal pitting. It is unfortunately missing a number of small red cloisons edging the upper rim.

A petal formed Kakiemon porcelain bowl 6.5" in diameter, 2.5" high on a footed rim. Enameled in iron red, green, blue and gold over blue underglaze are bijins and flowering trees. Ex-Christie's

Condition: Excellent, with no chips, hairlines or repairs.

This fine silver wired 3" x 2.5" box is from one of the better studios. A single bird descends from a blooming prunus tree, the trunk of which extends down the front side of the box against a ground of blue so dark it appears black. The mounts are of silvered brass.

Condition: Good, there is minor scuffing to the bottom and an old repair to the upper left edge of the lid.

Japanese antique scroll painting of a group of three monkeys in persimmon tree, painted in colors on silk, school of Mori Sosen, Meiji Period (1868-1912). total size: 58" high x 38" wide

A brass wired green and brick red dragon writhes about the brown goldstone surface of this early Meiji 14" charger.

Condition: Good, with pitting usual to pieces of the period and a couple of slight nicks to the brass rim. No chips, hairlines or repairs.

Vibrant shades of red, blue, gold and green were used to paint this mid Edo period Ko-Imari kendi. 9.5" x 6.75", it is in excellent condition with no chips, hairlines or repairs.

An exquisite and exceptionally rare 19th century monochromatic transparent ruby red enamel over solid gold vase with the impressed seal of Namikawa Sosuke. Sosuke did very few transparent enamel vases; there is an example in the Khalili Collection done in purple on a silver body with silver mounts, it lacks the brilliance of this vase. Height: 7.5625"

9" 19th century Kakiemon plates, slightly rounded, with blue flower baskets over blue underglaze. There are blue sprays on the undersides, each bears a Fuku mark.

Condition: Excellent, no chips, hairlines or repairs.

This is a rare late 18th century porcelain model of an elephant from the Arita Studio. 8" x 11.5", it is nicely decorated with blue medallions and a pale blue glaze.

Condition: Excellent, no chips, cracks or repairs.

A Kakiemon 6"foliate rimmed shallow bowl decorated with alternating flowers and ho birds.

Condition: No chips, cracks or repairs.

Meiji period, late 1800s

This shallow bowl-shaped dish is set on a high foot with the characteristic Nabeshima comb pattern encircling it. The interior is painted with a design of chrysanthemums in cobalt blue of clear, rich tone. The underside is painted in the same cobalt blue with four groupings of four coin designs often seen on dishes of this size and shape. It is covered overall in a fine clear glaze with only the footring exposing the refined porcelain paste. Good condition with no ...

This is a signed 8" Satusma vase in the form of a bucket. It is decorated quite nicely with hand painted landsacpes and birds.

Condition: Excellent, no chips, cracks, or repairs.

Beautiful Japanese antique choba tansu (merchant's chest), made of keyaki (elm) with sugi (Japanese cedar) interior, beautiful heavy iron hardware, sliders on top, bottom with removable locking bar (bo) over two drawers, lower right side with safe box, interior of safe with two small drawers, all original deep red translucent lacquer finish, Mikuni area, late Edo Period (mid 19th century). Size: 33 1/2" high x 36 3/4" wide x18 1/2" deep.

Circa 1680, this is one of the earliest examples of a Kakiemon sake bottle, rectangular in shape, 10.625" in height. Decorated in iron-red, yellow, green, aubergine, and black enamel, the four sides portray pine, bamboo, plum blossoms and peonies among clouds, with sprays of stylized lotus and scrolling karasuka upon the shoulders.

Condition: Early gold lacquer repair and cracks.