4 lacquered wood panels inlaid with metals and mother-of-pearl. Very old Japanese work. Decoration of rocks boldly drawn with power but elegance, decorated with plants. Whoever has painted such a high quality drawing is an excellent artist, certainly one of the best of his time...

Set of Six Japanese Meiji Dynasty Imperial Portraits. Each painting is 59h x 24w inches, 150h x 61w cm.

Japanese iron helmet inlaid with silver and gold. Made by 6 riveted iron plates. The dragon and cloud inlay is damascened (nunome zogan), the water drops in silver are in strong relief. At the front is riveted a circular steel plate representing a dragon. Signed by Shige Katsu. At the beginning of the 17th century, a Myochin Shige Katsu was working for the Date clan in Sandaï, it is certainly him...

Rare bronze ewer Japan Muromachi period, cast in one part. Signature of the artist incised under the base. This type of ewer is very rare, we know only one other similar example, smaller and less elaborate which is housed at the Minneapolis institute (usa). Excellent state of conservation, beautiful original patina. H:290mm

Edo Picture Hanabusa-Itcho Very rare screen Kano group. This is ground strewn with gold dust coloration Two Panel Screen drawn by Hanabusa-Itcho.� This is placed in "Gakusou" No. 10 of the Kyoto National Museum publication in March, 1988.� "Gakuso" is a very specialized book...

This is Sugido-e used in Kyoto Imperial Palace for Edo period. This was one of the collection of very famous kimono collector Shoujiro Nomura of Kyoto for the Meiji period. It is thought that this was drawn by Kano Eigaku of Edo period. He revived by a picture of the early period of Edo era in history. As for this, both sides reproduce design of the early period of Edo era together. Generally, Sugido-e has bad state. However, this is very good condition...

A rare pair of original Japanese six panel screens depicting the four seasons of Ginza. The panels are painted in the traditional Kano school. Using exceptional technique, the images are hand painted with natural rimpa paint and ink and gold leaf ground on gofun paper. The six panels depict the seasonal landscape of a Ginza garden. Excellent overall condition.

Date: Edo Period (Early 19th Century)

Dimensions:41 1/2” high X 110 1/2” wide (Each screen)

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels. The golden brass kuwagata dai is carved with a floral decoration. The fukigaeshi are covered with leather and 6 rivets. The mabizashi is also covered with leather and silk strap, riveted and fukurin. The shikoro is imposing with 4 blades...

A truly stunning Japanese six panel screen hand painted with raised rimpa paint on gold ground leaf gofun paper. The subject matter is a view of a natural overgrowth of hollyhock, sweat peas, and morning glories cascading and creeping over the bamboo fence.

The Hollyhock flower in Japan represents is fertility and fruitfulness...

Namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Decorated with three main bands of floral motifs, middle surrounded by vertical bands of mother-of-pearl inlaid lozenges and framed by the hanashippô pattern (overlapping circles forming petals).
On the lied, acer (momiji) and plum tree flowers (ume)...

Fantastic 18th Century Edo Period Saga Ningyo of a young boy holding a bird. His head bobs while his tongue goes in and out. Carved entirely of wood, his gorgeous robes are built up with pigments in a technique called 'moriage'. He has an outer robe decorated with a foliate scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections...

Ginbari and Musen enamelled silver vase Fish decor. Japan Meiji late 19th century.The lower part enamelled in celestial blue, decorated with fish in ginbari (incisions on the base metal) and musen (enameling without wires of much more complex realization). A dragon wraps around the collar. In the middle a finely damascened gold ring...

15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching. Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Pai...

Ni-Mai do complete armour, (tosei gussoku), the helmet (kabuto) of the hoshi suji bachi type (visible rivets) with 62 lames. Signed inside the bowl but illegible. Tehen in gilded and chiseled copper. Maedate with demon head (oni) and gilt lacquered wakidate. The mabizashi and the 5-lame shikoro are made of black lacquered iron. The menpo in brown lacquered iron and mustache is of the ressei type. The teeth are silver lacquered. The gorget (yodarekake) of 4-lame. The cuirass (do) is in 2 parts en...

An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.

Condition: Flawless, ex-Christie's

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is attributed to Marurei, one of the most important Ningyô artists. He now has Japanese National Treasure status. This handsomely adorned military horse is displayed on a Boys Day stand. The body hair is done by a technique called Ke-Ue-Saiku "fine work of fur planting" in which silk hairs are pasted on. It has gorgeous silk and lacquer trappings. It is positioned on a fine lacquered stand. This wonder...

A large, rarest of rare Japanese 18th century Bijin Saga Ningyo, depicting a standing female holding her flowing kimono. Saga Ningyo are the most sought after of all Japanese Ningyo. They are almost never seen on the market, and only rarely enter Western collections, public or private. This is a once-in-a -lifetime opportunity for the serious connoisseur of Japanese art. This finely carved and sculpted figure is a masterpiece from all angles. The rich pigmentation of the robes are built u...