1920s chosen matsu (Korean pine wood) netsuke of a rooster. Perfectly captured essence of the creature, carved in characteristic Hida school style with clever use of wood colors and structure to add to the charm of the piece. Excellent sense of volume, eyes are inlaid with black horn, beautiful patina. Length 1.76 inches.
Length: 10.5 cm (4.2 in)
Height: 6 cm (2.4 in)
Depth: 3.9 cm (1.7 in)
Quality Japanese carved okimono of an elephant; natural material; finely carved throughout; minor restoration; good condition
Antique Japanese burl root wood formation. Collected for it's unusual, gnarled beauty. Mounted on a square stand of iron and cherry wood. Exhibited at the San Francisco Fall Art and Antiques Show.
Age: Meiji Period (1868-1912)
Dimensions: 16 1/2" high x 16 3/4" wide x 12 1/4" deep
This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is the mate to another one we sold. Likely months of work went into this vase and it's literally smothered with intricate enamels and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had a rim chip repair.
This is a beautiful Meiji era Cloisonne vase. It is larger than most of these intricate panel vases and stands 7 1/2 inches tall. Looks great, but does have a tiny craze line in the right upper corner of one blue panels.
1930's Japanese Satsuma Vase with Flower Marked "Kinkozan"
It is 4.9 inches (12.5 cm) tall by 3 inches (7.6 cm) wide. It is 0.5 lb.
It has surface wear and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...
We are very exciting to let you know Grand opening
of Colors of Kyoto, Seifu Yohei Ceramic Studio
Exhibition at The Cleveland Museum of Art,
08/19/2023 (Sat) thru 03/10/2024 (Sun).
We are showing only 12 pcs here, very fine
Japanese master ceramist artist, Seifu Yohei III,
who was very first ceramist received prestigeous
membership of Teishitsu Gigeiin (Imperial Household
Artisan) in Meiji 26h, 1893 and other Seifu Yohei
generation including grand son...
New volume in the Cleveland Masterwork Series focuses on a studio of important late nineteenth through early twentieth-century Japanese ceramic artists.
This is the first comprehensive look in English at the Seifū Yohei Ceramic Studio in Kyoto, from the Meiji period (1868–1912) to the mid Shōwa period (1926–89), the James and Christine Heusinger Collection at the Cleveland Museum of Art as its core material...
This is a wonderful Ando signed Gonda cloisonne vase. The vase is combination very complex wireless and silver wire work, with a hint of moriage enamel. The lower flowering lily pad is moriage. The vase stands 12 1/4 inches tall and is in excellent condition.
This is a beautiful cloisonne bowl, not signed but likely from Ando. The condition is excellent. The workmanship is better quality than most and the Koi are even better in person. Rims appear to be bronze. The bowl measures 6 inches across and is 4 inches tall.
A set of Japanese bronze vases with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.
Age: Japan, Showa Period, Early 20th Century
Size: Height 13.6 - 19.2 C.M. / Width 7.5 - 11.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
19th century smallish (probably made for a child) mask netsuke of Okame. Wonderful chubby face with a wide smile, black ink highlights, very nice wear and patina. Signed on the back - the signature appears to read ROSUI. Height 1.19 inches.
19th century marine material ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in medium relief with a kneeling maid presenting a gift to a standing samurai armed with a sword, long bow and quiver with arrows, all under a pine tree and with a thatched roof hut and a woven fence on the background. The appearance of the samurai figure suggests that he's a Yabusame Archer...
Japanese Meiji period woodblock print triptych by Utagawa Kokunimasa (1874-1944), aka Ryua, titled “The battle between Japan and Russia at Seoul” depicting troops landing on the Korean peninsula at the start of the Russo-Japanese War. The print was published by Fukuda Hatsujiro and is dated in the cartouche at the lower left 2/1904. Signed at the lower right "Ryua" and with the artist's red "Edokko" seal below. Each of the three panels measures 14 1/2" - 14 5/8" x 9 3/4" (paper size)...
Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.
Age: Japan, Showa Period, Early 20th Century
Size: Height 19 C.M. / Width 10.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Impressive antique Kuro Raku Chawan, over 100 years old, by great artist Rintaro Ohashi with family crest. The bowl was made in Taishō era 8 (1919), its also written on the inside of the lid. I comes with the originally signed and sealed wooden box.
No chips or cracks.
Size: 8,2 cm high x 11,8 cm in diameter.
Free shipping
Japanese Meiji period woodblock print by Kobayashi Kiyochika (1847-1915) depicting Kusunoki Masashige (1294-1336) parting from his eldest son Masatsura (1326-1348) at Sakurai Station as he entrusts Masatsura to lead his clan in battle against Ashikaga no Takauji. The title cartouche is at the upper right and the date of 1883 is at the lower left. Kiyochika’s name is at the lower right. Paper size: 14 1/4" x 9 5/8." The print is not backed and is in good overall condition...
Japanese Meiji period woodblock print depicting the journalist Fukuchi Gen'ichiro (1841-1906) reporting live at the battle front as government troops assaulted the rebels during the 1877 Satsuma Rebellion by Kobayashi Kiyochika (1847-1915). This image is number 45 from the series "Instructive Models of Lofty Ambition" published by Matsuki Heikichi in 1885...