Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown...
Very thin eggshell miniature Hirado saucer with decoration of samurais and banners, 19th c. Possibly Hichosan, c f marks in app. six nr 98 in Lawrence: Hirado, Prince of Porcelains
Diam: “3 ½ /9 cm
Condition: Minimal nicks and small chip to rim
Very thin Hirado saucer, decorated in Kakiemon style with birds and flowers in orange, red, blue, green and puce, 19th century. C f marks in app. six in Lawrence: Hirado, Prince of Porcelains
Diam:”4 ¾ /12 cm
Condition: Fine hairline at blue flower and star crack, not possible to render visible on photos
Japanese antique hina dolls, large musician ningyo from the 1800s. The hayashi musician dolls were added to the emperor and empress dolls (Dairi-bina), sometime in the mid to late 18th century. They were first made in Edo (today’s Tokyo) while the Zuishin, Court Guards (also known as ministrator dolls) were being created in Kyoto.
There are two types of costumes for the musician dolls, Kamishimo or Suou (su-ou)...
Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.
Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior...
The Moon Through a Crumbling Window.
(Hasou no Tsuki).
Printed: 1st day. 2nd month. 1886.
Engraver: Yamamoto.
Signature: Yoshitoshi.
Seal: Yoshitoshi no in.
Publisher: Akiyama Buemon.
Format: Oban tate-e: H.13 x W. 8.75".
Condition: Good Impression & Colors. Light soiling to bottom of print. Retains album backing. Margins trimmed, and left margin covered by album attachment...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the
“yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33.
Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi).
Artist’s Seal: Taiso.
Engraver: Horikou Muneoka.
Publisher: Tsunajima Kanekichi.
Date: Meiji 18 (1885.)
Format: oban tate-e...
Artist: Utagawa Kuniyoshi (1798-1861).
Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen”
(Mirror Selections of 30 Trees & Flowers).
Signature: “ichiyuusai Kuniyoshi ga”.
Artist Seal: “kiri” (paulownia).
Nanushi Censor Seal: “watari” (Watanabe Jiemon).
Publisher: Joushuu-ya Kinzou.
Date: ca...
Utagawa Kunisada [Toyokuni III] (1786-1864).
Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche.
Engraver Seal: Yokogawa.
Censor Seal: “aratame” (examined), year of the cock (1861) 9th month.
Publisher: Yamaguchi-ya Toubei.
Date: 1861.
Format: oban tate-e, H.13.75 x W.9".
Comments: “kirazuri” mica powder giving sheen to dark blue background o...
Japanese Candle Stand, shokudai, made of lacquered wood. H.43cm(17") x Base Diameter 10cm(4"). Mid-late 19th century.Will include 2 "warosoku" (Japanese tapered candles with hole in base.)
Part of a triptych with depiction of the Five Great Myoo. At the top is Kongo Yasha Myoo, standing on two lotus bases, at the bottom Gozanse Myoo, being held by an acolyte. Black ink and color on silk, background gold. Beautiful painting, expensively painted.
Painted area: 39 x 15 ¼ inches; frame: 47 ¼ x 21 in.
Good condition, framed ( rollers cut off, old mounting behind mat).
Framed painting of Shoki standing with a sword in his hand. On his head a large straw hat. Inscription on the upper left side with three red seals. Signature and seal on the lower right side: Kano …Fujiwara Masuyoshi hitsu. Ink on silk. Kano style. Rollers cut of and framed with original mounting.
Painted area: 34 1/8 x 11 ¼. Frame: 54 ¾ x 17 ¼ inches.
Silk darkened with age, stained, undulating, one minor crack, otherwise good condition.
Original hanging scroll of a tiger and a dragon, two of the regal powers. Black ink on silk. On the lower right signature with two seals. The upper reading Gan…. Painter from the Kishi family.
Mat and frame
Painted area: 37 1/8 x 13 1/8.
Frame: 19 ¼ x 48 ¾ inches.
Some creases, one tiny hole, generally in good condition.
Artist: Utagawa Kuniyoshi (1797-1861).
Subject: Yakusha-e (kabuki actor print), Iwai Tojaku (1776-1847) as Osode.
Signature: ichiyuusai Kuniyoshi-ga.
Publisher: Joushuu-ya Kinzou.
Date: ca...
Artist: Tsukioka Yoshitoshi, 1839-1892.
Title: The Moon of Ogurusu in Yamashiro (yamashiro ogurusu no tsuki).
Series: One Hundred Aspects of the Moon
(tsuki hyaku shi).
Signature: Yoshitoshi.
Artist's Seal: Taiso.
Engraver's Seal: Enkatsu.
Publisher: Akiyama Buemon.
Date: Meiji 19 (1886), 2nd month, 1st day.
Format: oban tate-e, (Image) H.13 x W.8.875".
Condition: Very good colors and impression...
The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper)...