This is a rare, seldom seen, Snuff Bottle made from Shagreen (Stingray Skin), of a flattened rectangular form, with a flat footing, and a rounded neck. It shows the natural bumps of the stingray skin which have been shortened, and now have a back background with hundreds of gray dots. It is very light in weight...

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

Free shipping.

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

Antique Japanese single section isho tansu (clothing chest of drawers). Made with Kiri (paulownia) and Sugi (cedar) woods with original finish. The chest holds 5 long drawers and 3 smaller side drawers, with hirute drawer pulls and rectangular iron locks.

Meiji period (1868-1912)

Dimensions: 44.5" L x 16.75" D x 30.25" H

Antique Japanese small chest with drawers, called a dibukuro. Traditional Japanese homes hold a tea ceremony room with a tokonama, or a recessed closet/alcove in which pieces of artistic appeal would be displayed such as hanging scrolls, pottery, okimono and ikebana floral arrangements. The dibukuro would be seated on the floor of the tokonama. (shown in detail photos)...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such...

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs...

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze...

A rather unusual export dish decorated with a Kraak style border of six larger panels containing respectively a pair of Peaches, symbols of Longevity, and a scroll and whisk, representative of the Eight precious objects, Baxia, with the smaller intermediate panels decorated with a combined clove and jewelled Rhinoceros horn motif...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A single spur to the base. Dating Kyoho era, c1710-40. The plate measures approximately 24.5cm in diameter (...

Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use.

Seto-ware is a pottery tradition established in the 12th century with the aim of reproducing fine ...

This captivating bin-kake, or traditional brazier for tea ceremony, is crafted from fine celadon porcelain using methods first perfected in the southern Song Dynasty. The outside is decorated with low-relief Peony flowers which display a vivid sheen, owing mainly to the expert craftsmanship of the Meiji period Imperial Court artist Suwa Sozan who created this wonderful masterpiece. This represents one of Sozan’s finer works from late in his career when he had attained mastery over the ceramic ...

Antique Japanese tansu from the Nigata area of Japan. Most likely used by a merchant for storage. The 9 drawers are in three rows with the shallowest drawers along the top and gradually getting deeper toward the bottom of the chest. The hardware is all of iron and includes elegant hirute shaped drawer pulls, fan shaped lock plates and corner bracing. The wood is paulownia (kiri) wood.

Edo Period (early 1800's)

Dimensions: 19 1/2" high x 31" wide x 19" deep.

Antique Japanese small Kiri (paulownia) wood bar tansu, with five front drawers opened by squared iron handles. Its three mid front drawers are kept secure by a locking bar with decorative iron plates. The side of the chest has a safe door, with pierced iron hardware. The safe door opens to reveal three more small drawers inside.

Meiji Period (1868-1912)

Dimensions: 23" L x 12" x 24" H

An elaborately inlaid three drawer marquetry cabinet, unusually, with tambour doors. This item was made in Japan, for export, during the late 19th or early 20th century. In very good used condition; there is one small piece of veneer missing from the top back corner of the right side; no further losses, no restoration and no alterations. 23 cm (9 inches) high; 24.5 cm (9.5 inches) high.

Antique Japanese kannon biraki (opening door) isho tansu (clothing chest) in 2 sections. Made with kiri (paulownia) wood front with sugi (cryptomeria) wood top and sides. The top section has a pair of hinged doors which open to reveal two large drawers. The bottom section has two large drawers and a safe box in the lower right hand side. The hinged safe box door opens to reveal two small interior drawers, one of which has a hidden compartment. The hardware is all iron and includes warabite...

Antique Japanese 2-section kaidan tansu, or step/stair chest of drawers. Made of solid Keyaki (elm) hardwood, the bold woodgrain is well-complimented by the original deep red lacquer finish and heavy iron hardware. With original set of keys.
Exhibited at the Prestigious SF Fall Art and Antique show, 2017.

Meiji Period (1868-1912)

Dimensions: 55" L x 26 1/8" D x 80" H

This is truly a great Meiji Era Japanese satsuma vase. Look very close at the images and notice the extraordinarily fine detailing in the scenery etc. This masterpiece stands just 3 5/8 inches tall. Signed Yabu Meizan and in nearly mint condition.

This is a very fine Japanese cloisonne vase done in the style of Namikawa Yasuyuki. It is not signed but we believe it was made by Honda, another great Meiji era artist. The enamels are rich in color and this heavy vase has a superb high gloss sheen. It stands 4 3/4 inches tall and is in excellent condition.

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design. The fierce Chinese Dragons have been replaced with benign Buddh...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design. The fierce Chinese Dragons have been replaced with benign Buddhist...

A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children. The more famous Hirado patterns also date from this period. It was also a relatively common practice at this period to represent the Eight Immortals as children, so the design could also connote a wish for immortality, longevity ...

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design. These are symbols associated with the Taoist Immortals Zhongli Quan and Li ...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts. Dating probably late Meji period. Each vase measures approximately 17 cm in height and are approximately...

Antique Japanese tansu from the Iwayado area. Made with Sugi (cypress) wood frame and dramatic Keyaki (elm) burl front panels, in original red/orange lacquer finish. The extensive iron plating is incised into flowers and Kiri leaves; The top drawer features a large flying Phoenix as its lock plate. The two drawers below are kept secure by the original lock bar with working key included; To the right is a hinged door with a large iron Fu Dog lock plate, holding two Keyaki front lacquered drawers ...

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail. The horse stan...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou). One of Chikusen’s finest works, the painting shows a pastoral scene in the countryside in Japan.

Miura Chikusen (1854 - 1915) was an exc...

Antique Japanese small tansu from the Sakata region, with original red lacquer top and sides and black lacquer front. The top drawer's iron lock plate is incised with the image of a flying crane and pine branches; The bottom drawer's lock is incised with an ancient turtle with many tails. This imagery represents good health and longevity. Key is included.

Meiji Period (1868-1912) Dimensions: 32.75" L x 15.75" D x 20" H

Japanese 2-section isho tansu (clothing chest of drawers), from the Kyoto area. The chest is made with Sugi (cypress) wood in the original glossy red lacquer finish a lacquering process know asiro-urushi (色漆), literally "color lacquer"and has 11 drawers with charming heart-shaped keyholes and black iron warabite pulls. The top section houses a large open compartment behind two Keyaki (elm) sliding panels in a dark finish, with black lacquer frames.

Meiji Period (1868-1912)
...

Antique Japanese small merchant's box. Although this tansu has the appearance of a gyosho bako (peddler's box), it does not have loops for carrying straps. It was probably custom made for a merchant's raised platform area. All of the drawers feature hand forged iron lock plates and mounts. One of the smaller drawers is stained with ink meaning it would have stored an ink pen for receipts and accounting. Made with all Kiri (paulownia) wood.

Meiji Period (1868-1912) Dimensions:...

Antique Japanese choba-ko tansu (small merchant's chest), made of natural Kiri (paulownia) hardwood (original finish). The chest holds a large open compartment with a single shelf behind two large doors, lined with 7 outer drawers. Each drawer opens by a squared, black iron handle. The smallest bottom-left drawer acts as a money collection box, with a coin slot right above it.

Edo Period (1680-1868) c1800

Dimensions: 23" L x 8.75" D x 20.5" H

Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it bec...

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time. The resulting stained metal canvas makes the perfect backdrop for the decorative autumn grasses, flowers, maple trees, and drif...

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

A rare Momoyama Period Nezumi-Shino Chawan with a unique decoration: distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The bowl was first covered inside and out with an iron oxide engobe (oni-ita) - then a decoration was incised into the dry engobe down to the clay - finally, a shino glaze was applied over the engobe. The incised decora...

A true treasure! Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with incised straight zig-zag lines, the other half was decorated with a ...

Japanese 6-Panel byobu folding screen, with painting of a flowering wheat field under the full moon. The screen's paper hinges are done in gold gofun paper. Excellent condition, very presentable well suited for the times. The screen bears elements related to the Shijo School, hand-signed signature, with two red chops, attributed to Shiokawa Bunrin (1808-1877).

Taisho Period (Early 20th Century)

Dimensions: 150" L x 68" H

Antique Japanese ikebana basket, for display of flower arrangements. The piece is all hand-woven with bamboo with a wide rounded mouth, and squared base. The handle is made with braided thin sections of bamboo, secured at the sides with knots. The basket interior holds a striped bamboo vase.

Dimensions: 8" x 17.5" H

Japanese antique choba tansu (merchant's chest) with kannon-biraki cabinet doors (opening outward on hinges). The doors open to reveal one interior shelf. These door panels as well as the safe box door are both removable. (The hinge pins are built into the door side of the lock and slot into the hinges on the tansu frame.) There are 6 drawers of various sizes. The safe box on the lower right hand side has two additional small interior drawers. The tansu is made all of kiri (paulownia) woo...

Antique Japanese ko tansu (small chest of drawers). The piece is made with Sugi (cypress) hardwood top and sides, while the front is made with Kuri (chestnut) wood, with the original red lacquer finish and black lacquer frame. The piece holds five drawers of various sizes with heavy iron lingzhi form lock plates, and warabite style handles.

Meiji Period (1868-1912)

Dimensions: 25" L x 9" D x 22.75" H

This is a beautiful pair of mixed metal decorated bronze vases. They are highly detailed and stand just 5 inches. Both vases are signed Miyabe Atsuyoshi. One vase has a lightly bent rim otherwise the condition of the pair is excellent.

This is an exquisite decorated iron Koro signed Nihonkoku Kyoto ni sumu Komai sei. The condition is excellent and actually better than the images show. A glue/cloth residue was left on the underside and side of the base.This is easy to remove.The piece stands 4 1/8 inches tall and is 3 1/8 inches wide. The delicate lid appears to be silver.

Antique Japanese sword tansu, made with Kiri (paulownia) hardwood, all original finish. The piece holds two large drawers and two small corner drawers, accented with heavy iron handles, lock plates, and corner hardware. The sides of the piece feature long iron fittings for carrying.

Meiji Period (1868-1912)

Dimensions: 45.5" L x 15.5" D x 16" H

Antique Japanese ikebana basket, all hand-woven with sections of bamboo. The body is a cylindrical shape, narrowing towards the bottom four short feet. The handle is made with natural Wisteria branches. The interior holds two small wooden containers to hold beautiful arrangements of flowers.

Dimensions: 7" L x 6.5" D x 17.75" H

This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is said to represent long-life for mortals and immortality for the gods in asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties.

Suwa Sozan the first (1852—1922) was born in an area...

Japanese antique apothecary (medicine) chest for a merchant of herbs. Made of 100% hinoki (Japanese cypress) wood with 35 drawers of various sizes. Hand forged Iron hardware includes hirute and ring shaped drawer pulls. From the Kansai Area.

Meiji Period (1868-1912)

Dimensions: 28 1/2" high x 35 3/4" wide x 11 1/4" deep

Antique Japanese zenibako, or money box, made of heavy Keyaki (elm) wood. The piece uses a funnel top lid for collecting temple offerings, secured with a very large iron front lock. Original condition. With mortis and tenon joinery.

Meiji Period (1868-1912)

Dimensions: 10.75" W x 17" D x 12.5" H

A Japanese Buddhist temple wall carving / transom, with red and gilt lacquer pigments. Carved with the image of an instrument against a ground of heavenly clouds. Professionally framed to be mounted and displayed on the wall.

Dimensions: 42.24" L x 27" H

Antique Aka Raku Chawan by greatest Kichizaemon Tan-nyu, ennobled with a REAL kintsugi gold repair.

Half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red glaze was applied.

The red glaze turned to to grey where it got in contact with charcoal in the kiln. The bowl has a beautiful repair in real kintsugi (gold lacquer); it is signed next to the foot rin...

Antique Japanese framed pair of Manga book covers. The woodblocks show artwork of a beautiful Yoshiwara district courtesan, offering an ornate opium pipe to a gentleman while her attendant sits beside them. Displayed within a high quality custom frame.

Edo Period (1615-1868)

Dimensions: (entire frame) 15.5" L x 12" H (each book cover) 4.5" L x 6.75" H

Antique Japanese kuruma tansu, or wheeled chest, made of solid Keyaki (elm) wood. This chest features a large iron Phoenix lock plate with beautiful flowing tail feathers on the topmost drawer, as well as the bottom wheeled area. Themes of chrysanthemums, peonies, lotuses, and kiri leaves are incised into the decorative iron plating, with side locking box for small valuables.

Meiji Period (1868-1912)

Dimensions: x 49" L x 24" D x 47" H

Antique Japanese natural burl root stand or stool. Interesting natural burl form shape with bold woodgrain surface.

Dimensions: 17" x 18" x 15.5" H

With a traditional wheat-straw pattern commonly seen in Seto-ware and in the Mingei pottery movement of the 20th century, these lovely tea cups are perfect for an afternoon Japanese sencha gathering.

One of the most popular and important Japanese potters of the last 150 years, Rokubei Kiyomizu V (1875 - 1959) has been regarded by some as the most talented in a long line of Kiyomizu potters and as a cornerstone of the illustrious Gojo-zaka district in Kyoto. Recognized and awarded di...

Vintage Japanese hibachi (brazier) made of beautiful Keyaki (elm) wood, with built in stand. The front features three long drawers with incised metal pulls. The interior is copper lined with natural patina.

Showa Period c1980

Dimensions: 33.75" L x 22" D x 19" H

Antique Japanese iron tetsubin. The body is wide and short with a small water spout, its sides flared out and tapered back in at the center with flattened base. The bronze lid features a cherry blossom with decorative ball finial and tall bronze handle. The piece is in exceptional condition. Dates from Tiasho period c1920.

Dimensions: 7.5" W x 8.25" H