Chinese Tang dynasty or Five dynasties figure of bird whistle. good conditions.

Early 19th century small Japanese porcelain Imari plate with enamel decoration of a boy wearing haori (short jacket) with a basket full of greens on his back sitting on a buffalo and playing a flute. The subject is bokudo - a theme of a perfect peace of mind, and one of the stages of a journey towards Buddhahood. Underglaze blue decoration in cavetto and on the outside...

A Chinese cloisonné and champlevé enamel jardiniere. Early 19th century. The jardiniere is of globular form with three circular medallions enclosing birds and butterflies against a floral and gilt ground. These roundels are set against a scrolling lotus ground. The inside is counter-enamelled in turquoise blue...

A large white glazed round dehua container with moulded floral designs on the lid and case. Found in Southeast Asia. Age: Song 960-1120 AD. Size: Diameter -19cm H=10cm.Condition: Age cracks on the lid.

A rather unusual glazed Chinese yixing tea pot. Traditionally, mixing tea posts are unglazed and this pot combines unglazed sections, such as the interior and the glazes that encompass the exterior side of the pot. The pot contains a seal on both the undersides of the lid and pot, of the maker attributing to Zhao Jingnan. Zhao Jingnan was a noted artist specializing in producing fixing and zhisha tea wares during the Qing Dynasty...

Height approximately 74 cm. More pictures are available. In good and complete condition.

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

A cast bronze cattle bell decorated with a kind of garland. Dating to the Eastern Javanese Period. For a similar bell please refer to: "Indo-Javanese Metalwork" by Linden-Museum Stuttgart, no. 205. Provenance: Private Collection, Switzerland. Condition: clapper is missing, patina. Dimension: 10.3 cm high x 12 cm long x 8.6 cm deep.

A special Philippine wooden Santo of St. Rocco obtained in the Philippines in the 1980's. Painted wood carving of figure, home ecoration Estimated to be 19th Century. Nine (9) inches in length.

An unusual and rare sancai-glazed miniature pottery figure of a dancing young man with a pointed black cap.

Period: Tang (618 - 907 AD)

Size: 9.3 cm high

Condition: It has an old break in the right arm which has been reattached and hardly noticeable. (the original arm).

Chinese hardwood altar table, made of solid elm wood with its original red lacquer finish. Carved with dramatic scrolling legs on elevated feet. Five panel carvings in front depict various scenes with auspicious elements, dragon carvings in archaic style, the underside with scalloped edges. The altar style edges curl upwards in a scrolling fashion, with reticulated carvings of dragons below either side.

18th Century

Size: 83" L x 21" W x 35" H

Early 19th century Tibetan thangka depicting historical Buddha Shakyamuni emanating rays of golden light, his right hand in bhumisparsha (earth-touching) mudra, his left hand holding an alms bowl. Central figure is surrounded by 18 of Buddha’s original disciples (2 of them are standing holding kakhara - long staff with rattle to scare off insects, and thus prevent the carrier from stepping on them) with additional figures of Boddhidharma and Budai...

Early 19th century Tibetan thangka depicting Buddha Amitabha surrounded by his eight manifestations. Amitabha is the Buddha of Infinite Light and presides over Sukhavati (the Western Paradise). Beautifully painted with natural mineral pigments on cotton, wonderful tranquil face, original silk mounts, original silk gauze cloth protecting the painting from light and wear (can be seen bunched up for the purpose of photography on top of the mounts on Enlargement 2)...

A Nyonya ware bowl from the Tonzhi reign 1862 to 1864 with a beautiful painted Crane and floral design.The Crane signifies longevity. Nyonya wares are over-glaze polychrome enameled porcelains made in Jingdezhen in the Kiangsi province of China for the Straits Chinese, or Babas, whose female counterparts are called Nyonyas, hence the term Nyonya ware. Nyonya wares were mainly reserved for festive occasions and special functions. Size: W. 11cm. H. 4.7cm. Condition: No repairs or chips...

Height: 4.6 cm (1.8 in)
Width: 2.5 cm (1.0 in)
Depth: 2.3 cm (0.9 in)

Fine netsuke of two figures wrestling - one is an Oni; natural material; excellent detail; signed Mitsusada to the foot; good condition

Height: 10.5 cm (4.2 in)
Width: 8.5 cm (3.5 in)

Good Japanese Satsuma lidded koro; shows gilt bordered panels of Lohan in various domestic settings; fine diaper work throughout; signed; wear to finial; good condition

A seated figure covering his eyes with both hands used in Tantric Buddhism believed to provide supernatural powers. and is a doctrine of enlightenment as the realization of the oneness of one's self and the visible world; combines elements of Hinduism and paganism including magical and mystical elements like mantras and mudras and erotic rites; especially influential in Tibet. This one is carved bone and encased in a waterproof plastic case. Size: Inside measurements. H. 2.5cm. W. 1.9cm.

Obvious hand carved, this antique Sarinda is missing the tuning pegs, and the animal skin covering...wonderful patina...This is rare collectors ethnographic piece, and looks great hanging on a wall.

24 x 9 x 7 inches...hand carved from one solid piece of wood.

The "Sarinda" musical instrument was used for centuries in various countries in Central Asia, primarily in Rajasthan (Northern India), Pakistan, Nepal, Afghanistan, and Baluchistan...

19th century Chinese textile rank badge (also called mandarin square) denoting the fourth civil rank symbolized by the bird on the badge - the Cloud Goose. The bird is embroidered on separate fabric, which is sewn on top of the background - the idea behind that is that as one advances in ranks, the old bird is removed, and the bird corresponding to the next rank is sewn on the background, thus recycling the square itself...

19th century Chinese textile rank badge (also called mandarin square) denoting the fifth civil rank symbolized by the bird on the badge - the Silver Pheasant. The badge is made for the front of an official’s robe and consists of 2 vertical halves allowing the garment to be opened, currently sawn together...

Late 19th century Chinese textile rank badge (also called mandarin square) denoting the fifth civil rank symbolized by the bird on the badge - the Silver Pheasant. The bird is embroidered on separate fabric, which is sewn on top of the background - the idea behind that is that as one advances in ranks, the old bird is removed, and the bird corresponding to the next rank is sewn on the background, thus recycling the square itself...

19th century Chinese textile rank badge (also called mandarin square) denoting the fifth civil rank symbolized by the bird on the badge - the Silver Pheasant. The bird is embroidered on separate fabric, which is sewn on top of the background - the idea behind that is that as one advances in ranks, the old bird is removed, and the bird corresponding to the next rank is sewn on the background, thus recycling the square itself...

19th century Chinese textile kesi rank badge (also called mandarin square) from the back of an official’s robe. The badge dates from early to mid-19th century, and denotes the ninth civil rank symbolized by the bird on the badge - the Paradise Flycatcher. Numerous woven designs include sun, rocks among waves and clouds, bats in flight, fungus of Immortality, peaches, peonies, lotus flowers and other Emblems of the 8 Immortals, Buddhist Emblems and Eight Treasures...

19th century framed Chinese textile embroidered rank badge (also called mandarin square) denoting the fifth civil rank symbolized by the bird on the badge - the Silver Pheasant. Did not photograph well - faint pinkish lines are from photography and the colors are brighter than they look on the images. Designs on the background include rocks among waves, sun and bat in flight among swirling clouds, some of the Treasures of the Immortals and the Buddhists. The badge is made for the front of an off...

A rare lacquered scholar's screen with a Kylin and rider on the front. The back panel has a still life which has faded. Size: H. 61cm. W. 45cm. Condition: Fading and some peeling on both sides from age. Can be restored.

Jambala (Tibetan: Dzambhala) is the Tibetan God of wealth and appropriately a member of the Jewel family. He comes in many forms and in this Jambala is in its “white form” and holds a trident and a scepter rides on a Makara (sea creature). Jambala is said to decrease obstacles and increase all good fortune and happiness. Jambala is also the protector of beings from sickness and difficulties. He is also the Bodhisattva of material and spiritual wealth and is said to give financial stabilit...

Antique Korean porcelain bottle of an octagonal faceted form, with long neck fluting slightly at the rim, covered in a translucent crackle white celadon glaze. The foot is deeply recessed with buff edges.

18th/19th century Chosun Dynasty

For a similar piece, see reference :
Bonhams New York Catalogue "The Korean Aesthetic: The Collection of Robert W. Moore, Wednesday March 15, 2017" pg. 22

Size: 6.5" W x 11.5" H

A rare Ming dynasty Wanli period blue and white large cosmetic / covered box with rare sea horse motif, good condition with small chip at inner rim please see picture for detail, size: 14 cm diameter.

Rare 19th century Sino-Tibetan thangka depicting eight armed Goddess Maha Pratisara seated on a lotus throne and holding various weapons, with Boddhisattva Manjushri depicted above her. Pratisara is one of the Five Pancha Rakshas - a group of five female deities that are the personifications of five early Buddhist sutras. She is radiating rays of light and is depicted with three eyes in each of her four faces: her white face looking straight is human, yellow, red and green faces are that of a so...

Vairochana's mudra is the dharmachakra mudra. It is the gesture of teaching which is divided of turning the wheel of the law. (There are many variation of this mudras) One form, Tibetan use is to hold both hands at the level of the heart. The right palm face faces outward and the left palm faces inward. One circle is forming by the thumb and index finger of the right hand and the second circle is formed by the thumb and the index finger of the left hand. The two circles touching at the ti...

Matching pair of early 19th century altar size Sino-Tibetan thangkas depicting Buddha Shakyamuni and Tsongkhapa, respectively. It is unusual to have a set. Historical Buddha is shown emanating rays of golden light, his right hand in bhumisparsha (earth-touching) mudra, his left hand holding an alms bowl, rich offerings in front of his lotus throne. Tsongkhapa was the great 14th century Buddhist teacher and the founder of the Gelugpa school of Tibetan Buddhism: he is shown meditating, flowers by ...

A medium size pottery figure of a female attendant from the Han Dynasty.This is an original Han piece. There still a good amount of the original white slip remaining. Size H. 26cm. Condition: No repairs or breaks. Small chip on the nose.

A unusual rare black wooden lacquered plate with a three fish design and a little frog. Very unusual to find wooden plates from that period. Age: Ten Kingdoms, 907 - 979 AD Size: Radius: 17cm. Condition: Some dirt incrustation from long burial and small old chips around the rim and one little piece glued on the rim. Overall not bad for the age. See photos.

Early 19th century Sino-Tibetan thangka depicting Agni on his mount - a ram, and holding a pot of water in one hand and rosary beads in the other. Very uncommon image: Agni was initially the God of fire in Hinduism (see the pit of flames that the ram is running on), but was incorporated into Buddhism as one of the twelve Devas (guardian deities found in or around Buddhist shrines) and is considered to be the guardian of the Southeast. Inscribed with 5 characters on the back (see detail). Beautif...

Very rare early 19th century Sino-Tibetan thangka depicting the unusual White manifestation of 6-armed Bhuddist dharmapala Hayagriva. His more common manifestation is Red attesting to his nature as a wrathful form of Avalokiteshvara and thus the archetype of fierce compassion. He is easily recognizable by 3 horse heads in his crown, shown wearing a tiger skin apron and a long necklace of human heads, holding various implements in his hands. Hayagriva”s special ability is to cure diseases, espe...

Chinese Northern Song Large bowl. 23,5 cm diameter. 8 cm high. Bowl has small chipped at the rim and glaze degradation (please see on the pictures).