Unusual Japanese Kiri wood stacking box, comprised of 9 shallow compartments for the storage of calligraphy implements. The edges of each compartment are reinforced with hand-forged iron plates. The lowermost compartment has a single pull out drawer with a kakute iron pull and lock.

Edo period

Dimensions: 18 1/2" x 11 1/2" x 27 1/2"

Antique hardwood Japanese strong box with hand forged iron banding and hard mounts. Original finish and condition. The lid bears the mon or family crest of the Hori Clan.

Edo period 19th century

Dimensions: 23 1/2" x 10 3/4" x 6"

Japanese dark lacquered Funa Tansu, or ship safe box with heavy hand-forged iron hardware and plates. The interior of the box holds six small drawers opened by kan (ring) pulls, one with a lock plate. The piece has a warabite handle for carrying on top.

Edo period

Dimensions: 16 3/4" x 11 1/2" x 13 3/4"

A large rare Ming jar. The brown glaze is decorated with strings of dots going down the sides. Size: H. 58cm. W. 42cm. (H.22.8 inches. W.16.5 inches) Condition: No repairs,cracks or broken parts.

A collection of seven types of fruits including mango, persimmon, pomegranate and cherry, star fruits all finely rendered with leaves and branches, hand crafted in repousse silver with hyperealism. Fruit to be displayed with the wish for fertility as they are known for holding many seeds.

Republic period

Dimensions: range from 2 1/2" - 12" long

Japanese Sashimono war banner, to be worn attached to the back of a samurai's armor by special fittings. In the form of a group of medicine gourd bottles in gold gilt lacquer. The largest gourd stands the tallest on top of the Sashimono pole surrounded by smaller gourd bottles. The Sashimono captures the high drama of the fully outfitted samurai warrior in all of his glory...

19th century netsuke of a puppy wearing a collar with a bell and lying on an old straw sandal. Wonderful quality carving - see its right front paw lifting a straw rope that it is about to chew, its chubby body and perfectly rendered texture of woven straw of the sandal. Signed KAIGYOKUSAI in rectangular reserve on the bottom for Masateru, whose more common signature is KAIGYOKU MADO MASATERU (Kaigyoku’s grandson, Masateru)...

Hand-forged iron Jizai Okimono articulated spiny lobster. Each iron plate is carefully repousse hammered, creating a natural realism. The lobster is fully splayed on steel plates and armature wire. All ten legs and long antenna and articulated with multiple joints on each leg. Exquisitely crafted, showing off a very high skill of the metal worker. With artist signature underneath the lobster.

Meiji Period (1868 - 1912)

Dimensions: 13" x 7" x 5" (8 1/2" on stand)

Antique Caucasian Azeri runner rug, hand-woven, all wool in repeating Shirvan motifs in navy blue and rust brown and cream colors.

late 19th century

Dimensions: 3'1" x 5'

Antique Turkish rug, hand-woven, all wool in bright red, green, navy blue, and cream natural dye colors. In rural areas, often times goat hair is incorporated in the weave along with sheep's wool. Motifs of praying arches and medallion repeats with tribal influences.

late 19th century

Dimensions: 3'3" x 4'10"

Antique Caucasian Azeri rug, hand-woven, all wool with Lesghi-styled pointed star medallions in navy blue and red tones against cream ground.

late 19th century

Dimensions: 2' 10" x 3'11"

A fine snuff tobacco container made of a dried, double gourd, decorated with gilt silver mounts and inset with carnelian and tiny blue and white cabochons. The ram horn-shapped stopper is attached to an elaborate silver chain. These tobacco containers were used by the Turkman tribes. Condition: fine, few traces of usage. Dimension: c. 14.8 cm long, Diameter: c. 6.2 cm.

A Chinese blue and white porcelain jar decorated with dramatic and humoristic animals and other motifs, and two unreadable characters on the bottom. The jar was made in early 17th century, probably for exporting. Condition: Perfect condition with three very short kiln cracks as shown on photos. Diameter: 4-7/8", height:3-3/4".

Very unusual 19th century lacquered wood sashi type netsuke carved in a shape of a cloud dragon with its head turned back onto itself, its neck forming himotoshi. Does not photograph well, impressive when handled. Elegant and clever carving, all 4 legs are in different positions, nice rendition of its face and hair. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black starts showing, gold lacquer highlights, excellent wear and patina on the surface...

Stunning set of ten Japanese Ya (arrow) Yumi hawk feather and reed arrows with gold gilt lacquer and iron tips. Once used to shoot long distances by long bow primarily before the main introduction of firearms by the Portuguese in 1543. The "no" (shaft of the arrows are made from yadake bamboo and can have different shapes – straight, or tapering, these being straight.
Typically they use bamboo from the Kanto area...

Japanese two section futon tansu made with solid Keyaki (zelkova) hardwood. The top section holds a large open compartment behind two sliding Keyaki burl front panels with openwork carvings. Below are three drawers with mokko shaped iron pulls. The bottom section has another pair of sliding panels with horizontal slats. Behind the left panel are two large drawers and behind the right panel are two drawers and a small safe door with ornate iron plates, holding a third drawer inside...

Antique Japanese group of 6 tsuba (samurai sword hand guards), made of iron. Each tsuba is unique. From top left to right: suksahi tsube with aoi leaves and tiny inlaid gold details, sukashi tsuba with boat with sail in the mist and signed Masayoshi, sukashi tsuba with three gourds aubergine motif, sukashi tsube with boat and sail, sukashi tsuba with pine branch and mist, wangata tsube with two characters...

A pair of extremely rare small porcelain dishes decorated with "qianjiang cai （淺絳彩）”， depicting a scene of rice transplanting on one dish, and a scene of rice harvest on another. Qianjiang Cai was a kind of enamel similar to Famille Rose, it was favored by Chinese scholars in late Qing Dynasty. Some researches said it was created in Xianfeng period, others argued that the using of this enamel should be as early as Daoguang period...