. The bronze is very thick yellow, the casting is made in several parts, the arms are cast separately and welded, the ribbons too. The finish is very neat. The old patina is beautiful. The base is cast separately, the walls are thin unlike the statue, but it is indisputable that the two were made together. On the base and at the bottom of the statue are incised characters that date it. I do not know what the exact time is, but I can do research on request. The glory is added later...

A lovely Chinese Snuff bottle in Quartz Crystal with golden flexs, from old collection, Qing Dynasty, and can be precisely dated to 1820-1850 AD.

The bottle exceptionally well carved and decorated with floral scrolls in a very rare piece of super hard Quartz with golden hair / flex. The stopper original and carved in the same stone.

Size: 56 mm. tall.

Condition: Superb. Ex. Danish private Collection

A wonderful guaranteed authentic snuff bottle in green porcelain, dating to 1800-1820 AD.

The bottle elegantly made with nicely crackled green glaze and an smokey agate stopper.

Size: ca. 82 mm. tall.

Condition: Choice and perfect, thus rare from this early period.

Ex. Danish private Collection

Height: 2.7 cm (1.1 in)
Length: 4.2 cm (1.6 in)
Depth: 2.4 cm (0.9 in)

Japanese carved netsuke of a reclining puppy scratching his ear; natural material with inlaid horn eyes

An unusual model of Phurba in lost wax cast bronze and gilded with mercury. Iron blade. The handle is made up of a whole bust of the deity and not just a head as we can usually find it. Known models with busts are extremely rare, there are 2 or 3 in the museums of Delhi. Examination shows us that it is not a montage from a cut statuette but that the bust was cast especially for this Phurba. The lower part of the skull necklace was broken and lost; it was replaced...

Buddha in gilded lacquered wood. In the middle of the forehead is inlaid in mother-of-pearl the eye of the spirit. Le buddha is placed on a lotus-shaped plinth and leans against a glory sculpted with volutes. The base and the glory are from the Edo period.The Buddha is probably older, it is constructed differently,having a thick solid layer of reddish-brown lacquer visible where the worn gold powder has gone and is much more worn.The face and torso are atypical of those of the Edo period...

19th Century Chinese Blue and White Porcelain underglaze Blue Urn with Cover, 17 1/2", 10" wide-widest part, 5 1/2" diameter-top rim, sharp brilliant nice underglaze Blue decoration of double Happiness character among scrolling vine and Peony floral decoration, marked on the bottom but this urn or jar was made during early 1800's to mid 1800's, representing good quality of Blue and White Porcelain Product. There are few chips under the cover, please see the photographs.

19th Century Chinese Porcelain underglaze Blue and White covered Urn, or Jar with Double Happiness design among the scrolling Vines, 17 1/2" high, 10" wide-widest part, 5 1/4" diameter-top rim, the decoration is very crispy and nice medium blue color, marked on early 1800's to mid 1800's. representing nice crispy good quality workmanship, Double Happiness characters among Peony flowers and scrolling Vines...

Very fine, signed, men’s blanket from the Biboki, Feotle'u area West Timor, Indonesia. The the name of the weaver’s family, were woven into this. W: 114cm/44.8in and L: 186cm/73in, except for the yellow and blue lines this is woven from all naturally dyed handspun thread. Dating circa 1950 to 1960.

This is a Japanese antique, small Porcelain doll from 1868 to 1900. It is a design of a girl who rides a very charming bicycle. Over time, there are small stains and scratches, but overall it is in good condition. Size: Width from front to rear of the bicycle: 8.1 cm 8. Height 8.5 cm, thickness 2 cm

This is a japanese antique tsutsugaki Indigo dye cotton thick noren textile of Edo period. This is Tsutsugaki Noren dyed with natural indigo used in merchant houses in the Shonai region during the Edo period.It is drawn with a very bold and beautiful composition.In the past, cherry blossoms represent "richness" for wishing for a good harvest, and "prosperity" because many flowers bloom all at once. Fans are said to be "spreading toward the end," and their spreading shape has long been treated ...

One-sided orihon accordion album with 12 paintings. 10 images of man-woman scenes, one rape scene, one scene with a woman with dildo.
Paintings in black ink, mineral colors (some with gold), and gofun on silk.
The covers are bound in silk brocade, with a small silk sumie painting of a heron on the front cover, by way of a title slip.
Paintings unsigned, but in the style of Tomioka Eisen (1864–1905)...

17th Century Chinese Bronze Temple Guardian Figurine

It is 10.9 inches (27.8 cm) tall by 5.2 inches (13.3 cm) wide. It is 2251 gram (5Lb).

It has oxidation, rust ,hairline cracks and chips, pitting and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

17th Century Chinese Gilt Lacquered Wood Carved Seated Temple Immortal Statue

It is 7 inches (18 cm) tall by 4.1 inches (10.5 cm) wide. It is 197.3 gram.

It has rubbing of gilding, chips, peeling of lacquer, stains, cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Two(2) Tibetan Himalayan large Coral Beads, 24mm x 13mm(15/16" x 1/2"), purchased in Tibet prior to 1980.

Tibetan Himalayan Coral Large Bead, Drum shape, 20mm x 21mm(7/8" x 7/8"). Purchased in Tibet prior to 1980.

Diameter approximately 28 cm. Flat color. There is a burnt hole on the back edge of the plate. Crackle glaze. More pictures are available. In good condition.

Ancient Japanese Neolithic Jōmon Culture large ceramic vessel. The dramatically flared rim and other raised decorations indicate that this vessel was likely created for ritual use rather than as a food or cooking container. Clay was mixed with materials such as fibers, micha and crushed shells to give it an adhering quality. The walls of vessels were built up using a coil technique...