18th century Indian bronze votive sculpture of standing Bhairava accompanied by a small figure of a saddled horse. Govinda Bhairava is a syncretic form of Vishnu and Shiva. The upper hands are holding Vishnu’s attributes (Chakra and Shankha) and the lower hands are holding Shiva’s attributes (staff and begging bowl). Rare icon,. wonderful casting, beautiful devotional wear, excellent patina, traces of red sandalwood paste used during worship. Height 2 3/8 inches.

16/17th century small votive Indian bronze of Shiva lingam altar protected by a small hooded cobra and attended by Nandi bull - the vehicle of Shiva, or sometimes considered to be a form of Shiva himself. It rests in its usual position wearing rich trappings in front of a Shiva lingam altar, and there is a pile of offerings by his raised foot. Nice casting and detailing, great patina with green incrustation. Very good devotional object, wonderful feel of age to the piece...

A bamboo carving depicting a peasant or fisherman smoking a long pipe. Dating to the late Qing or early Republic Period. Condition: three small losses (photo no. 8 and no. 9). Dimension: total height: c. 21 cm.

Late 18th to early 19th century netsuke of a standing Dutchman holding an oversized rooster in his hands. Excellent carving, superb depiction of bird’s head, feathers and feet, great face with overly round eyes, wonderful depiction of his knee-length coat decorated with wave designs, textured pants and Chinese style hat with feather. Eyes inlaid with black horn, stands on its own, excellent patina, compressed dust on the surface...

Antique Japanese hibachi or coal brazier, constructed of heavy Keyaki (elm) hardwood with natural burl grain in a The frame of the brazier and drawers are done in kurogaki (black persimmon wood). The copper lining with original patina from oxidation.

Meiji period (1868-1912)

Dimensions: 27 1/2" x 16" x 13 1/2" H

19th century netsuke of a recumbent goat, its head lowered as it scratches its haunch with one horn. Perfectly captured essence of the creature, wonderful carving of its face and rich fur. Eyes inlaid with amber, himotoshi formed by its hind leg. Very beautiful wear and patina, old stable age lines. Signed RANGYOKU in oval reserve on the bottom - the artist is listed on p. 1148 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Formerly in Edward H...

Late 19th century to early Taisho period Japanese netsuke (can be viewed as a small okimono) carved as three wise monkeys performing their habitual "see no evil, hear no evil, speak no evil” routine in an unusual way by servicing each other: Mizaru with covered eyes, Kikazaru with covered ears and Iwazaru with covered mouth. Nice faces and hairwork, good depiction of limbs, light staining, himotoshi (cord openings) are formed by their limbs, pleasant patina. Length 2 5/8 inches.

A very interesting and well-carved figure-group (okimono) on a fitted base depicting the ox-herding boy and his ox loaded with fire wood in naturalistic style. The head, hands, feet of the body as well as the leash and the bundle of fire wood carried by the ox have been made from tinted ivory, as has the plaque with the artist’s name. The rest of the group has been made from a dense type and beautifully veined Oriental wood...

Large Japanese religious scroll painting of the bodhisattva of compassion, Quanyin. She holds a willow branch and a container holding the elixir of life. Mineral pigments on paper with gold thread silk border.

Edo period circa 1850s

Dimensions: 105 1/2" x 32" overall

Early 19th century Japanese sword tsuba with combination of sunken and raised relief decoration of a seated man wearing eboshi (a specific hat worn by aristocrats to indicate rank) holding a bitter melon in his hands and looking at more melons and lotus leaves with flowers, design continuing on the back. Material appears to be shakudo (alloy of copper and gold) with characteristic black patination resembling lacquer...

An intricately painted 19th Century or earlier Tibetan thangka featuring a wrathful black diety. It is loaded with imagery that depicts several intense scenes from floating skeletons to animals and humans being trampled. This antique thangka was used and has been consecrated or blessed. In good condition, it measures 24 inches high x 21".

Diameter approximately 36 cm. In good condition.

Diameter approximately 23.5 cm.

Diameter approximately 25 cm. In good condition.

Diameter approximately 18.5 cm.

19th century Edo period Japanese bronze kashira (metal pommel at the end of the hilt of a sword) with multimetal inlays depicting wispy clouds supporting a tiger, a shishi and a kirin, all on a punched ground texture called nanako, which means “fish-eggs” as it resembles fine rows of caviar. Unusual combination of animals, wonderfully made piece with crisp metalwork and gilding, in great condition. Length 1 1/4 inches.

Japanese Maki Lacquer double Cherry Blossom shape Box, Ca. Meiji 1868 - 1910, 1 5/8" high, 5 5/8" x 3 1/8" wide, low relief of double Gold and tarnished Silver design of Cherry flower pedals with multiple seeds lined up perfectly on the top, and one side shaded with silver leaf tarnished and the other side is in gold, low relief Pine trees with some shaded darker, some pure gold hidden here and there on the shaped sides, sparkled gold design inside the box and on the bottom...

Antique Japanese Buddhist Womb of the World Mandala Scroll Painting. Dated early 18th century with temple in Kyoto. Central figure of Buddha immediately surrounded by eight immortal attendants. Rows of attendants repeating on surface of painting. Painted in mineral colors and gold ink on silk. Mounted as a scroll with a light blue silk border and copper ends.

Dimensions: 58 ½” x 84” overall, 50” x 54” painting only