Jarlet with high shoulder and a short cylindrical neck. Decorated in underglaze cobalt - blue. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 5 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : 2 short nearly not visible hairlines. No chip and the glaze in a very nice condition.

Jar of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder. The body is divided into four panels by vertical lines of applied studs, alternate panels being decorated in underglaze cobalt - blue with a chrysanthemum spray. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 7,7 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 1 very minute chip visible on a enlargement. ( John S...

Jar of Guan form, decorated in underglaze cobalt - blue with a classic scroll and a continuous chrysanthemum scroll set between horizontal lines. Porcelain body covered with a transparent glaze. Base unglazed. H : 5,9 cm. D : 7,3 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 3 hairline cracks.

Jarlet of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder.Decorated in underglaze cobalt - blue with a continuous chrysanthemum scroll.Porcelain body covered with a transparent glaze. Base unglazed. H : 5,7 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Perfect ( John S. Guy - Oriental Trade Ceramics in South - East Asia, item Nr. 58 )

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Antique Bronze Rabbit Sculpture in a natural form. It has a rich dark patina, and a wonderful alert presence. A classic Japanese image of a Rabbit, and a charming Meiji Period Bronze. circa 1890 - 1900. 6 inches, 15 cm height.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of 19th Century Japanese lacquer miniature composition masks representing living ("Iki" living figures) expressive faces, with ivory teeth, glass eyes and human hair. They have an arresting presence and are a great study of portraiture, representing fine Japanese craftsmanship. 5 inches (12.5cm) x 4.25 inches (11cm) wide (each). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Meiji Period (circa 1900) Japanese Signed Okimono Sculpture of a pair of Mandarin Ducks, symbols of life long faithfulness and one of Japan's most beautiful birds. Original artist signed box is included. Beautifully carved of Poloma wood, one of the finest woods used in Japanese sculpture, and gorgeously painted with vivid colors. They can be exhibited in an endless variety of positions and make a wonderful object of art. 3.5 x 8 inches, 9 x 20 cm...

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt...

Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find. A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm...

Ca. 1700s or earlier

Hollow cast in coppery-bronze. Two similar images depict Buddha in “Earth touching” mudra. Both are heavy castings, having an even, dark brown patina and hollow interiors with old brown patina and light traces of verdigris. The backs of both pedestals are cast with a lopp just below the seated Buddha and these were used to secure these two smaller images to a larger altarpiece...

Ca. 1400s

Well potted with thick, even celadon glaze overall except for the unglazed base and foot. The glaze is of a deep green tone and crackled all over covering the interior of the neck as well. Three floral form appliques decorate the shoulder just below three concentric rings leading up to the neck. A few minor earth stains remain from burial. Overall very good condition.

Diameter: 2 5/8 in., Height: 3 ½ in.

A Very Rare Imperial/Incised Celadon Glazed Cup-stand: Korea, Koryo Dynasty, 12th Century This is a very high quality and imperial celadon glazed cup-stand, the domed corner incised with lotus petals within a raised ring, enclosed pendent leaves the broad reverted rim divided into eight foliages, evenly applied overall with a fine celadon glaze with 5 spur marks on the bottom. It is in excellent condition without any damages. Measures 6 1/4” x 1 5/8”h

Old silk kesa, an outer garment worn by Japanese Buddhist priests. Kesas were originally made from old scraps of material donated to the temples. The scraps became finer and quite luxious with time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This could also mean that the wealthier temples ended up collecting better fabrics or were able to send out for expensive custom made kesas...

Spectacular Early Meiji Period (circa 1880) Japanese Lion Mask used on the head of a float for the Gion Festival. This huge mask is an arresting image to behold. This fabulous carving is heavily lacquered in red, black and gold. The head can be raised to show his open mouth, creating a very impressive and imposing presence to behold. 38 inches (96.5 cm)w x 25 inches (63.5 cm)h x 24 inches (61 cm)d...