A Finely Glazed Celadon Bowl Korea, Koryo Dynasty, early 12th Century It’s of conical form flaring from a ring foor to the wide mouth, incised in the well and below the lip with narrow line and covered overall by an evenly toned grey green celadon glaze. A short hair line crack and tiny small repair on the rim, otherwise it is in fine condition. It measures 7” d. x 2 ¾” h.

Korean Bronze Mirror: Koryo dynasty, 12th-13th century The design is cast in relief on the obverse of this Mirror depicts a ship sailing on a stormy sea. A large dragon arises from the upper left and the right with clouds of spray cap the surging waves. At the top, above the ship’s banner, are four character inscriptions in archaic seal style script: Huang Pi Chang Chon (clear, vast, luminous heaven) with a good silver-greenish patina on the face and back...

This is an Antique CHINESE CARVED MIRROR for the Table Top of your Choice. Size is 28" X 18" approx. Conservatively Several months of Fine Carving with depictions of Dragons, Foo Dogs, and more

A Very Rare and Large Roof End-Tile –Gray Stoneware Korea, Unified Silla Dynasty or early Koryo dynasty, 9th -11th Century This monster roof end tile was typically made for a temple. As a Korean this type of monster roof end-tile is a very rare in beauty of style and technical excellence. Korean old temple tiles remain unsurpassed and rival those made in China and Japan. ** Tiles with monster masks were mounted on the ends of rafters and were supposed to ward off evil spirits...

A Fine Women’s Ornamental Knife : Korea, Choson Dynasty, 19th century This is an ornamental utensil knife set with chopsticks used by women and also used for emergencies in Choson Dynasty’s women's society. The case and knife have beautiful feminine carving. The handle and sheath are highly decorated with a cherry blossom design with birds on the silver body. Measures 4 5/8” long after assembled...

Japanese early 20th century art deco bronze swan. The swan is done in a silver and gold finish. Beautifully designed and executed by artist, JOSHIN. Signed JOSHIN on the bottom. The swan measures 8 3/8" tall, by 9" long and 3 1/2" wide. Comes with box.

This is an ANTIQUE CHINESE FAMILLLE ROSE VASE from a Midwest Estate.... size is 30" Tall... Great Painting in Rose to Pink enamels ... ca. 1800- 1850 in EXCELLENT Condition

This superb Japanese ivory okimono is 6 ¾ inches long 2 ¾ inches high and 2 ¼ inches on the widest part. It depicts 6 immortals accompanied by a dragon over the ocean...

This very well carved and designed Japanese ivory okimono is 5 ¾ inches high, 2 ¼ inches wide and 1 ¾ inches deep (measure from the base). It depicts a Buddha standing on the back of a dragon which is rising from an ocean wave. It has great patina. There is a red maker’s mark on the bottom. Aside from an old loss which had been re-carved and polished, it is in excellent condition.

This late 19th or early 20th century Mille Fleurs (thousand flowers) brush holder is 5 inches high and 2 ¾ inches in diameter. It depicts peony, chrysanthemum, lily, hibiscus, iris and several unknown flowers covering the entire body. There is a blue endless square cloud pattern on the rim. There is a red honorable Qian Long mark on the bottom. It is in excellent condition.

This 19th century Japanese ivory okimono is 4 ¾ inches high, 2 inches wide and 1 ½ inches deep. It depicts a hunter fighting a deer with a long spear. The impression of the hunter and the animal are realistic and wonderful. It is not signed. The tip of the spear has been broken. Aside from this and a few age cracks, it is in great condition.

This early 20th century Chinese natural gourd cricket cage is 4 ¼ inches high and 3 inches on the widest part. The rim of the gourd and lid are carved rose wood, the center of the lid is carved ebony. The center part depicts a sage sitting behind rock in a garden; banana trees are behind him. It is in excellent condition.

Korean, Kim Eung-won (1855-1921) Orchid on the Rock and Poem: Hanging scroll with silk mounting, ink on paper, 47 ½” x 14 ¾”, signed So-ho ( pen name), Kim Eung-won with three seals and one collector’s seal. It’s in good condition.

This early 20th century Chinese export cloisonné box is 4 ¾ inches long, 3 inches wide and 1 ¾ inches tall. It depicts yellow stylized lucky bats over a black background. Aside from a few small scratches due to the age, it is in great condition.

This hand made 19th century Chinese sterling silver cart is 2 ¾ inches long, 1 ¼ inches wide and 2 inches high. It depicts a man with a straw hat pulling a two wheel cart. A business man is sitting on the cart. It has “LC & CO” and “Mian An, Lian Zhang” (in Chinese) stamped on the back of the cart. It has nice patina and is in excellent condition.

This peach shape 19th century cinnabar box is 4 inches high and 8 inches wide. The carved scene depicts one person riding a horse and two other people on foot in the foreground. The background is composed of pine trees, brush and rocks. The sides are decorated with a textile pattern. There are a few old repairs and some chips on the bottom. It is still in pretty good condition.

This early 20th century Chinese celadon water bowl is 1 ½ inches high and 4 ½ inches in diameter. Aside from a dark spot on the foot rim due to firing, it is in excellent condition.

This very well carved 20th century Japanese netsuke is 1 1/8 inches high, 1 ¼ inches wide and 3 quarters of an inch thick. It depicts a worried monkey carefully pulling a splinter from his leg. The impression on his face is just great. It is signed but not readable and is in excellent condition.

This early 20th century Japanese netsuke is 2 inches high, 1 inch wide and 1 inch thick. It depicts a smiling old man. He is holding a long handled bucket in his left hand; a large woven basket is in his right hand. It is signed “Gyokusho” and is in great condition.

This very well designed hand carved early 20th century Chinese ivory snuff bottle of a shape of a corn is 3 ½ inches high and 1 ½ inches wide from bottom. It depicts a beetle resting on an ear of a corn. It is in great condition.

This very well carved early 20th century Japanese netsuke is 1 ¼ inches high, 1 ¾ inches wide and 1 1/8 inches thick. It depicts a demon sitting in a straw sandal. It is signed “Masatsugu” and is in great condition.

This early 20th century Japanese netsuke is 1 ½ inches high, 1 ½ inches wide and 3 quarters of an inch thick. It depicts a mythical beast with a human face. The creature has the body of a horse; however, it is covered with horns and flames raise from its legs. It is signed “Masayaki”. It is in great condition.

This very well carved early 20th century Japanese netsuke is three quarters of an inch high, 1 3/8 inches wide and 1 ½ inches deep. It depicts two playful mice sitting in a woven basket. Both mice have inlayed horn eyes. It is signed “Shozan”. It is in excellent condition.

The Japanese samurai dolls are part of the display used for Boy’s Day on every 5th of May in Japan. The dolls are the figures of historical heroes or legendary people to inspire the boys in the family (probably husbands are also included today) in their manliness and hopefully discipline and bravery to go with them. Samurai’s Yoroi armor, Kabuto helmet with swords, bow with arrows are popular items chosen today for the day.

Very large doll for this kind...

These mid 19th century Chinese carved wood statues are around 12 inches high, 8 inches wide and 5 inches deep. They depict two young men sitting on a Qi Lin (or Qi Ren). Their arms are raised up and they are holding gold ingots. Both Qi Lin have a loose ball in their mouths. The workmanship is great, especially the detail of the Qi lin’s faces. Aside from slightly worn colors and portions of the statues are missing due to age, they are in good condition.

This late Meiji (1868~1911) 3 piece calligraphy lacquer box is 7 ¾ inches long, 6 ¾ inches wide and 1 ¾ inches high. The outside of the cover depicts an open winged eagle resting on a stand; autumn flowers and plants before a full moon appear inside. There are two movable pieces decorated with gold maple leaves in the box. Also, there is a small round metal container, maybe a water dropper, decorated with a gold and silver crane and plum blossom tree...

This late 19th century sterling silver and jade bracelet is 7 inches long and half of an inch wide. There are five pieces of jade (jadeite) mounted in silver fittings and two Chinese characters in outline form at the end of the bracelet. On the back is stamped “sterling” and “China”. It is in great condition.

Chikubushima Moon - Tsunemasa (Chikubushima no Tsuki - Tsunemasa). Printed: 3.1886. Engraver: Yamamoto. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H. 12.75 x W. 8.75". Condition: Very Good impression and colors. Retains albimbacking. No condition issues to note. This print is also set in the battle between the Taira and the Minamoto clans...

The Moon of Yamaki Mansion - Kagekado (Yamaki Yakata no Tsuki - Kagekado). Printed: 3.1886. Engraver: Enkatsu. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H.12.75 x W. 8.75". Condition: Good Impression and colors. Some soiling, including an ink spot (from original printing?) on the lower portion of print...

Gravemarker Moon (Sotouba no tsuki). Printed: 3.1886 Engraver: Yamamoto Signature & Seal: Yositoshi Publisher: Akiyama Buemon. Condition: Very Good colors and impression, full margins. "karazuri" embossing on Ono no Komachi's robes. Format: Oban tate-e: H.13 x W. 8.75". Ono no Komachi was a famous beauty and poetess of the 9th century. Episodes from her life became the basis of a set of seven Noh plays, the last group called Sotouba Komachi, “Gravemarker Komachi.” Here, seat...

Suzaku Gate Moon - Hakuga Sammi (Suzakumon no tsuki - Hakuga Sammi). Printed: 1st day. 2nd month. 1886 Engraver: Yamamoto Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon Condition: Very Good colors & impression, full margins, "karazuri" embossing on cartouche & Hakuga's hakama (pantaloons). H. 13 x W. 8.75". Minamoto no Hiromasa (918-980,) was also known as Hakuga Sammi. He was the grandson of Emperor Daigo, and a famous musician, equally proficient on ...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition)*, The Young Wife, Ukita, Guarding her husband, Lord Tomita Nobutaka Anozu no Shiru who is mounted on horseback. Signature: “taiso Yoshitoshi”. Artist’s Seal: Taiso. Publisher: Matsuki Heikichi. Date: Meiji 35* (1902), 8th month (August,) 5th day. Format: oban tate-e, H.12.5 x W.8.25". Condition: Very good colors and impression, album backing retained, no holes or tears, o...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Toyotomi Hideyoshi seated on a tiger skin listening to a priest speaking on behalf of the Mouri clan. Text by Housai. No. 33 in a series of 52. Signature: “taiso Yoshitoshi”. Artist’s Seal: Taiso. Engraver: Kataoka (per Keyes, p 459.) Publisher: Matsuki Heikichi. Date: Meiji 18 (1885), 12th month (December.) Format: oban tate-e with printed borders, H.12.5 x W.8.25"(inc...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): kurou [9th son] hangan Minamoto Yoshitsune and Musashibou Benkei under a cherry tree )#15 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: 1886. Format: oban tate-e, H.13 x W. 8.75". Condition: Very good colors with good i...

A storehouse (kura) lantern(andon) from late 19th century Japan, made of wooden base, and metal wire body, and hanging hook. Interior paper is a later addition. I have found a long Japanese medicine bottle that fits perfectly inside the lantern, making it suitable for flower arranging. H.17cm(6.7") x Dia.8cm(3").

Early 20th C. back pad from North Eastern Japan (Tohoku region, most likely Yamagata Prefecture.) In the local dialect, of the Echigo & Shonai Regions (current day Niigata & southern Yamagata Prefectures), these are referred to as "Bandori." Other areas call these back cushions "se-na-ate." This particular example is a "Koro [round[ Bandori" and is made from woven straw and encased in a marvelous webbing of "yamabudo" (mountain grape vine.) Coarse hemp rope also creates a striking design in fron...

A Japanese Samurai doll (ningyo) with the look of a Daimyo: feudal lord in the Edo period (1603-1868). The Kamishimo with long hakama trousers were only worn for special occasions in the Edo castle. The samurai's blue top kimono is made out of a wash paper (a liner to his original kimono). There is a beautiful patina on his face which is covered with a gofun mixture from the time. In the old time, doll makers used to let oyster shells sit outside for years before they could ground th...

Roof tile with a "tomoe-mon", a crest of circular repeating commas in a whirlpool pattern. Fired clay, 19th century. Diameter: 4", Width: 3/4". The round tiles such as this line the bottom roof line, above the eaves. Commonly, the crest of the family or temple was depicted on these tiles. Historically, a center of roof tile production was the town of Ogi, in west-central Japan.

This late 19th century Chinese egg spinach vase is 15 ½” high and 8 ½” on the widest part. It depicts phoenixes surrounded by peony blossoms. There is a blue honorable Qian Long mark on the bottom. Aside from an old chip on the rim, it is in great condition.

This very well painted early 20th century Chinese porcelain vase is 9” high and 4” on the widest part. It depicts a lady sitting on a garden rock in front of a cherry blossom reading book; a young maid is standing next to her watching. A poem is written on the other side of the vase and signed by the artist Hong Jin-Hao. The vase has two gold handles of the shape of bats and maker’s mark on the bottom. The workmanship is very clear, simple and elegant. Aside from some worn gold trim,...

This Qing dynasty Tong Zhi period (1862~1874) gold and blue square bowl is 3” high and 6 ½” wide. It has a turquoise interior and gold floral design over blue background exterior. It has a red Tong Zhi mark on the bottom. Aside from some worn gold trim, it is in great condition.

This early 20th century Chinese export lacquer cinnabar bowl is 3 ½” high and 6 ¾” in diameter. It depicts two dragons flying through the clouds chasing a flaming globe. There is an honorable Qian Long mark on the bottom. Aside from some cracks inside the bowl due to age, it is in great condition.

Japanese samurai dolls, Yoroi and Kabuto (armor and helmet), swords, nobori and carps banner are all a part of the display used for the Boy's Day in Japan. The quality set like this will give a wonderful, rich flavor as a decoration to your home all year around. There is no Maruhei label label on the box but we are pretty sure that this was made by the Maruhei in Kyoto. The similar set that we had seen had the Maruhei label that indicates the set was made in early Taisho period (1912-1926)...

Waraji (straw sandal) Gata (mold). This mold was used to make the straw sandals worn by farmers. It is of solid carved wood. L. 50cm(19.75") x H.9cm(3.5") x W.9cm(3.5"). Acquired in Yamagata Prefecture in NE Japan (Tohoku), this piece exhibits the wonderful folk qualities of the region. Hung vertically, the "shelf" portion of the mold can hold a small flower vase, creating a lovely "wabi" arrangement for the tokonoma.

Large Itomaki, spool, for weaving. Wood with 6 arms. Late Meiji Era (1868-1912.) H.39cm(15.5") x Square Base of 37cm(14.5"). Good condition, has been cleaned and oiled.

Wooden saddle, "kura" made of wood and iron fittings. Meiji Era (1868-1912,) but the top board is a later addition. This flat board makes it ideal for display items, especially for flowers. H. 44cm(17.25") x W.68cm(26.75") x D. 32cm(12.5").

Jizo is one of the most beloved Buddhist Boddhisatva in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and its granite quarries made it a center of religious statue production and sales. This Jizo holds his hands in front of his chest in prayer, or in the traditional Indian greeting of "namaste." His face is well worn from the elements and time, but a faint smile seems to grace his lips. H.25cm(10") x W.13cm(5").

Jizo is of one of the most beloved of Buddhist Boddhisatvas in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and the granite there made it a center of religious sculpture production and sales. This Jizo hails from Sado and holds a lotus leaf in his right hand and a "tama" or Buddhist ball of wisdom in his left. His face is well worn from the elements and time. H.24cm(10") x W.17cm(6.75").

Onigawara, Roof Tile End Caps, of fired clay with motifs of Daikoku's Hammer and Tama, the Buddhist Jewel of Wisdom. H. 37cm(14.5") x W.56cm(22"0 x D.11cm(4.5"). Excellent condition from Meiji Era. The region of Ogi in west-central Japan was a well-known center of roof tile prodcution, and continues this trade today.

Sakiori, or "rag weave", was a necessity of many common people in old Japan, especially those of the NE Japan (Tohoku region) which was known for its harsh climate and living conditions. This item is a late Meiji piece from the region showing wonderful color combination, and sporting a few repair patches from its long life. L.144cm(56.5") x W.34cm(13.5").

Indigo dyed (aizome) cotton "yutan", or covering cloth, stencil dyed with family crest of pine boughs flanking a "koto bashira", the bridge of a koto musical instrument. L.150cm (59") x W.129cm (50"). Such textiles were commissioned for use as bridal dowry pieces and covered the items taken to the new bride's home. The family crest may have been that of the bride's or groom's family, or possibly a combination of the two, depending on the rank or status of the families. Textile dyers in South...

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family. This theme of Pine, Bamboo, and Plum was especially auspicous for a newly married couple, with each element having its own characteristic way of overcoming hardship (the cold winter.) The free-...

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

Sake flask from Tamba kilns in Hyogo Prefecture, early-mid Meiji Era. Characteristic reddish-brown glaze with black ladle drips around the neck. H. 24cm, Dia. 13cm.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

Early Meiji Era Soba Choko with landscape design painted in underglaze cobalt blue on porcelain. Average height of 6cm and average diameter of 7 cm. Though widely attributed to Arita kilns; by the late Edo and Early Meiji Periods, porcelain soba choko were also being made in Seto, as well as at kilns further north in Tohoku. This set of 5 features a typical land/seascape scene of a hut and the sea with a boat and birds flying overhead. All cups are in good condition featuring the same pattern.

A hanging scroll (kakejiku) attributed to Kano Masunobu (1823-1880) entitled "take suzume" (Bamboo and Sparrow) with Kiri (paulownia wood) box. Kano Masunobu, also known as Toun, was a member of the Kano School of painters who excelled in ink paintings (occasionally with the addition of pale tints) of landscapes and birds. The school's founder, Kano Masunobu (1423-1530,) was attached to the court of Shogun Yoshimasa. Scroll dimensions: H.90cm(35.25") x W.43cm(17"). Silk-bordered area: H.37c...

Chi Un-Yong (Pack Ryon) (1852-1935): A Poet sage under the Willow tree with Poem: His pen name is Pack Ryon. Hanging scroll, ink and color on silk, fine Japanese style mounting with silk brocade, 51” by 14”, signed Pack Ryon with three seals. It’s in fine condition except for few stain. Reference; Korean Art and Calligraphy by Han Moon-young, published in 2000.