Han Dynasty (200 B.C.~220 A.D.) green glazed burial candle holders. The entire body of each piece shows an iridescent sheen. Each one has small air hole for firing. They are very pleasant and in good condition. H: 5 inches, W: 4 ¼ inches

Meiji period Japanese bronze vase. Silver bamboo inlaid design. Signed by ¡°Nobuyoshi¡±. Maker¡¯s stamp is on the bottom. It is in good condition. H: 5 inches, W: 2 inches

Han Dynasty (200 B.C.~220 A.D.) dark green glazed bowl with cloud and crane design. Small chips on the rim. Outside there are three stacking marks from firing. Iridescent parts appear inside the bowl. It is in good condition. H: 3 ¼ inches, Diam: 6 ¾ inches

Meiji period Japanese bronze vases. Silver and copper inlaid design depicting a long-tailed rooster in a plum tree. Signed by ¡°Ichinori¡±. Maker¡¯s seal is on the bottom. They are in good condition. H: 5¡±, W: 2¡±

Japanese Edo period (1615~1868) a sage standing on the ground covered by bamboo leaves. It is signed by Kawahara and dated 1824. The base has been repaired. It is in good condition. H: 11 ¼ inches, W: 7 inches, D: 3 ½ inches

17th century S. E. Asian pottery. Dark brown glaze covers 2/3 of the entire body. The bottom shows the light brown clay. The dragon design on the top is provincial and primitive. There is a chip from kiln firing. H: 8 ½ inches, D: 5 ½ inches

19th century nephrite carving of a fisherman holding a fishing pole in one hand and two fish in the other hand. A basket is sitting on the side. Very nice carving in good condition. H: 4 inches, W: 2 ½ inches, D: 1 ¾ inches

Early 20th century Chinese Blanc de Chine. A group of four women gathered around a lotus blossom playing music. Good condition. H: 9 ½ inches, W: 7 inches

Late 19th century dark wood card case covered with a carved floral pattern. Good condition. H: 4 ¼ inches, W: 3 inches

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Strikingly beautiful Japanese Nishijin obi. The style of the obi is the most formal and expensive style which is called maru obi; the design covers front and back, from one end to the other end. This is an older obi than it looks. The colors are vibrant yet elegant. The design is for the joyous occasion with cranes, hand drums, flowers, pines and repeated pattern of waves (sei kai ha) in gold.

Measurements:

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

Hemp bag with age, Meiji 24 (1892) and the owner's name, Sahiko (佐彦）、whose warps and wefts are hand-plied. It has very well-done mending and reinforcement stitches, and also a mending patch. It has letters "25 sheets", but it is not clear what was put in. It is from Niigata prefecture. In good condition. W:29.5cm, L:52cm

A set of 8 small dishes dating from the later 19th century known as Mame-zara (bean plates) covered in cream colored crackled glaze decorated in the traditional Mugiwarade pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. Each plate is roughly 8.5 diameter and all are in excellent condition, enclosed in a modern, black-lacquered wooden box...

Cherry blossoms. Painted with ink and pigments on silk. Signed Eitai and sealed.

Ito Eitai (1876-?) was a Japanese painter born in Nagasaki prefecture in Japan. He was a disciple of Migita Toshihide (1863-1925), Murase Gyokuden, and Kawabata Gyokusho. He specialized in portrait paintings, landscape paintings, and bird and flower paintings.

Some insignificant light marks are present on the painting itself, otherwise the painting and mounting are in fine condition...

Chogappo made of fragments of choma (ramie), one of bast fibers, which is recycled from vegetable indigo dyed choma, and it has beautiful nuance of different indigo colors. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995)...

An unusual mask with gaping jaws and flattened features covered in red and black lacquer with golden teeth and eyes dated a lucky day in the 6th month of Tenmei 2 (1782). The mask is of carved wood covered in cloth over which has been applied layers of colored lacquer, gold and gofun (powdered shell) to form the white eyebrows. It is quite unusual in configuration. Most masks are open at the back, however this is carved with curling hair all the way down to the neck...

A striking baluster from vase decorated with sinister crows hunched in the silhouette of a leafless winter tree signed on the base Satsuma Kinunzan and dated on side the fifth month of 1911. This fits in perfect with our Kwaidan theme this month, the brooding figures austere against the bleak winter sky, something ominous, a lingering threat...