This interesting pottery tile was made during the Jin Dynasty (AD 1115 - 1234) and most likely comes from Shanxi province. It depicts a scene from the story of the Tian Brothers, one of the stories of the twenty-four paragons of filial piety:
In the Eastern Han dynasty, there were three brothers in the Tian family...
This interesting pottery tile was made during the Jin Dynasty (AD 1115 - 1234) and most likely comes from Shanxi province. It depicts a scene from the story of the Liu Yin, one of the stories of the twenty-four paragons of filial piety:
Liu Yin lived in the Western Jin period. One winter when he was nine, his mother lost her appetite because she longed to eat jin, which was impossible to obtain in winter...
This attractive pottery model of a cloaked and hooded rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents...
This attractive pottery model of a cloaked and hooded rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents...
This attractive pottery model of a cloaked and hooded rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents...
This attractive pottery model of a saddled horse, or pony, was made during the early part of the Tang Dynasty (AD 618 - 906). It is one of a group of four we acquired several years ago, all clearly from the same location. It is quite "heavily-potted" and made from a reddish pottery. It has been "cold-painted" in a base coat of a creamy-white pigment with various other coloured pigments applied on top...
This rare and interesting pottery model of a pack horse, or pony, was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a buff-coloured pottery that has been "cold painted" with a base coat of white pigment on top of which has been applied black pigment. Note the detail of the pack on its back that includes two water containers and a rabbit.
Height 25.5 cm, length 29.5 cm. It is in good condition...
This pottery model of a saddled horse was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a reddish pottery that is relatively highly-fired. The horse stands alert with its head head up and turned to its left. Its legs are spaced as though in the act of walking, as opposed to standing upright and still, as are the majority of Tang Dynasty pottery horses...
This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required...
This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required...
This fine and rare pottery model of a foreigner was made during the Tang Dynasty (AD 618 - 906). It is made from a red pottery that has been cold-painted in a thick white pigment with the facial details picked out in red and black pigments. This elegant figure, a groom, stands with his shoulders raised, head raised and turned to his right, one hand outstretched...
This bronze axe head dates approximately to the Warring States period (475 - 221 BC). It has a relatively wide cutting edge and on one side are timber marks within the surface corrosion. Inside are remains of its wooden shaft. Length 15 cm (6 inches)...
This iron axe head or chisel dates to the Western Han Dynasty (206 BC - AD 8). Surviving iron objects of this age are very rare. This example does of course have rust and corrosion, there is a small part missing at the open end together with some cracks, but it is free from restoration or repair. Length 15.5 cm (6 inches). Please note that this object has not been treated in any way and should be handled carefully - a s...
This iron axe head or chisel dates to the Western Han Dynasty (206 BC - AD 8). Surviving iron objects of this age are very rare. This example does of course have rust and corrosion, and a small chip to the edge of the open end. It is free from restoration or repair. Length 15.5 cm (6 inches). Please note that this object has not been treated in any way and should be handled carefully.
This is one of two almost ide...
This fine-quality pair of highly decorative pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made from a grey pottery and the decoration in relief features a pair of deer in a landscape. Note the detail to the deer, the carved and incised decoration as well as the impressed flower blossoms to the deers' bodies. The relief decoration has been cold-painted in various coloured pigments, good traces o...
These interesting pottery tiles with the subjects depicted in high relief with very good detail were made during the Yuan Dynasty (AD 1279 - 1368) or possibly the early part of the following Ming Dynasty (AD 1368 - 1644). They are made from a high-fired grey pottery that has been "cold painted" in various coloured pigments. Each tile depicts a scene from a story of the paragons of filial piet...
These interesting pottery tiles with the subjects depicted in high relief were made during the Jin Dynasty (AD 1115 - 1234). They are made from quite a high-fired grey pottery that has been "cold painted" in various coloured pigments. Each tile depicts a scene from a story of the paragons of filial piety. Together they depict a total of thirty-four human figures (men, women and children)...
This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...
This fine and impressive pottery model of a horse was made during the early Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been cold-painted in a creamy-white pigment with small amounts of red pigment in places, such as within the nostrils. On its back is a large saddle, made separately, that can be removed. This is a strong horse giving an impressio...
This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fine-grained pale grey pottery. They have been "cold-painted" in a base coat of creamy-white pigment with faint traces of red and black pigments in places.
These figures represent a pair of foreign grooms and have been made with great attention to de...
This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery. They have been "cold-painted" in a base coat of creamy-white pigment with details picked out on top in red and black pigments, especially to the heads and faces.
These figures represent a pair of foreign ...
Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks. He was selected for Bunten art exhibitions.
Some light marks, light damage and foxing are present on the painting and scroll mounting.There is a little damage is present on the scroll end,otherwise the piece is...
Kano Hakuen(1642-1726)was a painter from the early to middle Edo period. Hakuen served in the Kaga Kanazawa domain of the Tokugawa shogunate. He was involved in the decoration of Nikko Toshog...
Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.
Some light marks and insigificant light crease are present on the painti...