An antique 2 section tall Japanese Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Beautiful original finish of fine Shunkei-Nuri (lacquer) in front and a wiped lacquer technique on the top and sides. In addition, the handmade iron hardware is original with Warabite handles. Top section has two sliding doors with 5 drawers below...

A long verse is incised into the side of this tea bowl by Otagaki Rengetsu. The poem reads:
Yorozuyo mo 10,000 ages
tae nu nagare to enduring the surge
shimetsu ran so well
sono kame no o no From Turtle Tail Mountain
yama no shitamizu. The water flows
The bowl is 12.2 cm (5 inches) diameter and in perfect condition. It comes wrapped in a silk cloth pouch, enclosed in an old box with original lid inside of which is a long verse...

Ancient egyptian faience shabti 11,5cm

The hieroglyphs indicate a high personality of the 18 - 19 dynasty.

Nes-Iset with the title of Steward (or Overseer) of the Treasury of Wedjat

This owner seems to have had two types of shabtis - also a series of wooden Shabtis.

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

A Kenzan style Chawan Tea Bowl decorated with blossoming plum bending over a golden rim by Miyagawa (Makuzu) Kozan enclosed in the original wooden box signed inside on the box floor by the aritst with an annotation inside the lid by Omotosenkei Iemoto Tea Master Seisai (1863-1937) reading Makuzu Yaki Chawan Ume-no-ga Ari (Makuzu Pottery Tea Bowl Decorated with Plum). It is 12.5 cm (5 inches) diameter, 7cm (3 inches) tall and in excellent condition...

Japanese noh theater mask of a young woman, carved with pierced eyes, mouth, and nostrils for the wearer, as well as two pierced holes at the temples to be secured against one's head. Lacquered in flesh tone, black hair and blackened teeth and eyes, red lips, and black lacquer interior. With kiri (paulownia) tomobako, inscribed with the name "Juuroku".

Size: 5.25" L x 3" D x 8.25" H

Antique Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history. Inscription dates the bell to Meiwa 4, 1767, during the Edo period. Commissioned by Ninomiya Juemon, village head and rest of villagers...

Relics of the Nile is pleased to present this outstanding Greek Apulian Kantharos. The piece remains completely intact with beautiful high arching handles on the sides. The kantharos features a detailed figure of Eros on one side with a lady of fashion on the reverse. 17.5 cm in height. Greek, 4th Century B.C. Provenance provided to purchaser.

Unusual antique Tibetan gau ghao (gao). Used as a portable shrine that hangs around the neck, a gao is usually a box filled with prayers written on cloth around a central deity visible through a window. This gao is flat but it is similar to the traditional gao in that it has a central deity and a window cut out of leather...

This is a Qing Dinasty, 18th/19th century, Flattened, Rectangular form tapering towards base snuff bottle, with rounded shoulders, flared short neck, and raised oval footing. It has a deep, rich spinach-green color with dark mottling. It is excellently carved in-relief, all around, with birds perching on leafy Chrysanthemum branches rising from rocks...

A fine small Chinese silver-inlaid bronze censer for the scholar's table modelled as an archaic ding. Early Qing dynasty, 17th/early 18th century. Height 11.5 cms. 471g. Private collection, USA.

A good Chinese Song dynasty black glaze pot, Zibo kiln, Shandong province. Ht. 15cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

We Japanese have been loving celadon from China since 11 century. Especially about the Long-guan ware, we categorize 3 types. 1."Kinuta"celadon in Song dynasty, 2."Tenryuji" celadon in Yuan dynasty, 3."Shichikan"celadon in Ming dynasty. This piece is categorized "Shichikan" celadon. The celadon of Long-guan-yao had been declining in Ming dynasty and generally has not clear color...

The natural cobalt had become to be imported to China again at Jiajing period, and so color development of blue had become very clear...

An antique Japanese Niigata 2 section Kasane Tansu (stacking chest on chest) with hand made iron fittings. The lock plates feature the Sho Chiku Bai motif (Pine, Bamboo, Plum Blossom known as the 3 felicitous friends of winter) with the longevity symbols of the turtles and crane. Each drawer has Kakute handle pulls and the hinged door hides 3 small drawers.

The front of the chest is made of natural Kirinoki while the tansu body was designed using a dark red wiped lacquer technique...

A very thick and massive gold ring with clasping right hands, Roman Imperial Period, 2nd - 3rd century AD.

Typical high shoulders and compressed design. 22+ carats gold.

The depiction of the dextrarum iunctio (handclasp) was highly popular in Roman art. In the Roman world, the right hand was sacred to Fides,the deity of fidelity...

Thai sutra box and sutra. The rectangular box with ornate gilt decorated panels (each a different scene), three on each side and one on each end, of deities in combat on black lacquered surface. the interior painted red. The sutra with leather ends and sturdy paper leaves with mostly Sanskrit and hand illustrated in colors variably throughout. All good condition with reasonable wear. Sutra (closed) cover length 26 3/4 inches (67.9 cm). Box length (along the base), 32 1/2 inches (82.55 cm)...

A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about. This has several places...