A Chinese Export Lacquer Tea Caddy. The octagonal box decorated with birds in landscapes. The cover with a pair of peacocks and other birds. Containing a pewter caddy, the cover incised with another bird. With key. Canton Mid 19thC. Length: 6 3/4" (17.1 cm). Condition: very good with very little wear to decoration. Retouching to a very few small chips

Antique Wood Tibetan or Nepalese Drum Handle, mythical carved Totem, similar to a Phurba with stand.

Provenance LA Collection
Dates 20th century
Size 17.25" x W 2.5" x D 1.125"

Keyaki (zelkova) wooden pulley, used to scoop water out of a well. Wooden wheel with forged iron block. The inside of the wheel groove (where the rope would run through), lined with a thin sheet of copper...

A Japanese Painted wood statue of Kannon Bosatsu. 19th century. Condition: small chips and age cracks, please refer to photos for condition detail, addition photos will be provide upon request. Height: 9-7/8". Weight: 46 OZ, heavy for a wood statue at this size. Provenance: Former collection of retired Professor D. Gibbs of University of California

An antique Japanese Ko Bo Tansu (personal storage chest with locking bar) made of Suginoki (Cryptomeria) wood. Original Urushi lacquer finish. Bronze hardware features auspicious bamboo symbols and pine tree motif.

Small antique tansu such as this is very popular worldwide due to its functionality and ease of placement due to its small size...

Antique Tibetan carved wooden phurba, a ritualistic Vajrayana Buddhist implement, depicting Nagas or snakes on the blade. Nagas are the entities in nature that associated with illnesses. The entwining serpents are a symbol of medicine and healing. The deity handle, mirroring the three-edges of the blade has three deity faces. Typically, one might be wrathful, one peaceful and one joyful representing Body, Speech and Mind.

Dimensions: 11 1/2" L x 2" W

A Cambodian cast bronze statuette representing the Hindu god Vishnu standing with his 4 arms. The bronze has an excellent old patina which confirms the dating. Khmer art 12th century or before. A wooden plinth was made around 1900 to stabilize the statue. Height without wood base: 117mm (4.6 inches)

lacquer sake cup, silver kinji lacquer background decorated with a procession in hira and taka maki-e. Red lacquered back. Signature. Edo or meiji period. D: 112mm H: 27mm. Good condition, a tiny chip on the foot visible on an enlarged photo.

Ancient Egyptian artifacts from the Predynastic Period, specifically the Naqada II (Gerzean) era, which dates back to around 3600 - 3150 B.C. The artifact is a hand-carved war mace head made of reddish-brown stone, possibly Breccia. The mace head has a globular shape with a large cylindrical perforation in the center, which tapers towards one end. The base of the hole is carved with a pronounced reinforced rim, which was used to attach the head securely to a wooden handle...

A large Chinese snuff bottle, well hollowed, carved from a celadon jade pebble with brown sections. The front side showing a relief of a monkey at a vine. The stopper is made from turqoise glazed ceramic with bone spoon. Condition: few traces of usage. Dimension: total length: c. 9.3 cm, c. 5.5 cm wide, c. 3.2 cm deep.

A wildly crafted bronze image of a shishi lion breathing out a cloud forming the basin for a flower arrangement (known as an usubata). The curly hair has been somehow flaked off and maintained during the casting process, quite an exceptional example. The basin can be removed from the mouth of the creature. Assembled it is 32 x 28 x 33 cm tall (12-3/4 x 11-1/4 x 13 inches) and weighs 4390 grams (9.5 pounds). It is in fine original condition.

Antique Thai/Burmese Sanskrit book fragments, called a "parabaik", which were once majorly used to document societal information through text and drawings. Made from thick sheets of paper, either blackened for text or whitened for colored drawings, which were then glued and folded together. This book fragment has a central black panel, with religious Sanskrit text in gilt, and gilt pigment figures kneeling in prayer on either side...

This folk weaving loom for straw mats, ropes, and the like, was a common feature in rural Japanese homes. Made of heavy keyaki wood frame and base, this "mushirobata oriki" also has a roughly hewn top crosspiece with a natural curve. H. 131cm(51.5") x W. 147cm(58") x D.(base) 46cm(18"). Late Edo to Early Meiji Era.

Size : 17,5cm wide, 11 high. Conditions : Good condition except inside the lid possible has been cut little bit. Free from any hairlines and restorations.

Found in the Philippines. Featuring a globular body, tapering to its shoulders to a flared mouth with a short curved spout, opposite its curved handle and is covered overall in a pale green celadon glaze. Its base is fully glazed, except for the foot-ring. A similar example can be seen in the book ”Chinese and Southeast Asian Greenware Found in the Philippines” by: The Oriental Ceramic Society of the Philippines, on page 56; exhibit 2.42(left)...

Group of 8 hand painted oval miniatures of Indian buildings including the GOLDEN TEMPLE AMRITSAR and the TAJ MAHAL. Varying sizes, largest 5.5 x 4 cm. Undated but firmly estimated to mid 19th century. Can be viewed in central London and shipped worldwide.

Wonderfully made Chinese Statue of the mythical diety Zhong Kui. Zhong Kui was seen as many symbols including, protector of evil spirits, expeller of demons plague, and protects homes with male children. Zhong Kui is posing triumphantly with sword in hand, and a bat in the other. His foot is resting on a demon he commands. Incredible detail in the folds of his clothing, face and body of both Zhong Kui and demon. Five bats outline chinese symbol on his chest...

Pair of large Chinese Qing dynasty lidded ginger jars decorated in underglaze blue with Buddhist lion dogs among flames and clouds set against a white porcelain ground. Glazed base and interior. Including the lid, each jar measures about 11 1/4" - 11 1/2" height and diameter with one jar slightly larger than the other. 19th century. Very good overall condition with no chips, cracks, or repairs. Typical production imperfections...